M.I.A. Albums


Book Description




Reeling


Book Description

Reeling: Book 6 River’s Sigh B & B




Ever After


Book Description

Written by Barry Singer—one of contemporary musical theater's most authoritative chroniclers—Ever After was originally published in 2003 as a history of the previous twenty-five years in musical theater, on and off Broadway. This new edition extends the narrative, taking readers from 2004 to the present. The book revisits every new musical that has opened since the last edition, with Barry Singer once again as guide. Before Ever After appeared in 2003, no book had addressed the recent past in musical theater history—an era Singer describes as "ever after musical theater's many golden ages." Derived significantly from Singer's writings about musical theater for the New York Times, New York Magazine, and The New Yorker, Ever After captured that era in its entirety, from the opening of The Act on Broadway in October 1977 to the opening of Avenue Q Off-Broadway in March 2003. This new edition brings Ever After up to date, from Wicked, through The Book of Mormon, to Hamilton and beyond. Once again, this the first book to cover this new, pre-pandemic age of the Broadway musical. And, once again, utilizing his recent writing about musical theater for HuffPost and Playbill, Barry Singer's viewpoint is comprehensive and absolutely unique.




Black, Blanc, Beur


Book Description

This text is about the emergence and growing notoriety of rap music and the hip-hop culture in the French-speaking world. It provides an introduction to many forms of expression of hip-hop cultures.




In the Limelight and Under the Microscope


Book Description

A timely collection exploring the politics of female celebrity across a range of contemporary, historical, media and national contexts. >




M.I.A.


Book Description

A groundbreaking and always controversial musician, M.I.A. is an influential artist and an important cultural figure of the last decade. Here is a documentation of her entire visual output and a telling of her story in collages, photos, and prints from her early years in art school at Central Saint Martins London through to her hugely successful three albums, mixtapes, and live performances at PS1 MoMA, Coachella, various exhibitions, installations, and music video shoots. The artwork is comprised of a wide variety of materials and media: video stills turned to stencils pieced back together to make animated installations; spray-painted canvasses scanned then made into digital collages; photographs videotaped, then run through bad computer connections to create graphic prints; artwork on nails, walls, prints for T-shirts, handmade stage costumes—anything she could find while she was touring. Also included are assorted lyrics and portions of an exclusive interview in which she discusses candidly the personal events and themes which informed her art and music at the time of each campaign. Includes foreword by Steve Loveridge, friend since her art school days and frequent creative collaborator with M.I.A.




Silver Bells


Book Description

Their love was an unexpected gift. Can it last? Christmas, wonderful as it is, can also be a time when losses, failures, and secret hurts hit extra close to home. It certainly is for Bryn Hale and Sean Carson, two strangers traveling a lonely stretch of highway in a brutal snowstorm. Divorced by her husband because of her inability to have children, and devalued by her family who sympathize with her ex, Bryn believes all the negative things she’s been told about herself. She decided long ago that love and marriage are permanently off the table. Special event organizer Sean Carson is mourning the loss of a dream. Officially separated for six months, he finally knows beyond doubt that the woman he was with for ten years doesn’t love him and maybe never has. All he wants is to love fully, totally and forever—and to have someone love him the same way. But does that kind of relationship even exist? When a car accident forces their introduction and lands Bryn and Sean together at magical River’s Sigh B & B, Sean finds himself smitten. Bryn feels the attraction too, but her desire for self-protection runs deep. Plus, Sean has tipped his hand. He wants kids. It only makes sense for them to go their separate ways, but matters of the heart don’t always follow logic. Bryn musters her courage and lets herself fall for Sean. Then Sean gets terrible-wonderful news from his ex: he’s going to be a dad. What will he do? Be the loyal, stand-by-your-woman man he’s always thought he was and go back to her—or keep his promise to Bryn? Fans of heartwarming small-town contemporary romance, Christmas holiday romances, and friends to lovers stories will fall in love with River’s Sigh B & B and never want to leave!




A Week to Remember


Book Description

Sixteen-year-old Carrie has always stood above the crowd. Partly because she is so tall and her anger gets the best of her. Carrie finally gets to go see her very ill Aunt Mia. Carrie is hoping that Aunt Mia will get a little taste of her life with her parents. Carrie wasn't sure if Aunt Mia felt the same way about her or would be concerned enough to help Carrie. Carrie always felt close to Aunt Mia and no one else. Carrie was only there for a week but the turn of events last a lifetime. Carrie discovers that there are people who care about her.




Elevator Music


Book Description

DIVNoted music historian Joseph Lanza seriously appraises an American musical tradition /div




Orientalism Transposed


Book Description

First published in 1998, this volume reflects that, ever since the publication of Edward Said’s Orientalism twenty years ago, scholars have tested his thesis against the wider application of his terms to cultural practices and the rhetoric of power. The cultural impact of the British on their colonies has been extensively investigated but only recently have scholars begun to ask in what ways British culture was transformed by its contact with the colonies. The essays in this volume demonstrate how influential the Empire was on British culture from the late eighteenth to early twentieth centuries. They show how, from cross-cultural cross-dressing to Buddhism, British artists and writers appropriated unfamiliar and challenging aspects of the culture of the Empire for their own purposes. An examination is also made of the extent to which colonized people engaged in the orientalising discourse, amending and subverting it, even re-applying its stereotypes to the British themselves. Finally, two essays explore instances of the exchange of ideas between colonies. Several of the essays are based on papers given at the 1996 Conference of the College Arts Association.