Mafia only kills in summer


Book Description

Set in 1979, the story of Mafia Only Kills In Summer unfolds through the eyes of one young boy, Salvatore, and his family, the Giammarresi's. Major historical events, investigations, crimes and politics intertwine with their normal daily life... an apparent normality that is in fact back dropped by a continuing and intrusive conflict.




Mafia only kills in summer


Book Description

The second season begins with Lorenzo and his family failing to flee the island and returning home. It's a difficult choice for the family as it means they are now in constant fear of possible Mafia retaliations. As the situation becomes more and more complicated with each passing day a dangerous wind of death starts blowing over Palermo. The Mafia raises the stakes and sentences to death all the members of the institutions who have tried to hinder their plans. It's the era of high-profile killings with magistrates such as Terranova and Costa murdered, and Governor Piersanti Mattarella, the man who wanted to clean things up, also assassinated. The Corleonesi clan led by Tot Riina besiege the city, Palermao's aristocracy is crushed, the shadow of a brutal Mafia war is looming over Palermo. And as a blanket of bloody covers the city, Lorenzo and his family have to find the strength to stay united and survive.




Mafia Movies


Book Description

The mafia has always fascinated filmmakers and television producers. Al Capone, Salvatore Giuliano, Lucky Luciano, Ciro Di Marzio, Roberto Saviano, Don Vito and Michael Corleone, and Tony Soprano are some of the historical and fictional figures that contribute to the myth of the Italian and Italian-American mafias perpetuated onscreen. This collection looks at mafia movies and television over time and across cultures, from the early classics to the Godfather trilogy and contemporary Italian films and television series. The only comprehensive collection of its type, Mafia Movies treats over fifty films and TV shows created since 1906, while introducing Italian and Italian-American mafia history and culture. The second edition includes new original essays on essential films and TV shows that have emerged since the publication of the first edition, such as Boardwalk Empire and Mob Wives, as well as a new roundtable section on Italy’s “other” mafias in film and television, written as a collaborative essay by more than ten scholars. The edition also introduces a new section called “Double Takes” that elaborates on some of the most popular mafia films and TV shows (e.g. The Godfather and The Sopranos) organized around themes such as adaptation, gender and politics, urban spaces, and performance and stardom.




Italian Crime Fiction in the Era of the Anti-Mafia Movement


Book Description

Over the last three decades, Italian crime fiction has demonstrated a trend toward a much higher level of realism and complexity. The origins of the New Italian Epic, as it has been coined by some of its proponents, can be found in the widespread backlash against the Mafia-sponsored murders of Sicilian magistrates which culminated with the assassinations of Judges Giovanni Falcone and Paolo Borsellino in 1992. Though beginning in the Italian language, this prolific, popular movement has more recently found its way into the English language and hence it has found a much wider international audience. Following a brief, yet detailed, history of the cultural and economic development of Sicily, this book provides a multilayered look into the evolution of the New Italian Epic genre. The works of ten prominent contemporary writers, including Andrea Camilleri, Michael Dibdin, Elena Ferrante, and Massimo Carlotto, are examined against the backdrop of various historical periods. This "past is prologue" approach to contemporary crime fiction provides context for the creation of these recent novels and enhances understanding of the complex moral ambiguity that is characteristic of anti-mafia Italian crime fiction.




Encounters with the Real in Contemporary Italian Literature and Cinema


Book Description

This volume explores the Italian contribution to the current global phenomenon of a “return to reality” by examining the country’s rich cultural production in literature and cinema. The focus is particularly on works from the period spanning the Nineties to the present day which offer alternatives to notions of reality as manufactured by the collusion between the neo-liberal state and the media. The book also discusses Italy’s relationship with its own cultural past by investigating how Italian authors deal with the return of the specter of Neorealism as it haunts the modern artistic imagination in this new epoch of crisis. Furthermore, the volume engages in dialogue with previous works of criticism on contemporary Italian realism, while going beyond them in devoting equal attention to cinema and literature. The resulting interactions will aid the reader in understanding how the critical arts respond to the triumph of hyperrealism in the current era of the virtual spectacle as they seek new ways to promote cognitive transformations and foster ethical interventions.




Mafia Summer


Book Description

One a Sicilian Hell's Kitchen gang leader, the other a sickly but brilliant Orthodox Jewish boy who lives next door, Vinny Vesta and Sidney Butcher meet on a fire escape during the blistering New York City summer of 1950. Their friendship develops over the course of a summer that will change Vinny's fortunes forever, at a cost he could never have imagined. Based on a true story, Mafia Summer brilliantly captures a pivotal moment in Mafia history and in the lives of the teenagers caught up by the Mob. "Influenced more by Billy Bathgate than by The Godfather...Sweet, affectionate, and bloody: a glance backward to a well-spent youth."-Kirkus Reviews "E. Duke Vincent hits the target dead center with this first novel set on the bloody streets of Hell's Kitchen. A mini-epic, complete with a full-scale crime war, Mafia Summer remains a detailed tale of friendship and of the best kind of loyalty. A masterful performance."-Lorenzo Carcaterra, author of Sleepers and Paradise City "One of the best books on the mafia I have ever read. Right up there with The Godfather."-New York Times bestselling author Jack Higgins




Tourist Behaviour


Book Description

Consumer research is often central to academic studies in many different fields, and more recently, tourism studies have empirically examined consumer research from various aspects. However, there is a need to provide information for tourism scholars on how to better understand aspects of tourist behaviour. Tourist Behaviour: An International Perspective provides a collection of topics from both theoretical and practical approaches to building and examining the theory of how consumers think and act within the context of tourism consumption. Divided in to six sections, the book presents research within the themes of influence, motivation, choice, and consumption and experience. With contributions from authors in over 15 countries, the book presents an interdisciplinary approach of the latest research in tourist behaviour.







Italian Film in the Present Tense


Book Description

For observers of the European film scene, Federico Fellini’s death in 1993 came to stand for the demise of Italian cinema as a whole. Exploring an eclectic sampling of works from the new millennium, Italian Film in the Present Tense confronts this narrative of decline with strong evidence to the contrary. Millicent Marcus highlights Italian cinema’s new sources of industrial strength, its re-placement of the Rome-centred studio system with regional film commissions, its contemporary breakthroughs on the aesthetic front, and its vital engagement with the changing economic and socio-political circumstances in twenty-first-century Italian life. Examining works that stand out for their formal brilliance and their moral urgency, the book presents a series of fourteen case studies, featuring analyses of such renowned films as Il Divo, Gomorrah, The Great Beauty, We Have a Pope, The Mafia Only Kills in the Summer, and Fire at Sea, along with lesser-known works deserving of serious critical scrutiny. In doing so, Italian Film in the Present Tense contests the widely held perception of a medium languishing in its "post-Fellini" moment, and instead acknowledges the ethical persistence and forward-looking currents of Italian cinema in the present tense.




Mafia Summer


Book Description

In 1950, unlikely friends Vinny Vesta, a tough Sicilian Hell's Kitchen gang leader, and Sidney Butcher, a brilliant Orthodox Jew, are caught in the crossfire when Gee-gee Perone, a ruthless mobster, plots to eliminate the other mob bosses to transform himself into the capo di tutti capos, in a novel based on a pivotal episode in Mafia history. Reprint.