Maggie Ray's Poetry


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Good Bones


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Featuring “Good Bones”—called “Official Poem of 2016” by the BBC/Public Radio International. Maggie Smith writes out of the experience of motherhood, inspired by watching her own children read the world like a book they've just opened, knowing nothing of the characters or plot. These are poems that stare down darkness while cultivating and sustaining possibility, poems that have a sense of moral gravitas, personal urgency, and the ability to address a larger world. Maggie Smith's previous books are The Well Speaks of Its Own Poison (Tupelo, 2015), Lamp of the Body (Red Hen, 2005), and three prize-winning chapbooks: Disasterology (Dream Horse, 2016), The List of Dangers (Kent State, 2010), and Nesting Dolls (Pudding House, 2005). Her poem “Good Bones” has gone viral—tweeted and translated across the world, featured on the TV drama Madam Secretary, and called the “Official Poem of 2016” by the BBC/Public Radio International, earning news coverage in the New York Times, Washington Post, Slate, the Guardian, and beyond. Maggie Smith was named the 2016 Ohio Poet of the Year. “Smith's voice is clear and unmistakable as she unravels the universe, pulls at a loose thread and lets the whole thing tumble around us, sometimes beautiful, sometimes achingly hard. Truthful, tender, and unafraid of the dark....”—Ada Limón “As if lost in the soft, bewitching world of fairy tale, Maggie Smith conceives and brings forth this metaphysical Baedeker, a guidebook for mother and child to lead each other into a hopeful present. Smith's poems affirm the virtues of humanity: compassion, empathy, and the ability to comfort one another when darkness falls. 'There is a light,' she tells us, 'and the light is good.'”—D. A. Powell “Good Bones is an extraordinary book. Maggie Smith demonstrates what happens when an abundance of heart and intelligence meets the hands of a master craftsperson, reminding us again that the world, for a true poet, is blessedly inexhaustible.”—Erin Belieu




Bluets


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Suppose I were to begin by saying that I had fallen in love with a color . . . A lyrical, philosophical, and often explicit exploration of personal suffering and the limitations of vision and love, as refracted through the color blue. With Bluets, Maggie Nelson has entered the pantheon of brilliant lyric essayists. Maggie Nelson is the author of numerous books of poetry and nonfiction, including Something Bright, Then Holes (Soft Skull Press, 2007) and Women, the New York School, and Other True Abstractions (University of Iowa Press, 2007). She lives in Los Angeles and teaches at the California Institute of the Arts.







Scottish Poets in America


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Maggie and Milly and Molly and May


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What do four little girls discover when they spend an afternoon by the sea? Maggie, a shell; Milly, a star; Molly, a "horrible thing"; and May, a smooth round stone. This seemingly simple story by American poet Edward Estlin Cummings (1894-1962), showcasing his signature quirky style, is delightful as well as profound. Readers will enjoy the day at the beach for its innate pleasures, but on contemplation may realize that objects encountered by the girls reflect parts of themselves.Marcia Perry's bright, engaging illustrations enhance the poem with her playful and introspective portraits of the characters; her beach setting sings with the ocean tide and the seagulls' squawks.




NDN Coping Mechanisms


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In his follow-up to This Wound is a World, Billy-Ray Belcourt’s Griffin Poetry Prize–winning collection, NDN Coping Mechanisms: Notes from the Field is a provocative, powerful, and genre-bending new work that uses the modes of accusation and interrogation. He aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive. In NDN Coping Mechanisms: Notes from the Field, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination.




The Sky Is Not the Limit


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Meet Ross Hutchison, the man who doesnt just make the days counthe makes the minutes count. He has crammed many lifetimes into one life and made many friends along the way. Rosss boundless energy has taken him to the pinnacle of multiple careers, and his tutors and mentors along the way were always the royalty in their chosen fields. His work in television, theatre, film, cabaret, and radio has been seen and heard in Australia and around the world. For many years, he was a dancer and choreographer on Bandstand, both for Brian Henderson and the Daryl Somers Series. Ross was also choreographer and dancer for the great Benny Hill. During his career, he has danced with Sammy Davis, Liza Minnelli, and numerous other stars. His work with Bernard King on TV and in cabaret/theatre restaurants and pantomimes is legendary. In later life, his love of horses reignited as a need to learn to drive harness racers. But that did not shift his focus from his ministry and support of those in need. The many who have used his private alternative medicine clinic and those who lean on his foundation for support will never forget this magical man.




A Nail the Evening Hangs On


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In her debut collection, Monica Sok uses poetry to reshape a family’s memory about the Khmer Rouge regime—memory that is both real and imagined—according to a child of refugees. Driven by myth-making and fables, the poems examine the inheritance of the genocide and the profound struggles of searing grief and PTSD. Though the landscape of Cambodia is always present, it is the liminal space, the in-betweenness of diaspora, in which younger generations must reconcile their history and create new rituals. A Nail the Evening Hangs On seeks to reclaim the Cambodian narrative with tenderness and an imagination that moves towards wholeness and possibility.