Magnum Landscape


Book Description

In the tradition of monumental Magnum books, this publication brings together an eclectic assortment of work by the finest photographers of our time, capturing a riveting and seductive series of fleeting moments around the world. For half a century, Magnum photographers - through countless commissions and their own personal work - have produced images that comment on the state of the world. In photographing the landscape they are not just spectators but participants, aware that the land itself has been shaped by man, and that the very notion of a landscape depends on a human viewpoint. As each photographer records and interprets a diversity of subject matter to form a unique personal style, the variations on this theme are endless - landscapes of war, of agriculture, of industry, of cities and motorways, of desolation, celebration and tranquillity. The photographs assimilated in this book invite us to rediscover landscape, and urge us to think more profoundly not only about planet earth in its entirety, but about our own place in it.




The Decisive Network


Book Description

"Since its founding in 1947, the legendary Magnum Photos agency has been telling its own story: Its photographers were concerned witnesses to history and artists on the hunt for decisive moments; their pictures were humanist documents of the postwar world. Based in unprecedented archival research, The Decisive Network peels back layers of the Magnum mythology to offer a new history of what it meant to shoot, edit, and sell news images after World War II. Between the 1940s and 1960s, Magnum expanded the human-interest story - about the everyday life of ordinary people - to global dimensions while bringing the aesthetic of news pictures into new markets. Its best-known work started as humanitarian aid promotion, travel campaigns, corporate publicity, and advertising. Working with this range of clients, Magnum made photojournalism integral to visual culture. Yet Magnum's photographers could not have done this alone. This book unpacks the collaborative nature of photojournalism as it transpired on a daily basis, focusing on how picture editors, sales agents, spouses, and publishers helped Magnum photographers succeed in their assignments and achieve fame. The Decisive Network concludes in the late 1960s and early 1970s, when, amidst the decline of magazine publishing and the rise of an art market for photography, Magnum turned to photo books and exhibitions to manage its growing picture archives and consolidate its brand. In that moment, Magnum's photojournalists became artists and their assignments turned into oeuvres. Such ideas were necessary publicity, and they also managed to shape discussions about photography for decades. Bridging art history, media studies, cultural history, and the history of communication, this book transforms our understanding of the photographic profession and the global circulation of images in the pre-digital world"--




Good Morning, America


Book Description

The American landscape as viewed through the lens of an outsider.




The Photographer in the Garden


Book Description

From Versailles to the home vegetable garden, from worlds imagined by artists to food production recorded by journalists, The Photographer in the Garden traces the garden's rich history in photography and delights readers with spectacular photographs. An informative essay from curator Jamie M. Allen and commentaries by Sarah Anne McNear broaden our understanding of photography and explore our unique relationship with nature through the garden. This is a sublime book bringing together some of history's most stunning photography.




Magnum Streetwise


Book Description

The ultimate collection of street photography from Magnum Photos. Magnum Streetwise is the definitive collection of street photography from Magnum Photos, and an unparalleled opportunity to follow in the footsteps of the true greats of the genre. An essential addition to the street photography canon, this volume showcases hidden gems alongside many of street photography’s most famous images. Magnum photographers such as Henri Cartier-Bresson pioneered modern concepts of street photography before the term was even coined. A rich seam of street photography runs through the heart of Magnum to this day, both in the work of recognized masters of the genre—including Elliott Erwitt, Martin Parr, Bruce Gilden, and Richard Kalvar—and in the work of those who may not think of themselves as street photographers, despite their powerful influence on the current generation of budding artists. Magnum Streetwise is a true visual feast, interleaving insightful text and anecdotes within an intuitive blend of photographer- and theme-focused sections. Ambitious in scope and democratic in nature, Magnum Streetwise is an unmissable tour through the photographs and practices that have helped define what street photography is—and what it can be.




Landscape


Book Description

A stimulating introduction, this book explores the concept of 'landscape' in theories and writings of the last twenty to thirty years, to aid students in fully comprehending this vast and complex topic.




The Book of Veles


Book Description

Photographs of contemporary Veles are intertwined with fragments from an archaeological discovery also called 'the Book of Veles' -- a cryptic collection of 40 'ancient' wooden boards discovered in Russia in 1919, written in a proto-Slavic language. It was claimed to be a history of the Slavic people and the god Veles himself--the pre-Christian Slavic god of mischief, chaos and deception




Imagining Landscapes


Book Description

The landscapes of human habitation are not just perceived; they are also imagined. What part, then, does imagining landscapes play in their perception? The contributors to this volume, drawn from a range of disciplines, argue that landscapes are 'imagined' in a sense more fundamental than their symbolic representation in words, images and other media. Less a means of conjuring up images of what is 'out there' than a way of living creatively in the world, imagination is immanent in perception itself, revealing the generative potential of a world that is not so much ready-made as continually on the brink of formation. Describing the ways landscapes are perpetually shaped by the engagements and practices of their inhabitants, this innovative volume develops a processual approach to both perception and imagination. But it also brings out the ways in which these processes, animated by the hopes and dreams of inhabitants, increasingly come into conflict with the strategies of external actors empowered to impose their own, ready-made designs upon the world. With a focus on the temporal and kinaesthetic dynamics of imagining, Imagining Landscapes foregrounds both time and movement in understanding how past, present and future are brought together in the creative, world-shaping endeavours of both inhabitants and scholars. The book will appeal to anthropologists, sociologists and archaeologists, as well as to geographers, historians and philosophers with interests in landscape and environment, heritage and culture, creativity, perception and imagination.




The Landscape


Book Description

After a career spanning sixty years, Sir Don McCullin, once a witness to conflict across the globe, has become one of the greatest landscape photographers of our time.0His pastoral view is far from idyllic. Though the woods and stream close to his house in Somerset have offered some respite, he has not sought out the quiet corners of rural England.0He is drawn, instead, to the drama of approaching storms. He has an acute sense of how the emptiness of his immediate landscape echoes a wider tone of disquiet.0This is a beautifully produced photographic book containing sublime views of England shrouded in mist, snow, water or cowering beneath an overwhelming sky.0And although the majority of the images featured are from Great Britain, it also includes stunning scenes from Syria, Iraq, France, Morocco, Sudan, India and Indonesia.




Industries


Book Description

Josef Koudelka started using a camera in panoramic format in 1986 while participating in the photographic mission of the DATAR, whose objective was to “represent the French landscape of the 1980s”. He thus criss-crossed France, then the entire world, to take stock of modern humanity’s influence on landscape. This book, with an original, raw binding and an imposing format, gathers 40 panoramic photographs selected by the artist with the complicity of François Hébel. These images bear witness to major human works, ranging from factories to quarries, or enormous mining complexes and abandoned zones. They carry the reader into inaccessible and little-known areas, between sublime and disarray, to witness the imposing reality of industry that we try now to erase. A text by François Hébel gives an overview of Koudelka’s photographic journey and his fascination for industrial landscapes over 30 years whereas François Barré’s essay contextualizes this ensemble into the history of landscape.