Malayalam Films, 2010


Book Description

Synopsises of Malayalam films released in 2010.







AKASHVANI


Book Description

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 28 FEBRUARY, 1982 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 56 VOLUME NUMBER: Vol. XLVII. No. 9 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 12-52 ARTICLE: 1. Medicine in Ancient India 2. Indigenous Herbs in Modern Medicine 3. Diet And Diseases 4. Medical Education And Rural Health Service 5. Brain Tumours: Diagnosis And Follow Up 6. Detachment of Retina And Corneal Transplantation AUTHOR: 1. Vd. K. N. Pisal 2. Dr. M. S. Gupta 3. Dr. R. Govindan Nair 4. Dr. C. V. Korah 5. Dr. T.R. Sharma 6. Dr. J. N . Rohatgi Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential







Indian Horror Cinema


Book Description

This book studies the hitherto overlooked genre of horror cinema in India. It uncovers some unique and diverse themes that these films deal with, including the fear of the unknown, the supernatural, occult practices, communication with spirits of the deceased, ghosts, reincarnation, figures of vampires, zombies, witches and transmutations of human beings into non-human forms such as werewolves. It focusses on the construction of feminine and masculine subjectivities in select horror films across seven major languages – Hindi, Tamil, Telugu, Kannada, Bangla, Marathi and Malayalam. The author shows that the alienation of the body and bodily functions through the medium of the horror film serves to deconstruct stereotypes of caste, class, gender and anthropocentrism. Some riveting insights emerge thus, such as the masculinist undertow of the possession narrative and how complex structures of resistance accompany the anxieties of culture via the dread of laughter. This original account of Indian cinematic history is accessible yet strongly analytical and includes an exhaustive filmography. The book will interest scholars and researchers in film studies, media and cultural studies, art, popular culture and performance, literature, gender, sociology, South Asian studies, practitioners, filmmakers as well as cinephiles.




The Aesthetics of Ugliness in Contemporary Malayalam Cinema


Book Description

Cinema as an aesthetic construct exists in a specific historical and political context, reflecting the society and its aesthetic values. Visual representation of the Ugly, its politics and aestheticization, are deeply rooted in the screen space. Featuring unconventional characters, unembellished visuals, raw and gritty storytelling, the unaesthetic challenges conventional notions of beauty on screen. The physical, psychological, and social manifestations of the ugly are incorporated into the cinematic space through content, theme, physical representations, symbols, setting, dialogue, as well as the camera. Exploring the intricate connection between ugliness and the cinematic medium, the book focuses on identity, gender, and other manifestations of Ugly in contemporary Malayalam cinema. It meticulously analyses the portrayal of ugliness in characters, narratives, and visual aesthetics, thus highlighting societal norms and realities of life. The book is a must-read for film scholars, enthusiasts, and anyone interested in the intersection of aesthetics and storytelling.







You Could Be the Winner (Volume - II)


Book Description

Truth is ever to be found in simplicity and not in multiplicity and confusion of things. I have just three things to teach or say: to the contemporary Humans that simplicity, Patience and compassion are the three building blocks of humanity. Simplicity and humanity are the ultimate sophistications of human civilization. They are the essence of happiness since great acts are made up of small deeds. All I have is a sense of duty toward all people and attachment to those with whom I have become intimate. Thus the next evolutionary step for me that mankind is to be more from man to kind. Earth provides enough to satisfy every man’s need not everyman’s greed. Hence I have taken up writing books to mould other beings to be humans not as savage since we Hominids were savage in early stage and now it is high time to turn out ourselves into humans. Simplicity, which is the essence of happiness, is great act of humans for doing small deeds. Right from retirement as an Audit Officer from the Office of the Principal Accountant General Audit Andhra Pradesh Hyderabad, on 01-07-2003, I studied LL.B, at the evening age of 60 to 69 years while writing certain controversial books like (i)“ Human Life-A Philosophical Audit, (ii) We Think Therefore We Are”, (iii)“My Mind is My Mosque” (iv)“ Tears of Terrorism” (v) “After all Whose Life is It any Way?”( a book on Euthanasia) (vi)“Know your India-Open a new Page for writing Nationalism” (for India’s Nationalism) (vii) Paradise Lost ( a real life story of a Jihadists killing his own mother in Syria for the sake of Blessing of Paradise by the Allah) (viii) “Spicy Trade” (How India was subjected to Invasion by Arabs, Europeans and finally tampered One India into Three viz. Pakistan, India and Bangladesh, (ix) “Father Turns Monster” ( real story relating to a father to save his child by killing innocent peoples and plucked their organs like Lungs and Heart and used for Transplantation and replacement of his sons Lungs and Heart”) (x) “Tridevi Trident” (story relating to three sisters killing their father who became Psycho in raping the children including themselves and this is also a real story). I normally portray in a books only facts not fiction, poetry and no fairy tails. My aim is let the decide what is fact and what fiction and develop his personality accordingly since what ever that feels, perceives, desires expressions and emotions are all the offshoots of the Brain. The meaning of life is to take birth, to grow, to feed, to develop energy, procreate children and finally to die and merge into the womb of Earth as a piece of nuclei. That is it! Hence I did not show craze for the monetary returns but only to show the people how the realm of our Society is inflamed with monetary gains. This my story in short.







Pride of Tamil Cinema 1931-2013


Book Description