Mao Tse-tung


Book Description







Mao Tse-Tung’s Theory of Dialectic


Book Description

The year 1979 ushered in a new phase in China's long and continuous revolu tion. Currently, this new phase is being symbolically referred to, by the Chinese leaders themselves, as the 'New Long March' (a continuation of the legendary and historical Long March) in terms of modernization, which comprises the Four Modernizations: Agriculture, Industry, Science and Technology, and Military Defense. Such an all-encompassing attempt at modernization may appear, to some at least, to be something new, or may indicate a radical shift in her policy. But upon closer examination, this decision seems only to reflect an historical continuity in terms of the two major long-term goals of the Chinese Revolution: 'national independence' and 'modernization' (or 'industrialization'). The former would make China strong; the latter, wealthy. For, ever since the Opium War in 1840 and throughout the Revolutions of 1911 and 1949, China has always pursued these two revolutionary goals, though with different emphases at different times. This has been especially true during the past three decades as this twofold goal has dictated all of China's important policies, both domestic and foreign. In other words, while the concrete policies may have appeared to be lacking in unity at times, they have been formulated with the specific intent of achieving national independence and modernization. From this perspective, the New Long March marks the passage of post-Mao China beyond the transition of succession toward the continued pursuit of the same revolutionary goals.




Mao


Book Description

Michael Lynch’s second edition of Mao examines the life of this controversial figure. Opening with a detailed chronology, it delves into Mao’s younger years and tracks his gradual rise to power, with a chapter dedicated to the cult status that surrounded him. Through a wealth of primary and secondary sources and a balanced consideration of the conflicting views that surround Mao’s leadership, this book provides a thorough exploration of Mao’s political and private life. Key features of the second edition include a detailed analysis of the Long March, an account of Sino-Japanese relations and an assessment of Mao’s ongoing legacy. This biography will be essential reading for anyone interested in Mao and the politics of twentieth-century China.




Mao


Book Description

"Originally published in a different version in 2007 in Russian by Molodaia Gvardiia as Mao Tzedun"--Title page verso.




Chinese Whispers


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'Chu's smart, iconoclastic portrait dismantles seven misconceptions' [NEW STATESMEN] about modern China and offers a corrective to Western assumptions. THE CHINESE ARE THE MOST HARDWORKING PEOPLE ON EARTH... so why are the younger generation derided as spoiled and lazy? CHINESE PEOPLE DON'T CARE ABOUT POLITICAL FREEDOM... so why is the country's internet exploding with anti-regime dissent? CHINA WILL ONE DAY RULE THE WORLD... so why do the country's political leaders feel so insecure? Perhaps it is time to stop engaging in a centuries-old game of Chinese whispers in which the facts have become more and more distorted in the telling. Ben Chu examines the myths that have come to dominate our view of the world's most populous nation, forcing us to question everything we thought we knew about it. The result is a penetrating, surprising and provocative insight into China today.




Military Review


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China's Creative Industries


Book Description

China's Creative Industries explores the role of new technologies, globalization and higher levels of connectivity in re-defining relationships between producers and consumers in 21st century China. The evolution of new business models, the impact of state regulation, the rise of entrepreneurial consumers and the role of intellectual property rights are traced through China's film, music and fashion industries. The book argues that social network markets, consumer entrepreneurship and business model evolution are driving forces in the production and commercialization of cultural commodities. In doing so it raises important questions about copyright's role in the business of culture, particularly in a digital age. This insightful book will appeal to post-graduate students and academic researchers in China and Asian studies, intellectual property, cultural studies, film, music and fashion studies, cultural economics and innovation management. People working in the creative industries with an interest in devising strategies for expansion into the Chinese market, as well as people working in the creative industries outside China with an interest in developing successful digital strategies, will also find much to interest them in this book.