Marco's Redemption


Book Description

USA Today's bestselling author of Rule's Obsession and Rule's Property, Lynda Chance brings you a contemporary romance filled with steamy, alpha-male heat: Marco's Redemption: Blurb: Marco Donati is rich, ruthless--and more often than not--indiscriminate. Interested only in satisfying his sexual needs casually and frequently, he has no intention of changing a thing about his life. Natalie Lambert is alone, broke, and new to the city when a chance encounter leaves her under the power and control of Marco Donati. Excerpt: Natalie took refuge in the upstairs powder room of the mansion in River Oaks and held her tube of lip-gloss with hands that shook. She desperately tried to control the trembling in her fingers so she could reapply the color to her lips. As she looked at herself in the mirror, she knew her inner turmoil was well hidden behind a façade of soft silky hair, a sleek designer dress, and perfect make-up that lacked only the gloss she sought to repair. The door began to open with not even a hint of warning and her eyes flew to the knob that she’d sworn she'd locked. Her breath lodged in her throat as Marco slipped inside, secured the door that she had failed to lock only minutes before, and came to stand behind her in the tiny room. He pressed his chest against her back, propelling her forward a few inches until she was crowded against the vanity. Her nerves shifted restlessly, and the impact of his body against hers made the lipstick fall from her fingers and land in the sink in front of her. He caught and held her eyes in the mirror. The furious look on his face jolted her heart and her pulse skittered alarmingly and began pounding in her chest. He towered over her, the muscles beneath his designer suit corded and strained. His eyes were narrowed and he held his lips tightly closed over teeth she knew were gritted in anger. She struggled to control her features, to keep all expression from her face. She would be damned if she let him see how badly she was hurting. She refused to take responsibility for the scene that had just taken place downstairs; she was innocent of all wrong-doing. She began to open her mouth to tell him so. Before she could get one word out, his hand snaked out and covered her mouth and suppressed her words in a grip so ruthless that it made her nostrils flare and her eyes widen in barely controlled panic. He lowered his mouth to her ear and held her eyes with his while he hissed out his fury. "I told you not to wear this dress." He held her silent and immobilized with one steely arm while his other hand reached in front of her and encapsulated her flesh. He captured her between his finger and thumb and held tightly, just short of pain, in a display of ownership and control. Natalie sucked in oxygen through her nose and closed her eyes against him and the erotic picture they made in the mirror. His hands tightened as he continued, "I told you how Kennedy would react if you wore it. He can't keep his eyes off you. . . but when he tried to touch you--" He dropped his hand inside her neckline and delved inside her lace-edged bra until he was holding her breast in a possessive grip. "I knew I shouldn't have let you buy the dress. I'm burning it when we get home." Natalie held her eyes closed and tried not to be controlled by his intimate touch on her naked flesh. It was almost impossible to fight against. It had been this way since the day she'd met him, and she very much feared it would be this way until the day she died. "Open your eyes," he growled in her ear. She didn't comply quickly enough to suit him and his hand dropped from her mouth to land on the pulse beating rapidly in her throat, in a sexually intimidating move. Her eyes flew open at the demanding touch and tangled with his in the mirror as his hands caressed her neck with firm, possessive strokes. She licked her dry lips and tried to get her throat to work. "It's not the dress," she argued softly. "No, it's not the dress. It's you--" Marcos's Redemption; keywords, contemporary romance, alpha-male romance, billionaire romance




Marco's Gift


Book Description

One night before a school holiday, our niece Stephanie called our son, Marco. She had found and purchased a silver cross of a certain type he'd long been looking for, to wear around his neck. I watched my son's face light up as she described it. Stephanie promised to deliver it the next evening. The following afternoon, Marco lost his life in a fatal accident near our home. We buried our beloved son with Stephanie's gift. Months passed. A friend looked for his grave, and called me to say she couldn't find it in the cemetery where our son now rested. We hadn't placed a marker yet, finding it difficult to do so; but I reminded her that Marco was near a large, hollowed out, dead tree. "Didn't you see the tree?" I asked. "I didn't think you could miss it." My friend paused a moment. "My God. We were in the right place. I did see the tree," she said. "But Debbie.the tree looked as though it was dead, but.it was in full bloom. It was covered with white flowers " This is a story about transformation.about unspeakable loss, persistent love, hope, faith, and redemption. "I look at my sister Debbie in awe. She has gone through the most devastating, life altering situation, one that would have destroyed most people. But rather than giving up, she has emerged a new person.and this is Marco's Gift."-Denise DeVito




The Sword of Angels


Book Description

Armed with a magic amulet which bestows eternal life on the wearer, a powerful knight protects the fortress of Grimhold, where the magical people of his world reside. But when his closest friend is pulled into the evil sway of the Devil's Armor, only the Sword of Angels can defeat it.




The Forever Knight


Book Description

Lukien is the Bronze Knight, beloved by his kingdom and renowned in battle throughout his world. After betraying his king and losing his beloved, he wishes only for death, but rather than die, Lukien is given a chance for redemption: to be the protector of the Inhumans—those fragile mortals who live deep in the desert, far from the prying eyes of their world. These remarkable individuals have been granted magical powers in exchange for the hardships and handicaps life has handed them. And Lukien, now immortal himself, must be their champion. But how can one man, even an immortal warrior, protect hundreds from a world of potential enemies?




Official Gazette


Book Description




Milo and Marcos at the End of the World


Book Description

As natural disasters begin to befall them the closer they become, Milo and Marcos soon begin to wonder if the universe itself is plotting against them in this young adult debut by the playwright and creator of The Two Princes podcast, Kevin Christopher Snipes. Milo Connolly has managed to survive most of high school without any major disasters, so by his calculations, he’s well past due for some sort of Epic Teenage Catastrophe. Even so, all he wants his senior year is to fly under the radar. Everything is going exactly as planned until the dreamy and charismatic Marcos Price saunters back into his life after a three-year absence and turns his world upside down. Suddenly Milo is forced to confront the long-buried feelings that he’s kept hidden not only from himself but also from his deeply religious parents and community. To make matters worse, strange things have been happening around his sleepy Florida town ever since Marcos’s return—sinkholes, blackouts, hailstorms. Mother Nature is out of control, and the closer Milo and Marcos get, the more disasters seem to befall them. In fact, as more and more bizarre occurrences pile up, Milo and Marcos find themselves faced with the unthinkable: Is there a larger, unseen force at play, trying to keep them apart? And if so, is their love worth risking the end of the world?




Forgiving Imelda Marcos


Book Description

Nathan Go’s taut meditation on forgiveness and regret is told in the indelible voice of a Filipino chauffeur nearing the end of his life. After suffering a serious heart injury, Lito Macaraeg reaches out to his estranged son—a journalist who lives in the United States, far from his father’s Manila nursing home—to promise him a scoop: the story of a secret meeting between Imelda Marcos and Corazon Aquino. Imelda, best known for her excessive shoe collection, was the flamboyant wife of the late Philippine dictator; Corazon was the wife of the opposition politician who was allegedly killed by the Marcoses. An unassuming housewife, Corazon rose up after her husband’s death to lead the massive rallies that eventually toppled the Marcos dictatorship. Lito was Corazon’s personal driver for many years, and her only companion on the journey from Manila to Baguio City to meet Imelda. Throughout the long drive, Lito’s loyalty to his employer is pitted against his own moral uncertainty about her desire to forgive Imelda. But as Lito unspools his tale about two women whose choices shaped their country’s history, his own story, and failings, slowly come to light. He delves into his past: his neglectful father, who joined a Communist guerrilla movement; their life in a mountain encampment headed by a charismatic priest; and Lito’s struggles with poverty and ambition. In the end, it is Lito himself who must contemplate the meaning and possibility of forgiveness. In Forgiving Imelda Marcos, Nathan Go weaves a deeply intimate novel of alternative history that explores power and powerlessness, the nature of guilt, and what we owe to those we love.




Postcolonial Configurations


Book Description

In Postcolonial Configurations Josen Masangkay Diaz examines the making of Filipino America through the dynamics of dictatorship, coloniality, and subjectivity. Diaz explores how the Ferdinand Marcos dictatorship and US policies during the Cold War that supported the regime defined the relationship between “Filipino” and “America” in ways that influenced the creation of a gendered and racialized Filipino American subject. By analyzing Philippine-US state programs for military operations, labor and immigration reform, and development and modernization plans, she shows how anticommunist liberalism and authoritarianism shaped the visibility and recognition of new forms of Filipino subjectivity. Tracing the rise of various social formations that emerged under the Marcos regime and US programs for liberal reform, from transnational Filipino and US culture and the immigrant returnee to the New Filipina woman and the humanitarian English teacher, Diaz positions literature, film, periodicals, and other cultural texts against official state records in ways that reconceptualize the meanings of Filipino America in the Cold War.




Marco's Millions


Book Description

Twelve-year-old Marco's love for travel and for his younger sister Lilly, who has psychic powers, leads him to journey to other universes, gaining the ability to go wherever he wishes without growing old.




The Grace of Destruction


Book Description

For Elena del R�o, extreme cinema is not only qualitatively different from the representations of violence we encounter in popular, mainstream cinema; it also constitutes a critique of the socio-moral system that produces (in every sense of the word) such violence. Drawing inspiration from Deleuze's ethics of immanence, Spinoza's ethology of passions and Nietzsche's typology of forces, The Grace of Destruction examines the affective extremities common in much of global, contemporary cinema from the affirmative perspective of vital forces and situations-extremities such as moral/religious oppression, biopolitical violence, the pain involved in gender relations, the event of death and planetary extinction. Her analysis diverges from the current literature on extreme cinema through its selection of films, which include key international examples, and through its foregrounding of relational, affective politics over representations of sexuality and graphic violence. Detailed formal and philosophical analyses of films like The White Ribbon, Dogville, Code Unknown, Battle in Heaven, Sonatine, Fireworks, Dolls, Takeshis', Inland Empire and Melancholia are meant to move us away from the moral appraisal of violence and destruction, and to compose an ethological philosophy of cinema based on Deleuze's idea that, ?when truth and judgment crumble, there remain bodies, which are... nothing but forces.?