Marvel Comics in the 1970s Expanded Edition


Book Description

NEW EDITION WITH 16 EXTRA PAGES! Marvel Comics in the 1970s covers Marvel's final historical phase: the twilight years of the 1970s, after the initial '60s wave of popularity pushed the company to the forefront of the comics industry, and made many of its characters household names. This full decade of pop-culture history saw Stan Lee's role as writer diminish as he ascended to Publisher, the stunning departure of Jack Kirby to DC (and his later return to Marvel), the rise of Roy Thomas as editor (and eventual Editor In Chief), and the introduction of a new wave of writers and artists who would expand the boundaries of comics beyond super-heroes, while planting the seeds for the company's eventual self-destruction. Comics such as the Spider-Man "drug" issues, Conan the Barbarian, Tomb of Dracula, Master of Kung Fu, Howard the Duck, the new X-Men, and more are covered in detail--along with the creators who wrote and drew them, including Chris Claremont, Barry Windsor-Smith, Gene Colan, Marv Wolfman, Steve Gerber, John Romita, Gil Kane, Sal Buscema, and many others. So don't be satisfied with only half the story! Check out Marvel Comics in the 1970s and find out why Marvel was once hailed as The House of Ideas!




Marvel Comics in the 1970s


Book Description

Marvel Comics in the 1970s explores a forgotten chapter in the story of the rise of comics as an art form. Bridging Marvel's dizzying innovations and the birth of the underground comics scene in the 1960s and the rise of the prestige graphic novel and postmodern superheroics in the 1980s, Eliot Borenstein reveals a generation of comic book writers whose work at Marvel in the 1970s established their own authorial voice within the strictures of corporate comics. Through a diverse cast of heroes (and the occasional antihero)—Black Panther, Shang-Chi, Deathlok, Dracula, Killraven, Man-Thing, and Howard the Duck—writers such as Steve Gerber, Doug Moench, and Don McGregor made unprecedented strides in exploring their characters' inner lives. Visually, dynamic action was still essential, but the real excitement was taking place inside their heroes' heads. Marvel Comics in the 1970s highlights the brilliant and sometimes gloriously imperfect creations that laid the groundwork for the medium's later artistic achievements and the broader acceptance of comic books in the cultural landscape today.




Marvel Encyclopedia


Book Description

Updated edition of this complete A-Z of Marvel characters created in full collaboration with Marvel Comics. Are you a comic-book fan, obsessed by superheroes? This unique A-Z of more than 1,000 classic characters created by comic giant Marvel will satisfy any super-thirst for knowledge. Get closer to Spider-Man, the Avengers, Hulk, Wolverine, the X-Men and more...... all your favourite superheroes and villains are here, as well as some weird and wonderful one-offs. Knock-out double-page features celebrate some of the biggest Marvel stars with intimate details on their powers, titanic clashes and action-packed careers. Jam packed with things you never knew, as well as original, Marvel comic-book art - the power and excitement of more than 60 years of comic-book history explodes off every page.




Hercules, Prince of Power


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Man-Thing By Steve Gerber


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Marvel's melancholy muck-monster, by the man who knows him best! With the Nexus of All Realities as the ultimate staging post, prepare for the wildest journey of your life in this first volume of a complete collection of Steve Gerber's Man-Thing tales! Join the most startling swamp-creature of all in encounters with the Thing, sorcerers Dakimh and Jennifer Kale, and the most far-out fowl ever created, Howard the Duck! Plus: existential angst, clashes with the encroaching modern world, and the death of a clown! You won't be able to put this one down, but don't get scared, because whatever knows fear burns at the Man-Thing's touch! Collecting Astonishing Tales (1970) #12-13, Fear #11-19, Marvel Two-In-One #1 and Man-Thing (1974) #1-8. Plus, material from Savage Tales (1971) #1, Fear #10 and Monsters Unleashed #5.




Origins of Marvel Comics


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All of the Marvels


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Comic Shop


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Award-winning business journalist Dan Gearino leads a tour through the world of comic shops, telling the story of the direct market from its 1970s origins to today. Includes profiles of forty notable shops in the U.S. and Canada, and a close look at The Laughing Ogre in Columbus.




John Severin: Two-Fisted Comic Book Artist


Book Description

The definitive biography of one of the most prolific creators in the history of American comics! From a start in 1947 at the Simon & Kirby shop, he co-created the legendary Western strip American Eagle with Will Elder, and became an EC Comics mainstay, working with Harvey Kurtzman on Mad and Two-Fisted Tales. In addition to a 40+ year association with Cracked magazine, his pivotal Marvel Comics work included an extended run inking Herb Trimpe on The Hulk, and teaming with sister Marie Severin to create the classic comics version of King Kull. Throughout his storied career, he freelanced for every major publisher, and remained a workhorse up till his final Dark Horse mini-series at age 90. Included in this volume is a special "American Eagle" section, an eye-popping art gallery, and extensive personal photos and artifacts (including WWII "Victory Mail" cartoons and handmade greeting cards for his family). Also featured are commentary from over 25 peers gathered just for this book, including Neal Adams, Richard Corben, John Byrne, Russ Heath, Walter Simonson, and many others. Written by Greg Biga and multiple Eisner Award-winner Jon B. Cooke, with an introduction by Howard Chaykin, Foreword by Mort Todd, and Afterword by Chuck Dixon, this profusely illustrated book celebrates the centennial of the two-fisted artist's birth!




The Marvel Studios Phenomenon


Book Description

Marvel Studios has provided some of the biggest worldwide cinematic hits of the last eight years, from Iron Man (2008) to the record-breaking The Avengers (2012), and beyond. Having announced plans to extend its production of connected texts in cinema, network and online television until at least 2028, the new aesthetic patterns brought about by Marvel's 'shared' media universe demand analysis and understanding. The Marvel Studios Phenomenon evaluates the studio's identity, as well as its status within the structures of parent Disney. In a new set of readings of key texts such as Captain America: The Winter Soldier, Guardians of the Galaxy and Agents of S.H.I.E.L.D., the thematics of superhero fiction and the role of fandom are considered. The authors identify milestones from Marvel's complex and controversial business history, allowing us to appraise its industrial status: from a comic publisher keen to exploit its intellectual property, to an independent producer, to successful subsidiary of a vast entertainment empire.