Blackfoot War Art


Book Description

When the Blackfoot Indians were confined to reservations in the late nineteenth century, their pictographic representations of warfare kept alive the rituals associated with war, which were essential facets of Blackfoot culture. Their war ethic served as a unifying force among the four tribes of the Blackfoot nation—Siksika, Blood, and North and South Piegan. In this visually stunning survey, L. James Dempsey, a member of the Blood tribe, plumbs the breadth and depth of warrior representational art. He has mined archival resources and museum collections and interviewed many tribal members to provide a uniquely Native perspective on the importance of warrior art in Blackfoot history and culture. Filled with 160 images of startling beauty and power, Blackfoot War Art tells how pictographs served as a record of both tribal and personal accomplishment. This singular historical record of all available information on Blackfoot warrior pictography depicts painted robes; war tepee covers, liners, and doors; and painted panels. Dempsey provides descriptions and a great deal of other information about the pieces included here. His survey focuses especially on recent paintings that scholars have overlooked. In revealing changing trends in the representation of war, Dempsey skillfully weaves together pictures, people, and histories to convey a fascinating view of this warrior art from a Blood perspective.




Material Culture of the Blackfoot Indians


Book Description

Reprint of the 1910 ed. published by order of the Trustees of the American Museum of Natural History, New York, which was issued as v. 5, pt. 1 of the Museum's Anthropological papers.




Gifts from the Thunder Beings


Book Description

Gifts from the Thunder Beings examines North American Aboriginal peoples’ use of Indigenous and European distance weapons in big-game hunting and combat. Beyond the capabilities of European weapons, Aboriginal peoples’ ways of adapting and using this technology in combination with Indigenous weaponry contributed greatly to the impact these weapons had on Aboriginal cultures. This gradual transition took place from the beginning of the fur trade in the Hudson’s Bay Company trading territory to the treaty and reserve period that began in Canada in the 1870s. Technological change and the effects of European contact were not uniform throughout North America, as Roland Bohr illustrates by comparing the northern Great Plains and the Central Subarctic—two adjacent but environmentally different regions of North America—and their respective Indigenous cultures. Beginning with a brief survey of the subarctic and Northern Plains environments and the most common subsistence strategies in these regions around the time of contact, Bohr provides the context for a detailed examination of social, spiritual, and cultural aspects of bows, arrows, quivers, and firearms. His detailed analysis of the shifting usage of bows and arrows and firearms in the northern Great Plains and the Central Subarctic makes Gifts from the Thunder Beings an important addition to the canon of North American ethnology.




We are Coming Home


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Learning Things


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Nothing provided




Fieldiana


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First Nations, Museums, Narrations


Book Description

When the Franklin Motor Expedition set out across the Canadian Prairies to collect First Nations artifacts, brutal assimilation policies threatened to decimate these cultures and extensive programs of ethnographic salvage were in place. Despite having only three members, the expedition amassed the largest single collection of Prairie heritage items currently housed in a British museum. Through the voices of descendants of the collectors and members of the affected First Nations, this book looks at the relationships between indigenous peoples and the museums that display their cultural artifacts, raising timely and essential questions about the role of collections in the twenty-first century.




Old Man’s Playing Ground


Book Description

When Hudson’s Bay Company surveyor Peter Fidler made contact with the Ktunaxa at the Gap of the Oldman River in the winter of 1792, his Piikáni guides brought him to the river’s namesake. These were the playing grounds where Napi, or Old Man, taught the various nations how to play a game as a way of making peace. In the centuries since, travellers, adventurers, and scholars have recorded several accounts of Old Man’s Playing Ground and of the hoop-and-arrow game that was played there. Although it has been destroyed, much can be learned from an interdisciplinary study of Old Man’s Playing Ground. Oral traditions of the Piikáni and other First Nations of the Northwest Plains and Interior Plateau, together with textual records spanning centuries, show it to be a place of enduring cultural significance irrespective of its physical remains. Knowledge of the site and the hoop-and-arrow game played there is widespread, in keeping with historic and ethnographic accounts of multiple groups meeting and gambling at the site. In this work, oral tradition, history, and ethnography are brought together with a geomorphic assessment of the playing ground’s most probable location—a floodplain scoured and rebuilt by floodwaters of the Oldman—and the archaeology of adjacent prehistoric campsite DlPo-8. Taken together,the locale can be understood as a nexus for cultural interaction and trade,through the medium of gambling and games, on the natural frontier between peoples of the Interior Plateau and Northwest Plains.