Maternal Bodies


Book Description

In the second half of the eighteenth century, motherhood came to be viewed as women's most important social role, and the figure of the good mother was celebrated as a moral force in American society. Nora Doyle shows that depictions of motherhood in American culture began to define the ideal mother by her emotional and spiritual roles rather than by her physical work as a mother. As a result of this new vision, lower-class women and non-white women came to be excluded from the identity of the good mother because American culture defined them in terms of their physical labor. However, Doyle also shows that childbearing women contradicted the ideal of the disembodied mother in their personal accounts and instead perceived motherhood as fundamentally defined by the work of their bodies. Enslaved women were keenly aware that their reproductive bodies carried a literal price, while middle-class and elite white women dwelled on the physical sensations of childbearing and childrearing. Thus motherhood in this period was marked by tension between the lived experience of the maternal body and the increasingly ethereal vision of the ideal mother that permeated American print culture.




Maternal Bodies


Book Description

This new approach to the history of motherhood examines the role the female body played in defining motherhood from the mid-eighteenth century through the first half of the nineteenth century, demonstrating that physical representations or perceptions of the body were crucial to defining motherhood in different ways both for mothers themselves and for American culture at large.




Inappropriate Bodies Art, Design and Maternity


Book Description

This edited collection examines conflicting assumptions, expectations, and perceptions of maternity in artistic, cultural, and institutional contexts. Over the past two decades, the maternal body has gained currency in popular culture and the contemporary art world, with many books and exhibitions foregrounding artists’ experiences and art historical explorations of maternity that previously were marginalized or dismissed. In too many instances, however, the maternal potential of female bodies—whether realized or not—still causes them to be stigmatized, censored, or otherwise treated as inappropriate: cultural expectations of maternity create one set of prejudices against women whose bodies or experiences do align with those same expectations, and another set of prejudices against those whose do not. Support for mothers in the paid workforce remains woefully inadequate, yet in many cultural contexts, social norms continue to ask what is “wrong” with women who do not have children. In these essays and conversations, artists and writers discuss how maternal expectations shape both creative work and designed environments, and highlight alternative ways of existing in relation to those expectations.




Mass Hysteria


Book Description

In Mass Hysteria, Rebecca Kukla examines the present-day medical and cultural practices surrounding pregnancy, new motherhood, and infant feeding. In the late-eighteenth century, the configuration of the maternal body underwent a radical transformation and the two maternal bodies that emerged out of this transformation still govern our imagination and rituals surrounding pregnancy and lactation. Exploring the history and the current life of these two maternal bodies within medical institutions, popular culture, and politics, Kukla offers a critical assessment of the lived repercussions of these ideological figures and practices for contemporary women's and infants' health and well-being.




Maternities


Book Description

Over the past decade geographers have shown a growing interest in 'the body' as an important co-ordinate of subjectivity and as a way of understanding further relationships between people, place and space. To date, however geographers have published little on what is one of, if not the, most important of all bodies - bodies that conceive, give birth and nurture other bodies. It is time that feminist, social, and cultural geographers contributed more to debates about maternal bodies. This book offers a series of windows on the ways in which maternal bodies influence, and are influenced by, social and spatial processes. Topics covered include women ‘coming out’ as pregnant at work, changing fashion for pregnant women, being disabled and pregnant, the politics of home versus hospital birth, breastfeeding practices that sit outside the norm, women who are constructed as ‘bad’ mothers, and ‘e-mums’ (mothers who go on-line).




Fatness and the Maternal Body


Book Description

Obesity is a rising global health problem. On the one hand a clearly defined medical condition, it is at the same time a corporeal state embedded in the social and cultural perception of fatness, body shape and size. Focusing specifically on the maternal body, contributors to the volume examine how the language and notions of obesity connect with, or stand apart from, wider societal values and moralities to do with the body, fatness, reproduction and what is considered ‘natural’. A focus on fatness in the context of human reproduction and motherhood offers instructive insights into the global circulation and authority of biomedical facts on fatness (as ‘risky’ anti-fit, for example). As with other social and cultural studies critical of health policy discourse, this volume challenges the spontaneous connection being made in scientific and popular understanding between fatness and ill health.




Maternal Impressions


Book Description

In an unusual combination of reflection, autobiography, theory, and criticism, Cristina Mazzoni looks at childbirth and early maternity from the perspective of an academic mother with three young children. Mazzoni draws upon examples ranging from contemporary advice manuals and novels to the work of turn-of-the-century Italian scientists and women writers, as well as fairy tales, religious texts, psychoanalytic accounts, and feminist theory. Throughout her investigations of the various forces that shape cultural views of pregnancy and childbirth, Mazzoni strives to imagine and deploy maternity as a concept and a reality capable of challenging conventional representations of subjectivity. The questions she addresses dwell on relationship and interdependence, the inseparability of the personal and the political, and the connections and interactions between bodies and power. Maternal Impressions is far more than a book of literary criticism and theory. It reveals the multiple bonds and continuities between the contradictory ways in which pregnancy and childbirth were represented a century ago and the manner in which they still haunt feminist experience today. In her conclusion, Mazzoni points toward a possible ethics of maternity.




Fish in Exile


Book Description

Praise for Vi Khi Nao: "Here I was allowed to forget for a while that that is what books aspire to tell, so taken was I by more enthralling and mysterious pleasures." —Carole Maso How do you bear the death of a child? With fishtanks and jellyfish burials, Persephone's pomegranate seeds, and affairs with the neighbors. Fish in Exile spins unimaginable loss through classical and magical tumblers, distorting our view so that we can see the contours of a parent's grief all the more clearly. Vi Khi Nao was born in Long Khanh, Vietnam. Vi's work includes poetry, fiction, film and cross-genre collaboration. Her poetry collection, The Old Philosopher, was the winner of 2014 Nightboat Poetry Prize. Her novel, Fish In Exile, will make its first appearance in Fall 2016 from Coffee House Press. She holds an MFA in fiction from Brown University.




Womb Fantasies


Book Description

Womb Fantasies examines the womb, an invisible and mysterious space invested with allegorical significance, as a metaphorical space in postwar cinematic and literary texts grappling with the trauma of post-holocaust, postmodern existence. In addition, it examines the representation of visible spaces in the texts in terms of their attribution with womb-like qualities. The framing of the study historically within the postwar era begins with a discussion of Eero Saarinen’s Womb Chair in the context of the Cold War’s need for safety in light of the threat of nuclear destruction, and ranges over films such as Marguerite Duras’ and Alan Resnais’ film Hiroshima mon amour and Duras’ novel The Vice-Consul, exploring the ways that such cultural texts fantasize the womb as a response to trauma, defined as the compulsive need to return to the site of loss, a place envisioned as both a secure space and a prison. The womb fantasy is linked to the desire to recreate an identity that is new and original but ahistorical.




Bearing the Weight of the World


Book Description

The maternal body is a site of contested dynamics of power, identity, experience, autonomy, occupation, and control. Representations of the maternal body can mis/represent the childbearing and mothering form variously, often as monstrous, idealized, limited, scrutinized, or occupied, whilst dominant discourses limit motherhood through social devaluation. The maternal body has long been a hypervisible artifact: at once bracketed out in the interest of elevating the contributions of sperm-carriers or fetal status; and regarded with hostility and suspicion as out of control. Such arguments are deployed to justify surveillance mechanisms, medical scrutiny, and expectation of self-discipline.This volume helps to develop a more critical understanding of what it means to be an embodied mother. The materiality of maternity and its centrality to family and social life remains too often viewed as a ?fringe? subject, the province of feminists, activists, hysterical women. For too long, the maternal body has been subject to ?expert? advice, guidance, censure, and control. Those of us maternal bodies are at risk of being commodified and diminished, having our bodily realities reduced to mechanistic functions and our lived experience disregarded. From art to medical surveillance, from genetics to radioactivity, goddess to breastfeeding, poetry to Indigenous community, dance to body size, the critical eye of the academic and the lived experience of the mother bring into being in this work a body of understanding, of expression, of knowledge and the power and authority of the lived experience, through and about the embodied mother. This critical-creative work encompasses new insights, new research, and redeveloped perspectives which combine the personal with the pervasive and point to new meaning-making in critical motherhood studies via the medium of the maternal body.