May Sarton


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May Sarton Selected Letters 1955 To 1995


Book Description

All her life, May Sarton carried on a voluminous private correspondence with family, friends, and lovers. Early childhood into middle age covers topics of theater, study, travel, teaching, and the anguish as World War II approaches. Later joys of flowers, affection for animals, and illustrious acquaintances and intimates both here and abroad are shown.




Selected Poems of May Sarton


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The comprehensive collection detailing the career of a twentieth-century master In her prolific six-decade career, May Sarton was as at home crafting a novel as she was writing a memoir. However, it was in poetry that Sarton’s feelings were laid bare. She was a writer of immense creativity and strength, and created a back catalog of poetry that could rival those of any of her contemporaries. In Selected Poems of May Sarton, a collection from her first forty years of writing, many of the author’s classic themes are on display: There are her meditations on solitude, featuring the breathtaking “Gestalt at Sixty”; there is her beautifully written tribute to literature in “My Sisters, O My Sisters”; and there is a rumination on affairs of the heart in an excerpt from the sonnet collection “A Divorce of Lovers.” Sarton was a true literary force, with the ability to speak to readers of all genders, persuasions, and ages, and Selected Poems of May Sarton demonstrates that power perfectly.







May Sarton: A Self-Portrait


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This transcript from the film World of Light: A Portrait of May Sarton illuminates the life and writing of the poet while celebrating the joys of creativity, love, and solitude In June of 1979, May Sarton answered the questions of two filmmakers and read to them from her poetry. This four-day “jam session” ultimately became an acclaimed documentary about her life and work. For Sarton, the muse has always been female, and the writer says that her own poems “tell me where to go.” In this rare and inspiring window into a singular woman’s soul, Sarton speaks candidly about everything from how a single image opened the door to writing about her mother to the importance of transparency in art and life. She shares insights into her very personal art, including the unusual people and events that provide inspiration, how creativity can grow out of pain, solitude as a two-edged sword, the difficulties of being a female poet, and the ways love can open “the door into one’s own secret and . . . frightening real self.” Featuring sections entitled “On Inner Space,” “On Nature,” and “On Love,” this revealing volume is also about the need go on, even when up against overwhelming odds. May Sarton: A Self-Portrait pays tribute to an artist’s vision and serves as a revealing window into a fascinating life.




Journal of a Solitude


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The modern American author describes everyday experiences and conveys her feelings of frustration and anger over her attempts to write in solitude.




As We Are Now


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Includes the page proofs of her novel.




Mrs. Stevens Hears the Mermaids Singing


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"The plot of this short novel is deceptively simple, the mood subtle, the feeling intense. And the music of Miss Sarton's prose leaves compelling echoes in one's mind." --New York Times Book Review




Plant Dreaming Deep


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The poet-novelist describes her daily life in a graceful, eighteenth-century New Hampshire cottage.




Cultural Histories of Ageing


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Drawing on sixteenth- to twenty-first-century American, British, French, German, Polish, Norwegian and Russian literature and philosophy, this collection teases out culturally specific conceptions of old age as well as subjective constructions of late-life identity and selfhood. The internationally known humanistic gerontologist Jan Baars, the prominent historian of old age David Troyansky and the distinguished cultural historian and pioneer in the field of literature and science George Rousseau join a team of literary historians who trace out the interfaces between their chosen texts and the respective periods’ medical and gerontological knowledge. The chapters’ in-depth analyses of major and less-known works demonstrate the rich potential of fiction, poetry and autobiographical writing in the construction of a cultural history of senescence. These literary examples not only bear witness to longue durée representations of old age, and epochal transitions regarding cultural attitudes to the aged; they also foreground the subjectivities that produced some of these representations and that continue to communicate with readers of other times and places. By casting a net over a variety of authors, genres, periods and languages, the collection gives a broad sense of how literature is among the richest and most engaging sources for historicizing the ageing self.