Dictionary of Old English


Book Description




Whose Middle Ages?


Book Description

Whose Middle Ages? is an interdisciplinary collection of short, accessible essays intended for the nonspecialist reader and ideal for teaching at an undergraduate level. Each of twenty-two essays takes up an area where digging for meaning in the medieval past has brought something distorted back into the present: in our popular entertainment; in our news, our politics, and our propaganda; and in subtler ways that inform how we think about our histories, our countries, and ourselves. Each author looks to a history that has refused to remain past and uses the tools of the academy to read and re-read familiar stories, objects, symbols, and myths. Whose Middle Ages? gives nonspecialists access to the richness of our historical knowledge while debunking damaging misconceptions about the medieval past. Myths about the medieval period are especially beloved among the globally resurgent far right, from crusading emblems on the shields borne by alt-right demonstrators to the on-screen image of a purely white European populace defended from actors of color by Internet trolls. This collection attacks these myths directly by insisting that readers encounter the relics of the Middle Ages on their own terms. Each essay uses its author’s academic research as a point of entry and takes care to explain how the author knows what she or he knows and what kinds of tools, bodies of evidence, and theoretical lenses allow scholars to write with certainty about elements of the past to a level of detail that might seem unattainable. By demystifying the methods of scholarly inquiry, Whose Middle Ages? serves as an antidote not only to the far right’s errors of fact and interpretation but also to its assault on scholarship and expertise as valid means for the acquisition of knowledge.




The Birth of the Author


Book Description

The images devised to accompany medieval commentaries, whether on the Bible or on classical texts, made claims to authority, even inspiration, that at times were even more forceful than those made by the texts themselves. Pictorial prefaces of the twelfth century represent commentaries of their own; they articulate and elaborate complex arguments regarding critical matters of faith. This study examines pictorial programmes in copies of Horace?s poetic works, the Glossa ordinaria, anti-heretical polemics, and Rupert of Deutz?s commentary on the Song of Songs to demonstrate the ways in which they helped to shape understandings of authorship at a critical historical moment.




Etienne Gilson


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Studies in Medieval Literature and Languages


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As son of the second president of the United States, father to the minister to the Court of St. James, and grandfather to author Henry Adams, John Quincy Adams was part of an American dynasty. In his own career as secretary of state, President, senator, and congressman, Adams was an actor in some of the most dramatic events of the nineteenth century. In this biography, Lynn Hudson Parsons chronicles the life of one of America's most absorbing figures. From the day in 1778 when as a boy he accompanied his father on a diplomatic mission to France, to his last years as an eloquent opponent of his country's foreign and domestic policies, Adams was rarely detached from public affairs. And yet, this biography reveals Adams as a man never truly at home anywhere - in Washington he was stubborn and reclusive, in Europe he was a phlegmatic ideologue, a bulldog among spaniels. His story parallels America's own.







Later Medieval Metaphysics


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This book begins with standard ontological topics--such as the nature of existence--and of metaphysics generally, such as the status of universals, form, and accidents. What is the proper subject matter of metaphysical speculation? Are essence and existence really distinct in bodies? Does the body lose its unifying form at death? Can an accident of a substance exist in separation from that substance? Are universals real, and, if so, are they anything more than general concepts? Among the figures it examines are Thomas Aquinas, John Duns Scotus, William of Ockham, Walter Chatton, John Buridan, Dietrich of Freiburg, Robert Holcot, Walter Burley, and the 11th-century Islamic philosopher Ibn-Sina (Avicenna).There is also an emphasis on metaphysics broadly conceived. Thus, additional discussions of connected topics in medieval logic, epistemology, and language provide a fuller account of the range of ideas included in the later medieval worldview.




English and Medieval Studies


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Beyond Words


Book Description

In the fall of 2016 an international scholarly conference accompanied the exhibition Beyond Words: Illuminated Manuscripts in Boston Collections. The speakers were chosen because of their expertise and because they were known to have research underway pertaining to important manuscripts in the exhibition. The aim of both exhibition and conference was to provide a broad overview of the history of patronage and book production over the course of the High and late Middle Ages, to the extent that the eclectic holdings of Boston-area institutions permitted. Most of the papers delivered at the conference have been collected as essays in this abundantly illustrated volume which, while still linked to the exhibition, now has an independent purpose. Just as the essays cover a wide range of topics, all relating to the history of the book, but also, inter alia, to the history of law, liturgy, literature, and libraries as well as to devotion, theology, and art, so too the approaches adopted by the contributors are as varied as the materials they study, ranging from paleography, codicology, and provenance research to painstaking reconstructions of historical patterns of patronage and the interpretative strategies of authors and artists. What results is not simply a wealth of fascinating insights into individual illuminated books, their makers, and their readers, but also an indication of how much remains to be learned about the materials to which the exhibition served as no more than an introduction.