Medieval and Renaissance Wedding Information


Book Description

Provides a directory of online resources on Medieval and Renaissance weddings. Offers access to a FAQ section, bibliographies, vows, costuming resources, and descriptions of food, music, and dance of the 15th century.




The Renaissance of Marriage in Fifteenth-Century Italy


Book Description

Weddings in 15th-century Italian courts were grand, sumptuous affairs, often requiring guests to listen to lengthy orations given in Latin. D'Elia shows how Italian humanists used these orations to support claims of legitimacy and assertions of superiority among families jockeying for power, as well as to advocate for marriage and sexual pleasure.




Medieval Celebrations


Book Description

• Full-color, revised edition • Plans for weddings, holiday parties, and Renaissance fairs • Ideas for properly decorating the dining hall • Lyrics and music for songs and dances • Recipes for food and drink • Patterns for period costumes • Games and plays




Medieval and Renaissance Weddings


Book Description

Presents a collection of Internet resources on Medieval and Renaissance weddings, compiled by Kirsti Thomas. Offers access to bibliographies and FAQs. Includes information on Viking weddings, vows, and more.







The Medieval Marriage Scene


Book Description

"Discusses the latest research on medieval marriage, family, and related topics from the perspectives of literature, history, art history, law, religious studies, and economics, in multiple contexts from London to Valencia to the Levant"--Provided by publisher.




Saintly Brides and Bridegrooms


Book Description

Building upon recent scholarly interest in mystics and mysticism in late medieval Europe, this book explores the visual representation of female and male saints depicted as brides or bridegrooms of Christ in northern European art from 1300 to 1550. The mystic marriage imagery of St. Catherine of Alexandria, St. Agnes of Rome, St. John the Evangelist, St. Bernard of Clairvaux, and the Blessed Henry Suso is studied through an analysis of a wide range of paintings, illuminated manuscripts, prints, and sculpture. From these case studies, Muir argues that different visual conventions were used in the art of this period to portray the male and female experiences of mystic marriage and suggests possible reasons for these differences. She further considers why comparatively few mystics were visually portrayed in a mystic marriage with Christ, despite the large number recorded as having had that experience. Providing insights into the meanings of the mystical experience when portrayed in visual terms, this book will appeal to art historians as well as to other medievalists with an interest in the intersections of art, religion, and gender.




A Renaissance Wedding


Book Description

This publication is the first English translation from the Italian of the fascinating contemporary account of the spectacular four-day celebrations that took place in Pesaro in May 1475 to mark the marriage of Costanzo Sforza Lord of Pesaro and Camilla d'Aragona of Naples. The event was commemorated both in manuscript and early print in an anonymous narration that describes in great detail the arrival of the bride and her welcome procession into Pesaro; the actual marriage ceremony and the celebratory banquet that followed; the pageants, presentation of gifts and fireworks that filled the third day; and the final day's excitement of jousts and yet more theatrical entertainment. The translation has been made from the early printed text (the incunable in the British Library, I.A.31753 Sforza, Costantio Signore di Pesaro, 1475) and also directly from the unique illustrated presentation manuscript in the Vatican Library (MS Vat. Urb. Lat. 899) which, though previously thought to have been produced in 1480, may in fact have been made at the same time as the incunable edition. It is not known for whom the printed books were intended (7 copies only survive), but it is likely that the prominent dignitaries among the 108 guests - who included Federico da Montefeltro, the groom's brother-in-law - would have been the recipients of the account when it was printed in November 1475.This present edition of the text includes all the images that illustrate the original manuscript - 32 full-page miniatures that depict the floats that welcomed the bride at the city gates of Pesaro; the costumed figures at the wedding banquet who represented the presiding Sun and Moon or the male and female messengers of the classical gods and goddesses who announcedthe exotic dishes of the 12-course banquet; and further colourful, unusually interesting illustrations of the ballets, fireworks and triumphs of the final two days of the celebrations. In addition to the Introduction that provides the reader with the historical background and biographical details of the protagonists and personalities of this special occasion, Dr. Bridgeman also adds helpful and highly informative annotations to the narration itself. In addition she provides full descriptions and explanations of the illustrations - all reproduced here in colour - and devotes a separate appendix to listing and explaining all the dishes served at the wedding banquet, together with their ingredients and recipes.




A Cultural History of Marriage in the Renaissance and Early Modern Age


Book Description

Why marry? The personal question is timeless. Yet the highly emotional desires of men and women during the period between 1450 and 1650 were also circumscribed by external forces that operated within a complex arena of sweeping economic, demographic, political, and religious changes. The period witnessed dramatic religious reforms in the Catholic confession and the introduction of multiple Protestant denominations; the advent of the printing press; European encounters and exchange with the Americas, North Africa, and southwestern and eastern Asia; the growth of state bureaucracies; and a resurgence of ecclesiastical authority in private life. These developments, together with social, religious, and cultural attitudes, including the constructed norms of masculinity, femininity, and sexuality, impinged upon the possibility of marrying. The nine scholars in this volume aim to provide a comprehensive picture of current research on the cultural history of marriage for the years between 1450 and 1650 by identifying both the ideal templates for nuptial unions in prescriptive writings and artistic representation and actual practices in the spheres of courtship and marriage rites, sexual relationships, the formation of family networks, marital dissolution, and the overriding choices of individuals over the structural and cultural constraints of the time. A Cultural History of Marriage in the Renaissance and Early Modern Age presents an overview of the period with essays on Courtship and Ritual; Religion, State and Law; Kinship and Social Networks; the Family Economy; Love and Sex; the Breaking of Vows; and Representations of Marriage.




Medieval Feasts and Banquets


Book Description

Examines the role of food during medieval times, discussing how it was prepared, shared, and used in society.