Medium Rare: Dead Man Talking


Book Description

Jennifer Flagg has never considered herself more than a mediocre medium. Even her crazy blended family thinks her ability to talk to the recently deceased is nothing more than an annoying quirk. When she's drawn to the scene of a murder, Jen quickly discovers the business of talking to the dead is a whole lot more complicated when there's a body still attached. Her detective boyfriend wants her to stay out of police business. The dead guy wants her to help find his killer. And all the murderer wants is to put Jennifer permanently out of business. Can an amateur sleuth find a happy medium between her suddenly changing paranormal world and her unstable personal life? The spirits on the other side might have the answers, but wouldn't you know it, they're the only ones not telling her what to do.




Medium Rare: 'Til Death Don't Us Part


Book Description

Her daddy always said her impulsive nature would get her into serious trouble one day. Until now it was mostly minor, insignificant, easily fixed ways, but even Jennifer can’t deny she might have pushed her luck a mite too far this time. When Valentine’s Night delivers much more than roses and romance, Jennifer Flagg finds herself in a predicament where she can only watch the events she set into motion as they effect her life and everyone else’s around her. Much to her everlasting astonishment, she finds comfort and camaraderie with the most unlikely candidates and quickly discovers the rules she’d previously learned for talking to the already dead don’t apply when dealing with the almost dead, especially when she’s now one of them.




Dick Tracy and American Culture


Book Description

In October 1931, Dick Tracy made his debut on the pages of the Detroit Mirror. Since then America's most famous crime fighter has tangled with a variety of protagonists from locations as diverse as the inner city and outer space, all the time maintaining the moral high ground while reflecting American popular culture. Through extensive research and interviews with Chester Gould (the creator of "Dick Tracy"), his assistants, Dick Locher (the current artist), Max Allan Collins (who scripted the stories for more than 15 years) and many others associated with the strip, Dick Tracy as a cultural icon emerges. The strips use of both innovative and established police methods and the true-to-life portrayals of Tracy's family and fellow cops are detailed. The artists behind the strip are fully revealed and Dick Tracy paraphernalia and the 1990 movie Dick Tracy are discussed. Dick Tracy's appearances in other media--books, comics, radio, movie serials, "B" movies, television dramas, and animated cartoons--are fully covered.




A Dead Man's Tale


Book Description

Charlie Moon, Ute rancher and investigator, isn't afraid to throw the dice even when a man's life is at stake, but when that man is betting against himself and Moon's ability to save him, that makes for some awfully high stakes. Hard times have come to Colorado, and Moon's ranch is feeling the pinch. Investor Samuel Reed has never had that problem. He seems to have a special intuition when it comes to picking stocks and claims to be able to remember the future, which gives him quite a leg up on Wall Street. So it's no surprise that Reed is confident when he makes a wager with Moon's best friend, Granite City Chief of Police Scott Parish, that Parish can't keep him alive. Even when Reed doesn't give them any details beyond the date and time of his impending demise, that's more than enough information for Moon who wants in on the action and is just as confident that he's well on the way to saving his ranch. But Moon's best plans go awry when instead of one homicide on his hands, he ends up with two. James D. Doss infuses the pages of A Dead Man's Tale, the fifteenth in his popular series, with his potent brand of high spirits and homespun humor that has made him a favorite among mystery readers.




Solution from a Dead Man


Book Description

Retired after thirty-plus years in law enforcement, Tony DiGiusto, newly licensed private investigator, was looking forward to a quiet and uneventful retirement investigating simple everyday civil cases for local attorneys from an office in the sleepy and affluent hamlet of Sausalito, just across the Golden Gate Bridge from San Francisco. Little did Tony know that his first major clients-a pair of twins who had hired his uncle, a well-known San Francisco attorney, to investigate a property ownership dispute-would lead him to investigate the sudden and unexplained death of his uncle in a small Northern California town. Tony becomes entangled in a complex and horrendous investigation that will lead him from San Francisco to the charming and picturesque towns of the Sierra Gold Rush areas. The investigation into his uncle's death leads Tony and his live-in girlfriend, Gina Rosetti, into a nightmarish web of terror and murder involving long-forgotten Nazi activities in California and almost costs Tony and Gina their lives. California's colorful capital, Sacramento, and its legislative bodies play an unwitting part in this fast-paced and intriguing glimpse into a madman's plan for a new Third Reich.




The Last Lecture


Book Description

The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.




Historical Dictionary of African American Cinema


Book Description

On 4 July, 1910, in 100-degree heat at an outdoor boxing ring near Reno, Nevada, film cameras recorded_and thousands of fans witnessed_former heavyweight champion Jim Jeffries' reluctant return from retirement to fight Jack Johnson, a black man. After 14 grueling rounds, Johnson knocked out Jeffries and for the first time in history, there was a black heavyweight champion of the world. At least 10 people lost their lives because of Johnson's victory and hundreds more were injured due to white retaliation and wild celebrations in the streets. Public screenings received instantaneous protests and hundreds of cities barred the film from being shown. Congress even passed a law making it a federal offense to transport moving pictures of prizefights across state lines, and thus the most powerful portrayal of a black man ever recorded on film was made virtually invisible. This is but one of the hundreds of films covered in the Historical Dictionary of African American Cinema, which includes everything from The Birth of a Nation to Crash. In addition to the films, brief biographies of African American actors and actresses such as Sidney Poitier, James Earl Jones, Halle Berry, Eddie Murphy, Whoopi Goldberg, Denzel Washington, and Jamie Foxx can be found in this reference. Through a chronology, a list of acronyms and abbreviations, an introductory essay, a bibliography, appendixes, black-&-white photos, and hundreds of cross-referenced dictionary entries on actors, actresses, movies, producers, organizations, awards, film credits, and terminology, this book provides a better understanding of the role African Americans played in film history.




Taking Food Public


Book Description

The field of food studies has been growing rapidly over the last thirty years and has exploded since the turn of the millennium. Scholars from an array of disciplines have trained fresh theoretical and methodological approaches onto new dimensions of the human relationship to food. This anthology capitalizes on this particular cultural moment to bring to the fore recent scholarship that focuses on innovative ways people are recasting food in public spaces to challenge hegemonic practices and meanings. Organized into five interrelated sections on food production – consumption, performance, Diasporas, and activism – articles aim to provide new perspectives on the changing meanings and uses of food in the twenty-first century.







Crime Classics


Book Description

With its high stakes and uncertain outcome, the mystery tale is the most popular form of fiction in the United States. Crime Classics presents spellbinding works by such masters as Edgar Allen Poe, Arthur Conan Doyle, Dashiell Hammett, Dorothy Sayers, and Agatha Christie, as well as delightful gems from less familiar writers like Cornell Woolrich and intriguing tales by authors not usually associated with mystery writing—Flannery O’Connor, Jorge Luis Borges, and William Faulkner. Burns and Sullivan introduce the anthology by tracing the history of the genre and providing a biography of each author. Mystery stories demand superb craftsmanship and attention to detail; these enticing pieces combine fine writing, inventive plots, and challenges that readers will find irresistible. “Crime Classics lives up to its name, collecting outstanding stories as entertaining as they are worthy of literary note.”—Los Angeles Reader