Memoirs of a Hollywood Script Girl


Book Description

Roar with laughter at anecdotes revealing film world’s mad antics that defy imagination. With style and wit,A Hollywood Script Girl tells of her unique designing, yet very practical inventive approaches to save both the production and the director’s ass at the same time presenting an enlightening insight into the making and appreciation of film. Refusing to be treated as a generic product in an industry rife with exploitation, sexual harassment and discrimination, intertwined in the stories are the author’s very dramatic and daring stands to affirm her individuality to maintain and protect her self-esteem and dignity encouraging readers to safeguard their right to be “ME.” This is the first book of its kind, unveiling human-interest stories about movie making from the novel point-of-view of a craft participant. Her eye-opening encounters are presented in a “very snappy writing style” an entertaining and appealing style with which readers can identify entertaining, yet underlined by a deep philosophy of respect for a human being making MEMOIRS OF A HOLLYWOOD SCRIPT GIRL a treasure a most enjoyable and uplifting experience.




Hollywood Animal


Book Description

Joe Eszterhas had everything Hollywood could offer. A combination of insider and rebel, he saw and participated in the fights, the deals, the backstabbing, and all the sex and drugs. But here, in his candid and heartwrenching memoir, we see the rest of the story: the inspiring account of the child of Hungarian immigrants who, against all odds, grows up to live the American Dream. Hollywood Animal reveals the trajectory of Eszterhas's life in gripping detail, from his childhood in a refugee camp, to his battle with a devastating cancer. It shows how a struggling journalist became the most successful screenwriter of all time, and how a man who had access to the most beautiful women in Hollywood ultimately chose to live with the love of his life in a small town in Ohio. Above all, it is the story of a father and a son, and the turbulent relationship that was an unending cycle of heartbreak. Hollywood Animal is an enthralling, provocative memoir: a moving celebration of the human spirit.




You Look Like That Girl


Book Description

At the age of twenty-two, Lisa Jakub had what she was supposed to want: she was a working actor in Los Angeles. She had more than forty movies and TV shows to her name, she had been in blockbusters like Mrs. Doubtfire and Independence Day, she walked the red carpet and lived in the house she bought when she was fifteen. But something was missing. Passion. Purpose. Happiness.Lisa had been working since the age of four, after a man approached her parents at a farmer’s market and asked her to audition for a commercial. That chance encounter dictated the next eighteen years of her unusual— and frequently awkward—life. She met Princess Diana... and almost fell on her while attempting to curtsy. She filmed in exciting locations... and her high school asked her not to come back. She went to fancy parties... and got kind of kidnapped that one time. Success was complicated.Making movies, traveling the world, and meeting intriguing people was fun for a while, but Lisa eventually realized she was living a life based on momentum and definitions of success that were not her own. She battled severe anxiety and panic attacks while feeling like she was living someone else’s dream. Not wanting to become a child actor stereotype, Lisa retired from acting and left L.A. in search of a path that felt more authentic to her.In this funny and insightful book, Lisa chronicles the adventures of growing up in the film industry and her difficult decision to leave behind the only life she had ever known, to examine her priorities, and write the script for her own life. She explores the universal question we all ask ourselves: what do I want to be when I grow up?




Faulkner and Film


Book Description

Considering that he worked a stint as a screenwriter, it will come as little surprise that Faulkner has often been called the most cinematic of novelists. Faulkner's novels were produced in the same high period as the films of classic Hollywood, a reason itself for considering his work alongside this dominant form. Beyond their era, though, Faulkner's novels—or the ways in which they ask readers to see as well as feel his world—have much in common with film. That Faulkner was aware of film and that his novels’ own “thinking” betrays his profound sense of the medium and its effects broadens the contexts in which he can be considered. In a range of approaches, the contributors consider Faulkner’s career as a scenarist and collaborator in Hollywood, the ways his screenplay work and the adaptations of his fiction informed his literary writing, and how Faulkner’s craft anticipates, intersects with, or reflects upon changes in cultural history across the lifespan of cinema. Drawing on film history, critical theory, archival studies of Faulkner's screenplays and scholarship about his work in Hollywood, the nine essays show a keen awareness of literary modernism and its relation to film.




My First Time in Hollywood


Book Description

Over forty legends of the film business recount their first trip to Hollywood. Actors, directors, screenwriters, cinematographers, and editors-half of them women-recall the long joinery, their initial impressions, their struggle to find work, and the love for making movies that kept them going. Drawn from letters, speeches, oral histories, memoirs, and autobiographies-and illustrated with over sixty vintage photographs and illustrations-each story is intimate and unique, but all speak to our universal need to follow our passions and be part of a community that feeds the soul. This anthology is edited and annotated by award-winning author and film historian Cari Beauchamp, the only person to twice be named as an Academy of Motion Picture Arts and Sciences Scholar. Of MY FIRST TIME IN HOLLYWOOD, Academy-Award-winning film preservationist, historian, and author Kevin Brownlow writes: "What every film fan years for-first-hand, eyewitness accounts of a Hollywood none of us can remember and all of us wish we'd known. Completely fascinating." And film critic and historian Leonard Maltin writes: "What a priceless parade of evocative and highly entertaining memories. Once you start reading you won't want to stop."




Faulkner's Hollywood Novels


Book Description

Tracing the influence of Faulkner’s screenwriting on his literary craft and depictions of women William Faulkner’s time as a Hollywood screenwriter has often been dismissed as little more than an intriguing interlude in the career of one of America’s greatest novelists. Consequently, it has not received the wide-ranging critical examination it deserves. In Faulkner’s Hollywood Novels, Ben Robbins provides an overdue thematic analysis by systematically tracing a dialogue of influence between Faulkner’s literary fiction and screenwriting over a period of two decades. Among numerous insights, Robbins’s work sheds valuable new light on Faulkner’s treatment of female characters, both in his novels and in the films to which he contributed. Drawing on extensive archival research, Robbins finds that Hollywood genre conventions and archetypes significantly influenced and reshaped Faulkner’s craft after his involvement in the studio system. His work in the film industry also produced a deep exploration of the gendered dynamics of collaborative labor, genre formulae, and cultural hierarchies that materialized in both his Hollywood screenplays and his experimental fiction.




Bad Girl of Hollywood - The Lila Leeds Story (a Memoir)


Book Description

Lila Leeds was born on January 28, 1928 in Dodge City, Kansas, USA as Lila Lee Wilkinson. She was an actress, known for "Wild Weed" (1949), "Moonrise" (1948), "Lady In The Lake" (1947) and bit roles in other films. While contracted to MGM she was arrested with Robert Mitchum, and others, for Marijuana. Eventually, after other incidents a judge exiled her from California for 5 years. Though she had a successful nightclub singing career, she had numerous arrests and legal problems as a result of her ongoing drug addiction. She was married and divorced four times, and eventually lost custody of her three children. Ordained a minister in 1974 she opened the S.M.I.L.E. halfway house in Hollywood, accepting residents, many of which were addicts, from both County and State. She died on September 15, 1999 in Canoga Park, California. The first 12 chapters of this book were written around 1958 in Chicago after Lila was discharged from the Levinson Rehabilitation Center, having finally kicked her latest drug addiction. A columnist urged her to write a book while events and people were still fresh. The book had anecdotes about Robert Mitchum, Howard Hughes, Orson Welles and others during her Hollywood days. However, publishers were not interested in a firsthand account of drug addiction from an ex-starlet. Lila shelved the script. We revisited the original script around 1979 and decided to add about twenty more years (1958 - 1978), which included her continuous dealing with her own and others drug addiction. As happens, daily life intervened and the next draft wasn't ready for another ten years. While last visiting me in Texas Lila reminded me of how important she felt the book was, and had me promise I would one day try to get it published. I am sorry it took so long mom. Today, with Opioid (and other drug) use an epidemic in this country, many people are now addicts deluding themselves otherwise. Besides the proliferation of illegal drugs, new or renewed drug prescriptions are handed out before the ink on the previous ones have dried. However, this book is not a Hollywood expose' or a sermon against drug use. Rather, this is my mother sharing her life experiences giving you a rare in-depth, brutally honest look at the mental, physical, and emotional aspects of her drug addiction where, as high as the highs were, the lows were always lower. Thus, this story might allow you to at least know what to expect before you begin, or as you travel down the path of your own possible drug use. Having a syringe in my arm on more than one occasion, I know the brutal honesty of this story. More importantly, this story brings to light the harsh reality of all addictions: the addicted are never in control of their lives. Their belief they are in control is merely an insidious delusion crafted by their addiction. The absolute truth is, addicts are not, nor ever will be in control of their lives as long as they are still addicted.




Around the Way Girl


Book Description

The star of the hit show "Empire" recalls her beloved screen characters while tracing the story of her life and career, discussing her father's Vietnam service, her rise from the violence of the streets of Washington D.C., and her experiences as a singlemother.




Turn to Film


Book Description

Turn to Film: Film in the Business School offers creative and powerful uses of film in the business school classroom and surveys the pedagogical and performative value of watching films with students. This volume examines not only how film offers opportunities for learning and investigation, but also how they can be sources of ideological poison, self-delusion and mis-representation. Throughout the text, renowned contributors embrace film’s power to embark on new adventures of thought by inventing images and signs, and by bringing novel concepts and fresh perspectives to the classroom. If film often reveals organizational dysfunctionality and absurdity, it also teaches us to understand the other, to see difference, and to accept experimentation. A wide spectra of films are examined for their pedagogical value in terms of what can be learned, explored and discussed by teaching with film and how film can be used as a tool of research and investigation. The book sees film in the classroom as an educational challenge wherein rich learning and personal development are encouraged.




Never Done


Book Description

Histories of women in Hollywood usually recount the contributions of female directors, screenwriters, designers, actresses, and other creative personnel whose names loom large in the credits. Yet, from its inception, the American film industry relied on the labor of thousands more women, workers whose vital contributions often went unrecognized. Never Done introduces generations of women who worked behind the scenes in the film industry—from the employees’ wives who hand-colored the Edison Company’s films frame-by-frame, to the female immigrants who toiled in MGM’s backrooms to produce beautifully beaded and embroidered costumes. Challenging the dismissive characterization of these women as merely menial workers, media historian Erin Hill shows how their labor was essential to the industry and required considerable technical and interpersonal skills. Sketching a history of how Hollywood came to define certain occupations as lower-paid “women’s work,” or “feminized labor,” Hill also reveals how enterprising women eventually gained a foothold in more prestigious divisions like casting and publicity. Poring through rare archives and integrating the firsthand accounts of women employed in the film industry, the book gives a voice to women whose work was indispensable yet largely invisible. As it traces this long history of women in Hollywood, Never Done reveals the persistence of sexist assumptions that, even today, leave women in the media industry underpraised and underpaid. For more information: http://erinhill.squarespace.com