Masterpieces of the J. Paul Getty Museum: European Sculpture


Book Description

The J. Paul Getty Museum’s collection of European sculpture featured in this volume ranges in date from the late fifteenth century to the very early twentieth and includes a wide variety of media: marble, bronze, alabaster, terracotta, plaster, wood, ivory, and gold. The earliest sculpture represented is the mysterious Saint Cyricus by Francesco Laurana; the latest is a shield-like portrait of Medusa by the eccentric Italian sculptor Vincenzo Gemito. Among the more than forty works included in this handsomely illustrated volume are sculptures by Antico (Bust of a Young Man); Cellini (a Satyr designed for Fontainebleau); Giambologna (a Female Figure that may represent Venus); Bernini (Boy with a Dragon); and Carpeaux (Bust of Jean-Léon Gérôme). Well represented here is the Museum’s splendid collection of Mannerist and early Baroque bronzes, including such masterpieces as Johann Gregor van der Schardt’s Mercury and two superb works by Adriaen de Vries: Juggling Man and Rearing Horse. These works are indicative of the extraordinary quality of the J. Paul Getty Museum’s collection of post-Classical European sculpture.




European Painting and Sculpture After 1800


Book Description

The Museum of Fine Arts, Boston houses a world-famous collection of European painting and sculpture, including such masterpieces as Renoir's Dance at Bougival, Gauguin's Where Do We Come From? What Are We? Where Are We Going?, Degas's Little Dancer, Turner's Slave Ship and the largest collection of paintings by Claude Monet outside of France. This overview features these well-known and much-loved works, divided into thematic chapters that represent major art movements, with an introduction that describes the phenomena that helped chart the course of art in the period. In all more than 100 highlights from this impressive collection are illustrated and discussed, each testifying to the richness and complexity of European art in the modern era. The MFA Highlights series presents the best of the Museum of Fine Arts, Boston's collections accessibly and affordably. Its aim is threefold: to make available the greatest masterworks in the MFA; to provide an informative, readable overview of various artistic genres, cultures, and periods, for use by students, visitors, and scholars; and, over time, to create a library that will act as a general tour of world art through the ages.




Court, Cloister, and City


Book Description

In this book, Thomas DaCosta Kaufmann chronicles more than three hundred years of painting, sculpture, and architecture in Germany, Poland, the Czech Republic, Slovakia, Hungary, Austria, Ukraine, Lithuania and western parts of the Russian Federation. Massive in scale, the book is highly accessible and lavishly illustrated. The readability of the text and the entirely new insights it provides into three hundred years of Central European history make this a vital introduction to one of the least understood periods in the history of art.




Museum of Fine Arts, Boston


Book Description

The authoritative guide to the MFA Boston's era-spanning collections of art, ceramics, jewelry and much more This newly updated edition of the definitive guide to the Museum of Fine Arts, Boston's most enduring masterpieces provides an enticing introduction to a collection that circles the globe and spans thousands of years. Featuring more than 500 works of art--from Native American ceramics to European silver, Egyptian funerary arts to Warhol silkscreens, alongside world-renowned paintings and sculpture, all reproduced in vibrant color--this substantial guide invites readers and visitors alike to experience the surprise, delight and inspiration offered by the collections of a major museum.




Ground Layers in European Painting 1550-1750


Book Description

Most of the papers in this volume were presented at the CATS international technical art history conference in June 2019 titled Mobility Creates Masters - Discovering Artists' Grounds 1550-1700, which explored the introduction of, and change to, the colored ground layers in European paintings form the Early Modern period. The title of the conference stemmed from the desire to instigate new research projects within the topic of the influence of artists' mobility on material choices and techniques related to the preparation of paintings. As well as contributions presented at the conference, this volume includes additional papers from recent research exploring the same topic. The volume begins with several studies on the documentation of grounds. The contributions are then arranged according to the country in which the painter was active, from southern Europe moving northwards. The lavishly illustrated contributions in this volume deal with the above questions and shed light on different methods of preparing painting supports, the purpose of preparatory layers, materials used in different countries and influence of shifts in fashion or availability of materials on ground layers. This fifth CATS Proceedings will be of interest to scholars and students, and museum professionals including curators, conservators, art historians and conservation scientists.




The Modern Eye


Book Description

The Modern Eye explores the origins and development of early 20th-century modernism in America through the lens of the major exhibitions that introduced this art to the general public. Author Kristina Wilson shows how modern artists and curators sought to relate high art to mass culture in order to make it accessible to more people, and successfully popularized modern painting and design during the interwar years. A major contribution to our understanding of the origins of modernism, this book captures the vibrant diversity that the term "modern art" meant at this time. The chapters examine exhibitions held in New York in the 1920s and 1930s, including those organized by Alfred Stieglitz, the Little Review, the Metropolitan Museum of Art, and the Museum of Modern Art. In examining the marketing of modernism, Wilson reveals how these exhibitions attempted to stage an intersection between art and everyday life, and how they taught viewers to look at, and care about, modern art.




A New World Imagined


Book Description

A new world imagined -- Native peoples of the Americas -- Europe and the Americas -- Africa, the New East, Asia, and the Americas.




Antiquity Revived


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Lineage of Eccentrics


Book Description