Finding a New Midwestern History


Book Description

In comparison to such regions as the South, the far West, and New England, the Midwest and its culture have been neglected both by scholars and by the popular press. Historians as well as literary and art critics tend not to examine the Midwest in depth in their academic work. And in the popular imagination, the Midwest has never really ascended to the level of the proud, literary South; the cultured, democratic Northeast; or the hip, innovative West Coast. Finding a New Midwestern History revives and identifies anew the Midwest as a field of study by promoting a diversity of viewpoints and lending legitimacy to a more in-depth, rigorous scholarly assessment of a large region of the United States that has largely been overlooked by scholars. The essays discuss facets of midwestern life worth examining more deeply, including history, religion, geography, art, race, culture, and politics, and are written by well-known scholars in the field such as Michael Allen, Jon Butler, and Nicole Etcheson.




Midwestern Heritage


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The Midwestern Ascendancy in American Writing


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For a half-century - from Edward Eggleston's pioneering novel The Hoosier Schoolmaster in 1871 through the dazzling early work of Hart Crane, F. Scott Fitzgerald, and Ernest Hemingway in the 1920s - Midwestern literature was at the center of American writing. In The Midwestern Ascendancy in American Writing, Ronald Weber illuminates the sense of lost promise that gives rise to the elegiac note struck in many Midwestern works; he also addresses the deeply divided feelings about the region revealed in the contrary desires to abandon and to celebrate. The period of Midwestern cultural ascendancy was a time of tremendous social and technological change. Midwestern writing was a reflection of these societal changes; it was American literature.




The Midwest


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Dictionary of Midwestern Literature, Volume Two


Book Description

The Midwest has produced a robust literary heritage. Its authors have won half of the nation's Nobel Prizes for Literature plus a significant number of Pulitzer Prizes. This volume explores the rich racial, ethnic, and cultural diversity of the region. It also contains entries on 35 pivotal Midwestern literary works, literary genres, literary, cultural, historical, and social movements, state and city literatures, literary journals and magazines, as well as entries on science fiction, film, comic strips, graphic novels, and environmental writing. Prepared by a team of scholars, this second volume of the Dictionary of Midwestern Literature is a comprehensive resource that demonstrates the Midwest's continuing cultural vitality and the stature and distinctiveness of its literature.




You Can't be Mexican, You Talk Just Like Me


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A firsthand account of the immigrant experience in America Frank Mendez, a child of Mexican immigrants begins his memoir with the story of his father's harrowing migration from Mexico to Texas in 1920 as he escaped from Zapata's guerrrillos and continues with his story of growing up in northeast Ohio. He recounts the Mendez family's experience with the Depression, living in the Lorain, Ohio barrio, labor issues, racism, and World War II. Mendez dropped out of high school in 1943 and enlisted in the Marine Corps where he served twenty-two months in the Pacific theatre. When he returned to Lorain, he received his high school diploma, bachelor's and master's degrees, and a professional engineering license. With an easy, engaging style, Mendez deals directly with the matter of personal identity, addressing the issues that confronted him as he tried to sort out his sometimes conflicting Mexican and American heritage. You Can't Be Mexican comments on the social and political issues of the twentieth century and will appeal to those interested in immigrant studies and ethnicity studies and modern social history. " Every immigrant group which has ever come to this country has its own story to tell. Many of the stories have common threads, however, and Mendez's detailed recollection of the personalities, the emotions, the disappointments and joys relate to the understanding that this is a country of immigrants, whose experience is woven into a shared culture. I know others will enjoy this book as much as I did."--Ambler H. Moss Jr., Professor of International Studies, University of Miami (former U.S. Ambassador to Panama, 1978- 1982)




The Conservative Heartland


Book Description

In the wake of the 2016 presidential election there was widespread shock that the Midwest, the Democrats’ so-called blue wall, had been so effectively breached by Donald Trump. But the blue wall, as The Conservative Heartland makes clear, was never quite as secure as so many observers assumed. A deep look at the Midwest’s history of conservative politics, this timely volume reveals how conservative victories in state houses, legislatures, and national elections in the early twenty-first century, far from coming out of nowhere, in fact had extensive roots across decades of political organization in the region. Focusing on nine states, from Iowa and the Dakotas to Indiana and Ohio, the essays in this collection detail the rise of midwestern conservatism after World War II—a trend that coincided with the transformation of the prewar Republican Party into the New Right. This transformation, the authors contend, involved the Midwest and the Sunbelt states. Through the lenses of race, class, gender, and sexuality, their essays explore the development of midwestern conservative politics in light of deindustrialization, environmentalism, second wave feminism, mass incarceration, privatization, and debates over same-sex marriage and abortion, among other issues. Together these essays map the region’s complex patchwork of viable rural and urban areas, variously subject to a wide array of conflicting interests and concerns; the perspective they provide, at once broad and in-depth, offers unique historical insight into the Midwest’s political complexity—and its status as the last real competitive battleground in presidential elections.




The American Midwest


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The American MidwestEssays on Regional History Edited by Andrew R. L. Cayton and Susan E. Gray Is there a Midwest regional identity? Read this lively exploration of the Midwestern identity crisis and find out. "Many would say that ordinariness is the Midwest's 'historic burden.' A writer living in Dayton, Ohio recently suggested that dullness is a Midwestern trait. The Midwest lacks grand scenery: 'Just cornfields, silos, prairies, and the occasional hill. Dull.' He tries to put a nice face on Midwestern dullness by saying that Midwesterners '[l]ike Shaker furniture... are plain in the best sense: unadorned.' Others have found Midwestern ordinariness stultifying. Neil LaBute, who makes films about mean and nasty people, said he was negative because he came from Indiana: 'We're brutally honest in Indiana. We realize we're in the middle of nowhere, and we're very sore about it.'" -- from Chapter Five, "Barbecued Kentuckians and Six-Foot Texas Rangers," by Nicole Etcheson. In a series of often highly personal essays, the authors of The American Midwest -- all of whom are experts on various aspects of Midwestern history -- consider the question of regional identity as a useful way of thinking about the history of the American Midwest. They begin with the assumption that Midwesterners have never been as consciously regional as Western or Southern Americans. They note the peculiar absence of the Midwest from the recent revival of interest in American regionalism among both scholars and journalists. These lively and well-written chapters draw on personal experiences as well as a wide variety of scholarship. This book will stimulate readers into thinking more concretely about what it has meant to be from the Midwest -- and why Midwesterners have traditionally been less assertive about their regional identity than other Americans. It suggests that the best place to find Midwesternness is in the stories the residents of the region have told about themselves and each other. Being Midwestern is mostly a state of mind. It is always fluid, always contested, always being renegotiated. Even the most frequent objection to the existence of Midwestern identity, the fact that no one can agree on its borders, is part of a larger regional conversation about the ways in which Midwesterners imagine themselves and their relationships with other Americans. Andrew R. L. Cayton, Distinguished Professor of History at Miami University in Oxford, Ohio, is author of numerous books and articles dealing with the history of the Midwest, including Frontier Indiana (Indiana University Press) and (with Peter S. Onuf) The Midwest and the Nation. Susan E. Gray, Associate Professor of History at Arizona State University, is author of Yankee West: Community Life on the Michigan Frontier as well as numerous articles about Midwest history. Midwestern History and CultureJames H. Madison and Andrew R. L. Cayton, editors July 2001256 pages, 6 1/8 x 9 1/4, index, append.cloth 0-253-33941-3 $35.00 s / £26.50 Contents The Story of the Midwest: An Introduction Seeing the Midwest with Peripheral Vision: Identities, Narratives, and Region Liberating Contrivances: Narrative and Identity in Ohio Valley Histories Pigs in Space, or What Shapes American Regional Cultures? Barbecued Kentuckians and Six-Foot Texas Rangers: The Construction of Midwestern Identity Pi-ing the Type: Jane Grey Swisshelm and the Contest of Midwestern Regionality "The Great Body of the Republic": Abraham Lincoln and the Idea of a Middle West Stories Written in the Blood: Race, Identity, and the Middle West The Anti-region: Place and Identity in the History of the American Middle West Midwestern Distinctiveness Middleness and the Middle West




Reading American Art


Book Description

This anthology brings together twenty outstanding works of recent scholarship on the history of the visual arts in the United States from the colonial period to 1945. The selected essays--all written within the past two decades--reflect the interdisciplinary character of current art historiography in America and the variety of approaches that contribute to the dynamism in the field. The authors take up diverse subjects--from colonial portraits to nineteenth-century sculptures of women to photographic images of New York--and invite those with a general knowledge of the history of American art to think more deeply about art and culture. Employing many interpretive methodologies, including iconology, social history, structuralism, psychobiography, and feminist theory, the contributors to this volume combine close analysis of specific art objects or groups of objects with discussion of how these works of art operated within their cultural contexts. The authors consider the works of such artists as John Singleton Copley, Charles Willson Peale, Winslow Homer, Thomas Eakins, Georgia O'Keeffe, and Jackson Pollock as they assess how paintings, sculpture, prints, drawings, and photographs have carried meaning within American society. And they investigate how the conceptualization, production, and presentation of works of art both inform and are informed by prevailing attitudes toward the role of the arts and the artist in American culture.