Millennium Snow (2-in-1 Edition), Vol. 1


Book Description

Seventeen-year-old Chiyuki Matsuoka was born with heart problems, and her doctors say she won’t live to see the next snow. Toya is an 18-year-old vampire who hates blood and refuses to make the traditional partnership with a human, whose life-giving blood would keep them both alive for a thousand years. In order to save Chiyuki’s life, Toya finally bonds with Chiyuki. But what she doesn’t know is that Toya has refused to make the full partnership with her. He doesn’t want to doom her to a thousand years of life. Chiyuki swore to Toya that she would never leave him alone, but is that a promise she’ll be able to keep?




Millennium Snow, Vol. 1


Book Description

17-year-old Chiyuki Matsuoka was born with heart problems, and her doctors say she won't live to see the next snow. Touya is an 18-year-old vampire who hates blood and refuses to make the traditional partnership with a human, whose life-giving blood would keep them both alive for a thousand years. Can Chiyuki teach Touya to feel a passion for life, even as her own is ending?




Millennium Snow (2-in-1 Edition), Vol. 2


Book Description

Seventeen-year-old Chiyuki Matsuoka was born with heart problems, and her doctors say she won’t live to see the next snow. Toya is an 18-year-old vampire who hates blood and refuses to make the traditional partnership with a human, whose life-giving blood would keep them both alive for a thousand years. Toya still can’t shake his blood aversion, even though Chiyuki would happily share hers with him, and the malnutrition is starting to take its toll. Chiyuki tries to supplement his diet with solid food, but that’s just barely enough to keep him alive. Can Chiyuki fi nd a way to support her vampire when he refuses the help she knows he needs?




Manga


Book Description

Once upon a time, one had to read Japanese in order to enjoy manga. Today manga has become a global phenomenon, attracting audiences in North America, Europe, Africa, and Australia. The style has become so popular, in fact, that in the US and UK publishers are appropriating the manga style in a variety of print material, resulting in the birth of harlequin mangas which combine popular romance fiction titles with manga aesthetics. Comic publishers such as Dark Horse and DC Comics are translating Japanese "classics", like Akira, into English. And of course it wasn't long before Shakespeare received the manga treatment. So what is manga? Manga roughly translates as "whimsical pictures" and its long history can be traced all the way back to picture books of eighteenth century Japan. Today, it comes in two basic forms: anthology magazines (such as Shukan Shonen Jampu) that contain several serials and manga 'books' (tankobon) that collect long-running serials from the anthologies and reprint them in one volume. The anthologies contain several serials, generally appear weekly and are so thick, up to 800 pages, that they are colloquially known as phone books. Sold at newspaper stands and in convenience stores, they often attract crowds of people who gather to read their favorite magazine. Containing sections addressing the manga industry on an international scale, the different genres, formats and artists, as well the fans themselves, Manga: An Anthology of Global and Cultural Perspectives is an important collection of essays by an international cast of scholars, experts, and fans, and provides a one-stop resource for all those who want to learn more about manga, as well as for anybody teaching a course on the subject.




Image and Identity


Book Description

What do images of the body, which recent poets and filmmakers have given us, tell us about ourselves, about the way we think and about the culture in which we live? In his new book A Body of Vision, R. Bruce Elder situates contemporary poetic and cinematic body images in their cultural context. Elder examines how recent artists have tried to recognize and to convey primordial forms of experiences. He proposes the daring thesis that in their efforts to do so, artists have resorted to gnostic models of consciousness. He argues that the attempt to convey these primordial modes of awareness demands a different conception of artistic meaning from any of those that currently dominate contemporary critical discussion. By reworking theories and speech in highly original ways, Elder formulates this new conception. The works of Brakhage, Artaud, Schneeman, Cohen and others lie naked under Elder’s razor-sharp dissecting knife and he exposes the essence of their work, cutting deeply into the themes and theses from which the works are derived. His remarks on the gaps in contemporary critical practices will likely become the focus of much debate.




Literacy for the New Millennium


Book Description

Living in an age of communication, literacy is an extremely integral part of our society. We are impacted by literature during our infancy, childhood, adolescence, and adulthood. This four volume set includes information from specialists in the field who discuss the influence of popular culture, media, and technology on literacy. Together, they offer a comprehensive outline of the study and practice of literacy in the United States.




The Spectator


Book Description

A weekly review of politics, literature, theology, and art.