Milton and Religious Controversy


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Religious satire and polemic constitute an elusive presence in Paradise Lost. John N. King shows how Milton's poem takes on new meaning when understood as part of a strategy of protest against ecclesiastical formalism and clericalism. The experience of Adam and Eve before the Fall recalls many Puritan devotional habits. After the Fall, they are prone to 'idolatrous' ritual and ceremony that anticipate the religious 'error' of Milton's own age. Vituperative sermons, broadsides and pamphlets, notably Milton's own tracts, afford a valuable context for recovering the poem's engagement with the violent history of the Civil Wars, Commonwealth and Restoration, while contemporary visual satires help to clarify Miltonic practice. Eighteenth-century critics who attacked breaches of decorum and sublimity in Paradise Lost alternately deplored and ignored a literary and polemical tradition deployed by Milton's contemporaries. This important study, first published in 2000, sheds light on Milton's epic and its literary and religious contexts.




Catholic and Reformed


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Challenging account of religious controversy between Catholic and Protestant before the Civil War.




Paradise Lost, Book 3


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Areopagitica


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Milton and Heresy


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Paradise Lost


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Milton and the Burden of Freedom


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This book examines the unresolved tensions in Milton's writings, as he grapples with the paradox of freedom in a universe ruled by an all-powerful God.




The New Milton Criticism


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The New Milton Criticism seeks to emphasize ambivalence and discontinuity in Milton's work and interrogate the assumptions and certainties in previous Milton scholarship. Contributors to the volume move Milton's open-ended poetics to the centre of Milton studies by showing how analysing irresolvable questions – religious, philosophical and literary critical – transforms interpretation and enriches appreciation of his work. The New Milton Criticism encourages scholars to embrace uncertainties in his writings rather than attempt to explain them away. Twelve critics from a range of countries, approaches and methodologies explore these questions in these new readings of Paradise Lost and other works. Sure to become a focus of debate and controversy in the field, this volume is a truly original contribution to early modern studies.




God's Liar


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The year is 1665. England is in the midst of the Restoration, and John Milton, a blind, politically and religiously marginalized writer associated with Oliver Cromwell's failed attempt to form a republic, has not yet published Paradise Lost. When one of the worst plagues in history descends upon London, he and his much younger wife are forced to flee to the countryside. There Milton is befriended by the local curate, Rev. Theodore Wesson, who knows nothing about Milton's controversial past or the dangers of associating with him. Soon their fates become intertwined when the curate's hopes for advancement are threatened by his relationship to the notorious traitor and "king-killer," John Milton. The situation tests Wesson's loyalty--to the monarchy, to friendship, to a church career--while complicating his already blurry sense of God's involvement in human affairs. For Milton, the cost is potentially even greater: the target of assassination attempts since the restoration of the monarchy five years earlier, he has real reason to fear for his life. A riveting and briskly paced novel that transports the reader to a very particular place and time even as its themes resonate with our own time, Thom Satterlee's God's Liar will take its place next to works as varied as Hilary Mantel's Wolf Hall and Colm Toibin's The Master.




Milton Unbound


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John Milton - heretic, defender of the Cromwellian regicides, epic poet - holds a crucial strategic position on the intellectual and ideological map of literary studies. In this provocative and liberating study, John P. Rumrich contends that contemporary critics, despite differences in methodology, have contributed to the invention of a monolithic or institutional Milton, as censorious preacher, aggressive misogynist, and champion of the emerging bourgeoisie. Rumrich reveals the pressures that have shaped this current critical orthodoxy, and exposes the historical inaccuracies and logical inconsistencies that sustain it. Through analysis of Milton's poetry and prose, and consideration of the historical forces that informed Milton's writing, Rumrich argues instead for a more complex Milton who was able to accommodate uncertainty and doubt.