Minnesota Marvels


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Midwest Marvels


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A guide to unusual and one-of-a-kind roadside sights in the Midwest includes Minnesota's Spam Museum, North Dakota's forty-five-foot tower of discarded oil cans, and South Dakota's Outhouse Museum.




Nina's North Shore Guide


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That's Got 'em!


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Wilbur C. Sweatman (1882-1961) is one of the most important, yet unheralded, African. American musicians involved in the transition of ragtime into jazz in the early twentieth. century. In That's Got 'Em!, Mark Berresford tracks this energetic pioneer over a. seven-decade career. His talent transformed every genre of black music before the. advent of rock and roll?pickaninny bands, minstrelsy, circus sideshows, vaudeville. (both black and white), night clubs, and cabarets. Sweatman was the first African. American musician to be offered a long-term recording contract, and he dazzled. listeners with jazz clarinet solos before the Original Dixieland Jazz Band's so-called first. jazz records.. Sweatman toured the vaudeville circuit for over twenty years and presented African. American music to white music lovers without resorting to the hitherto obligatory. plantation costumes and blackface makeup. His bands were a fertile breeding ground. of young jazz talent, featuring such future stars as Duke Ellington, Coleman Hawkins, . and Jimmie Lunceford. Sweatman subsequently played pioneering roles in radio and. recording production. His high profile and sterling reputation in both the black and. white entertainment communities made him a natural choice for administering the. estate of Scott Joplin and other notable black performers and composers. That's Got. 'Em! is the first full-length biography of this pivotal figure in black popular culture, . providing a compelling account of his life and times




Weird Minnesota


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Minnesota Treasures


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Extended essays and four-color photos highlight 75 buildings and sites on Minnesota's National Register of Historic Places, from the grand and polished to the simple and unadorned.




Minnesota History


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Vol. 6 includes the 23d Biennial report of the Society, 1923/24, as an extra number.




You're Sending Me Where?


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Welcome! Benvenuti! It’s summertime in northern Minnesota and a bus full of kids is about to arrive at the Italian Concordia Language Village, better known as camp. Inexplicably the chief lifeguard has chosen this moment to conduct a “missing villager drill,” prompting staff to strip to their underwear in a simulated rush to search the lake. It’s an inopportune time for a surprise visit from the Health Inspector, but there he is—just as an Italian counselor calls through the walkie-talkie, “My God, there’s blood everywhere!” He’s finally clobbered the chipmunk that’s been stealing his candy. When at age six he had to be hauled kicking and screaming on the bus bound for camp, Eric Dregni could not have imagined this moment. But all the days and weeks of summer camp since then have shown him the abundant pleasures of this uniquely American experience—and given him plenty of stories to tell. In You’re Sending Me Where? Dregni takes us back to those boyhood days of running head-on into nature with his fellow campers and learning a few valuable lessons, such as don’t let the van driver leave you and your canoe until you’re sure there’s actually water in the “flowage.” From discouraging summer love to soothing homesick campers to—Oh no! Bats!—taking everyone to town for their rabies shots, to the difficulty of saying goodbye, Eric Dregni’s wise, funny book reassures us that there’s still a place in the woods where, unplugged from devices and screens, children of all ages can connect with the natural world—and with each other.




For the Love of Cod


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A journey to find Norway’s supposed bliss makes for a comic travelogue that asks, seriously, what makes Norwegians so damn happy—and does it translate? Norway is usually near or at the top of the World Happiness Report. But is it really one of the happiest countries on Earth? Eric Dregni had his doubts. Years ago he and his wife had lived in this country his great-great-grandfather once fled. When their son Eilif was born there, the Norwegian government paid for the birth, gave them $5,000, and deposited $150 into their bank account every month, but surely happiness was more than a generous health care system. What about all those grim months without sun? When Eilif turned fifteen, father and son decided to go back together and investigate. For the Love of Cod is their droll report on the state of purported Norwegian bliss. Arriving in May, a month of festivals and eternal sun, the Dregnis are thrust into Norway at its merriest—and into the reality of the astronomical cost of living, which forces them to find lodging with friends and relatives. But this gives them an inside look at the secrets to a better life. It’s not the massive amounts of money flowing from the North Sea oil fields but how these funds are distributed that fuels the Norwegian version of democratic socialism—resulting in miniscule differences between rich and poor. Locals introduce them to the principles underlying their avowed contentment, from an active environmentalism that translates into flyskam (flight shame), which keeps Norwegians in the family cabin for the long vacations prescribed by law and charges a 150 percent tax on gas guzzlers (which, Eilif observes, means more Teslas seen in one hour than in a year in Minnesota!). From a passion for dugnad or community volunteerism and sakte or “slow,” a rejection of the mad pace of modernity, to the commodification of Viking history and the dark side of Black Metal music that turns the idea of quaint, traditional Norway upside down, this idiosyncratic father and son tour lets readers, free of flyskam, see how, or whether, Norwegian happiness translates.




The Northwestern Miller


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