A Turkish Folktale


Book Description

First published in 1996. A ten-hour tale, long enough to fill a night in the telling, artful enough to keep all its listeners eagerly awake: such marathon narratives constitute a recurrent theme found in folktales worldwide. This entire book records, annotates and interprets one such rare performance, by Behcet Mahir. a man who joins great storytellers whose art has survived their deaths and transcended their native communities to become the shared heritage of a worldwide audience of lovers of oral tales.




The Song Contests of Turkish Minstrels


Book Description

A study of the world of competitive singing in the context of the Turkish coffee house. It investigates the ashik or minstrel and his relationship to music, poetry, and compositional strategies. One of the main focuses is the interaction between the ashik and the audience at a small coffee house in Kars, Turkey. The social milieu in which the song contest tradition has developed and flourished forms an important part of the study, as does the role of spontaneously composed poetry and the problem of how meaning is derived from social interaction during a song contest. Annotation copyright by Book News, Inc., Portland, OR




Folklore


Book Description




Oral Epics of Central Asia


Book Description

This book examines the oral literature of the nomadic Turkic peoples.




Contemporary Turkish Writers


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Singing the Past


Book Description

Oral epic poetry is still performed by Turkic singers in Central Asia. On trips to the region, Karl Reichl collected heroic poems from the Uzbek, Kazakh, and Karakalpak oral traditions. Through a close analysis of these Turkic works, he shows that they are typologically similar to heroic poetry in Old English, Old High German, and Old French and that they can offer scholars new insights into the oral background of these medieval texts.Reichl draws on his research in Central Asia to discuss questions regarding performance as well as the singers' training, role in society, and repertoire. He asserts that heroic poetry and epic are primarily concerned with the interpretation of the past in song: the courageous deeds of ancestors, the search for tribal and societal roots, and the definition and transmission of cultural values. Reichl finds that in these traditions the heroic epic is part of a generic system that includes historical and eulogistic poetry as well as heroic lays, a view that has diachronic implications for medieval poetry.Singing the Past reminds readers that because much medieval poetry was composed for oral recitation, both the Turkic and the medieval heroic poems must always be appreciated as poetry in performance, as sound listened to, as words spoken or sung.




Medieval Oral Literature


Book Description

Medieval literature is to a large degree shaped by orality, not only with regard to performance, but also to transmission and composition. Although problems of orality have been much discussed by medievalists, there is to date no comprehensive handbook on this topic. ‘Medieval Oral Literature’, a volume in the ‘De Gruyter Lexikon’ series, was written by an international team of twenty-five scholars and offers a thorough discussion of theoretical approaches as well as detailed presentations of individual traditions and genres. In addition to chapters on the oral-formulaic theory, on the interplay of orality and writing in the Early Middle Ages, on performance and performers, on oral poetics and on ritual aspects of orality, there are chapters on the Older Germanic, Romance, Middle High German, Middle English, Celtic, Greek-Byzantine, Russian, Hebrew, Arabic, Persian and Turkish traditions of oral literature. There is a special focus on epic and lyric, genres that are also discussed in separate chapters, with additional chapters on the ballad and on drama.




Routledge Revivals: Turkic Oral Epic Poetry (1992)


Book Description

Originally published in 1992, Turkic Oral Poetry provides an expert introduction to the oral epic traditions of the Turkic peoples of central Asia. The book seeks to remedy the problem of non-specialists’ lack of access to information on the Turkic traditions, and in the process, it provides scholars in various disciplines with material for comparative investigation. The book focuses on "central traditions" of this region, specifically those of the Uzbeks, Kazakhs, Karakalpak’s, and Kirghiz and looks at the historical and linguistic background to a survey of the earliest documents, portraits of the singers and of performance considerations of genre, story-patterns, and formulaic diction, and discussions of "composition in performance", memory, rhetoric and diffusion.




The Book of Dede Korkut


Book Description

“The Book of Dede Korkut has been called the Iliad of the Turks . . . An excellent translation in English . . . Smooth, highly readable, enlightening.” —Books Abroad One of the oldest surviving pieces of Turkish literature, The Book of Dede Korkut can be traced to tenth-century origins. Now considered the national epic of Turkey, it is the heritage of the ancient Oghuz Turks and was composed as they migrated westward from their homeland in Central Asia to the Middle East, eventually to settle in Anatolia. Who its primary creator was no one knows, the titular bard, Dede Korkut, being more a symbol of Turkish minstrelsy than a verifiable author. The songs and tales of countless minstrels lay behind The Book of Dede Korkut, and in its oral form the epic was undoubtedly subject to frequent improvisation by individual performers. Partly in prose, partly in verse, these legends were sung or chanted in the courts and camps of political and military leaders. Even after they had been recorded in written form, they remained part of an oral tradition. The present edition is the first complete text in English. The translators provide an excellent introduction to the language and background of the legends as well as a history of Dede Korkut scholarship. These outstanding tales will be of interest to all students of world mythology and folklore. “A masterwork of [tenth-century] Turkish literature—and perhaps as one of the world’s most impressive national epics . . . with its action-packed narrative in prose and verse, [it] unfurls a fascinating panorama of Turkish tribal and feudal life—warfare, hunts, festivities, plunders, preternatural phenomena, heroics and love.” —Middle East Journal