Mirror of Indian Art


Book Description




Mirror of Indian Art


Book Description

Krishna Deva, 1914-2001, Indian archaeologist; contributed articles.




The Goddesses' Mirror


Book Description

Discusses the cultural background and meaning of ten goddesses, including Aphrodite, Isis, Athena, Durga, Laksmi, and Sita







Great Lakes Indian Art


Book Description




Mirror of Nature, Mirror of Self


Book Description

In Indian philosophical traditions, a reflection in a mirror frequently serves as a metaphor, suggesting that just as a face in a mirror appears where it is not, so does consciousness. Mirror of Nature, Mirror of Self utilizes this metaphor to address metaphysical, epistemological, and theological problems within non-reductionist approaches to consciousness. Author Dimitry Shevchenko contends that consciousness and its properties--such as the sense of self, subjectivity, and experience of qualia--stand in falsely perceived relations to cognitive and perceptive processes. This book explores models of interaction between consciousness, the mind-body complex, and the world in the philosophical schools of Sāṃkhya, Yoga, and Advaita-Vedant. In a dialogue with psychoanalytical theory and analytic philosophy of mind, Shevchenko defends a new model of consciousness, integrating consciousness-mind dualism, mind naturalism, and representationalism about consciousness. Despite the overwhelming presence of pratibimbavadas, or "theories of reflection", in major philosophical traditions in India, they have received little scholarly attention. Mirror of Nature, Mirror of Self is the first systematic exploration of mirror models of consciousness across traditions. By grounding these theories in their historical intellectual context, Shevchenko contributes to an intense philosophical conversation between Indian reductionists and non-reductionists about consciousness. The book explores the impact of Indian mirror models on theories of mental representation, theories of knowledge, philosophy of language, debates on illusory causality and the relationship between noumena and phenomena, as well as soteriological and theological theories. Finally, by comparing mirror models of consciousness in Indian philosophy with Jacques Lacan's theory of the mirror stage and by engaging with theories of consciousness in analytic philosophy, this study contributes to contemporary debates across philosophical disciplines. This is an open access title. It is available to read and download as a free PDF version on the Oxford Academic platform. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 International licence.




Catalogue of the Objects of Indian Art


Book Description

Reprint of the original, first published in 1874. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.




Mud, Mirror and Thread


Book Description

This book celebrates the diversity of the vast subcontinent by examining little known folk traditions of village and nomad peoples. Drawing upon the traditions of India's half million villages, it helps comprehend the inner logic behind the almost numberless acts of Hindu devotion that occur each day, many of which involve the adornment of homes and altars and the creation of clay vessels and images. They show how, in traditions of embroidery and dress, we can 'read' the complicated ethnic and caste relationships that characterise the societal matrix of the rural peoples. Consequently, the India presented here is village rather than city, local and regional rather than national, peaceful rather than chaotic, spiritual rather than sensational, and despite the vast changes taking place, essentially timeless. The essays in this book are based on field research by leading experts Nora Fisher, Judy Frater, Stephen Huyler, Jyotindra Jain and Vijaya Nagarajan.




Indian Art & Culture


Book Description

Each candidate aspiring to clear the Civil Services Examination is expected to have adequate knowledge about the elegant aspects of India’s traditions and aspects. This book on Indian Art and Culture has been divided into 16 Chapters covering the different aspects of India’s Heritage and Culture such as Art & Culture: An Introduction, Indian Architecture, Sculpture, Painting, Music, Dance, Theatre & Drama, Cinema, Traditional Martial Art, Social Culture, Religion, Philosophy, Language & Literature, Handicraft, Festivals & Fairs and Miscellaneous, which are asked in theCivil Services Examinations conducted by UPSC (Union Public Service Commission) and State PCS. Exercises with objective questions have been given after each chapter. The book also contains Practice Sets prepared according to the UPSC syllabus for thorough practice which would help the students to achieve success in the examinations.Main Features of the Book:Chapterwise comprehensive coverage in point cum para formatImportant facts given in the form of the box within chapterText is well supported with the imagesProper usage of charts and tables for better knowledgeChapterwise significant questions for revision of facts




On the Study of Indian Art


Book Description

Serious study of the art of India began only in the nineteenth century. This small volume provides a masterly overview of the scholarship of the past century and a half. Mr. Chandra's purpose is twofold: to help present–day students understand their scholarly heritage, and to encourage them to re-examine their own methods and assumptions. His histographical approach enables him to pay tribute to the great achievements of the pioneers in the field and also to notice the manner in which errors of fact and method have crept into some of the contemporary thinking and writing on the subject. Rather than attempt to discuss the writings of every scholar of note, he restricts himself to a few whose work, in his opinion, clearly represents the various stages of the development of the discipline. In analyzing their contributions, he concentrates on the broad methodological thrust of their work and not on the details of their conclusions. The study of architecture is considered first, because it was regarded by the ancient Indians as the most important of the visual arts and was the earliest of the arts to receive careful, analytic treatment in modern times. Sculpture is taken up second, and last the study of Indian painting, the area in which the most remarkable progress has been made in the last twenty–five years. In the course of the discussion many topics of broad interest are touched upon, including the relation of art history to the other disciplines, problems presented by various methods of classification, iconography and iconology, the relevance of style, the meaning of form, and the connection between artists and patrons.