George Gershwin for Piano


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Despite their intermediate level, Gershwin stamped these three sketches with his unmistakable style. "Merry Andrew's" leaping melody hops over the ragtime beat; "Three-Quarter Blues" wails its song-like soulfulness using few notes; and "Promenade"creates its cocky mood using sliding grace notes in both the syncopated melody and the stride bass.







How to Appreciate Music


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Cultivating Music in America


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"The Victorian cup on my shelf--a present from my mother--reads 'Love the Giver.' Is it because the very word patronage implies the authority of the father that we have treated American women patrons and activists so unlovingly in the writing of our own history? This pioneering collection of superb scholarship redresses that imbalance. At the same time it brilliantly documents the interrelationship between various aspects of gender and the creation of our own culture."--Judith Tick, author of Ruth Crawford Seeger: A Composer's Search for American Music "Together with the fine-grained and energetic research, I like the spirit of this book, which is ambitious, bold, and generous minded. Cultivating Music in America corrects long-standing prejudices, omissions, and misunderstandings about the role of women in setting up the structures of America's musical life, and, even more far-reaching, it sheds light on the character of American musical life itself. To read this book is to be brought to a fresh understanding of what is at stake when we discuss notions such as 'elitism, ' 'democratic taste, ' and the political and economic implications of art."--Richard Crawford, author of The American Musical Landscape "We all know we are indebted to royal patronage for the music of Mozart. But who launched American talent? The answer is women, this book teaches us. Music lovers will be grateful for these ten essays, sound in scholarship, that make a strong case for the women philanthropists who ought to join Carnegie and Rockefeller as household words as sponsors of music."--Karen J. Blair, author of The Torchbearers: Women and Their Amateur Arts Associations in America




Chopin


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The Lion of Poland


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Ignace Jan Paderewski was born in Poland in November, 1860. At his death in 1940, he was honored by burial in the Arlington Cemetery. As a boy, young Ignace saw repeated Polish rebellions against the controlling foreign powers fail. He determines that the way to help Poland become free and united is for him to become a person of renown-somehow! His vast natural instinct for music unexpectedly opens a door. Though he excels in musical theory and composition, his dream of becoming a concert pianist is continually thwarted by poor advice and instruction. Then, in 1884, displaying the exceptional gift that recurs throughout his lifetime-of meeting the right person at the right time-Ignace starts on the path to becoming a virtuoso pianist at the unheard of age of 24! By 1910, after taking the world by storm through his brilliance as a performer and popularity as a man of humility, warmth and appeal, Ignace begins his incredible career as statesman. It is now that his lifetime of meeting, winning and helping others comes to the fore, granting him vital influence among political figures and situations of his day. Here is an absorbing portrait, full of lively and illuminating incident, observations from contemporaries and matter for reflection, of a man who was aptly called "a genius who happens to play the piano." Historical Insight article by Daria SockeyLocation: Poland and the U.S.Time Period: Modern Era, WW1