Modern Russian Cinema as a Battleground in Russia's Information War


Book Description

This book explores how modern Russian cinema is part of the international information war that has unfolded across a variety of battlefields, including social media, online news, and television. It outlines how Russian cinema has been instrumentalized, both by the Kremlin's allies and its detractors, to convey salient political and cultural messages, often in subtle ways, thereby becoming a tool for both critiquing and serving domestic and foreign policy objectives, shaping national identity, and determining cultural memory. It explains how regulations, legislation, and funding mechanisms have rendered contemporary cinema both an essential weapon for the Kremlin and a means for more independent figures to publicly frame official government policy. In addition, the book employs formal cinematic analysis to highlight the dominant themes and narratives in modern Russian films of a variety of genres, situating them in Russia’s broader rhetorical ecosystem and explaining how they serve the objectives of the Kremlin or its opponents.




Modern Russian Cinema as a Battleground in Russia's Information War


Book Description

This book explores how modern Russian cinema is part of the international information war that has unfolded across a variety of battlefields, including social media, online news, and television. It outlines how Russian cinema has been instrumentalized, both by Kremlin allies and its detractors, to convey salient political and cultural messages, often in subtle ways, thereby becoming a tool for both critiquing and serving domestic and foreign policy objectives, shaping national identity, and determining cultural memory. It explains how regulations, legislation, and funding mechanisms have rendered contemporary cinema both an essential weapon for the Kremlin and a means for more independent figures to publicly frame official government policy. In addition, the book employs formal cinematic analysis to highlight the dominant themes and narratives in modern Russian films of a variety of genres, situating them in Russia's broader rhetorical ecosystem and explaining how they serve the objectives of the Kremlin or its opponents.




The Future of the Soviet Past


Book Description

In post-Soviet Russia, there is a persistent trend to repress, control, or even co-opt national history. By reshaping memory to suit a politically convenient narrative, Russia has fashioned a good future out of a "bad past." While Putin's regime has acquired nearly complete control over interpretations of the past, The Future of the Soviet Past reveals that Russia's inability to fully rewrite its Soviet history plays an essential part in its current political agenda. Diverse contributors consider the many ways in which public narrative shapes Russian culture—from cinema, television, and music to museums, legislature, and education—as well as how patriotism reflected in these forms of culture implies a casual acceptance of the valorization of Stalin and his role in World War II. The Future of the Soviet Past provides effective and nuanced examples of how Russia has reimagined its Soviet history as well as how that past still influences Russia's policymaking.




Threatcasting


Book Description

Impending technological advances will widen an adversary’s attack plane over the next decade. Visualizing what the future will hold, and what new threat vectors could emerge, is a task that traditional planning mechanisms struggle to accomplish given the wide range of potential issues. Understanding and preparing for the future operating environment is the basis of an analytical method known as Threatcasting. It is a method that gives researchers a structured way to envision and plan for risks ten years in the future. Threatcasting uses input from social science, technical research, cultural history, economics, trends, expert interviews, and even a little science fiction to recognize future threats and design potential futures. During this human-centric process, participants brainstorm what actions can be taken to identify, track, disrupt, mitigate, and recover from the possible threats. Specifically, groups explore how to transform the future they desire into reality while avoiding an undesired future. The Threatcasting method also exposes what events could happen that indicate the progression toward an increasingly possible threat landscape. This book begins with an overview of the Threatcasting method with examples and case studies to enhance the academic foundation. Along with end-of-chapter exercises to enhance the reader’s understanding of the concepts, there is also a full project where the reader can conduct a mock Threatcasting on the topic of “the next biological public health crisis.” The second half of the book is designed as a practitioner’s handbook. It has three separate chapters (based on the general size of the Threatcasting group) that walk the reader through how to apply the knowledge from Part I to conduct an actual Threatcasting activity. This book will be useful for a wide audience (from student to practitioner) and will hopefully promote new dialogues across communities and novel developments in the area.




Cinematic Cold War


Book Description

The first book-length survey of cinema's vital role in the Cold War cultural combat between the U.S. and the USSR. Focuses on 10 films--five American and five Soviet, both iconic and lesser-known works--showing that cinema provided a crucial outlet for the global "debate" between democratic and communist ideologies.




Likewar


Book Description

Social media has been weaponized, as state hackers and rogue terrorists have seized upon Twitter and Facebook to create chaos and destruction. This urgent report is required reading, from defense experts P.W. Singer and Emerson T. Brooking.




Chechnya


Book Description

The humiliation of Russia by separatist rebels in the Chechen War marked a key moment in Russian - and perhaps world - history. In this new analysis Anatol Lieven offers a riveting account of the war as a means to explore the painful fate of the post-Soviet state.




A Military History of Russia


Book Description

"Integrating military history into the broader themes of Russian history, and drawing comparisons to developments in Europe, Stone traces Russia's fascinating military history, and its long struggle to master Western military technology without Western social and political institutions. Starting with the military dimensions of the emergence of Muscovy and the disastrous reign of Ivan the Terrible, he traces Russia's emergence as a great power under Peter the Great, and her mixed record following her triumph in the Napoleonic wars. The Russian Revolution created a new Soviet Russia, but this book shows how the Soviet Union's harrowing experience in World War II owed much to Imperial Russian precedents."--BOOK JACKET.




The SAGE Encyclopedia of War: Social Science Perspectives


Book Description

Traditional explorations of war look through the lens of history and military science, focusing on big events, big battles, and big generals. By contrast, The SAGE Encyclopedia of War: Social Science Perspective views war through the lens of the social sciences, looking at the causes, processes and effects of war and drawing from a vast group of fields such as communication and mass media, economics, political science and law, psychology and sociology. Key features include: More than 650 entries organized in an A-to-Z format, authored and signed by key academics in the field Entries conclude with cross-references and further readings, aiding the researcher further in their research journeys An alternative Reader’s Guide table of contents groups articles by disciplinary areas and by broad themes A helpful Resource Guide directing researchers to classic books, journals and electronic resources for more in-depth study This important and distinctive work will be a key reference for all researchers in the fields of political science, international relations and sociology.




Absolute War


Book Description

Absolute War tells the story of the greatest and most terrible land-air conflict of all time: the war between Nazi Germany and Soviet Russia. There have been many individual accounts of particular moments in the vicious war between the Nazi regime and the Sovet behemoth, but none which sets out to tell the full and dreadful story of that absolute war: absolute because both sides aimed to 'exterminate the opponent, to destroy his political existence' and total because it was fought by all elements of society, not simply the armed forces, but civilians - men, women, children - too. Chris Bellamy, Profesor of Military Science at Cranfield University, is one of the wolrd's leading experts on this subject and has been working on this book for almost a decade. It benefits from his remarkable insight into strategic issues as well as exhaustive research in hitherto unopened Russian archives. It is the definitive study of what the Soviets called - and what their fifteen successor states still call - the Great Patriotic War.