Author : Michael Levenson
Publisher : Cambridge University Press
Page : 251 pages
File Size : 48,81 MB
Release : 1991-03-07
Category : Literary Criticism
ISBN : 0521394910
The book is an elaborate and compelling engagement with the problem of individuality in our age.
Author : Michael Levenson
Publisher : Yale University Press
Page : 493 pages
File Size : 16,53 MB
Release : 2011-01-01
Category : Art
ISBN : 0300171773
In this wide-ranging and original account of Modernism, Michael Levenson draws on more than twenty years of research and a career-long fascination with the movement, its participants, and the period during which it thrived. Seeking a more subtle understanding of the relations between the period's texts and contexts, he provides not only an excellent survey but also a significant reassessment of Modernism itself. Spanning many decades, illuminating individual achievements and locating them within the intersecting histories of experiment (Symbolism to Surrealism, Naturalism to Expressionism, Futurism to Dadaism), the book places the transformations of culture alongside the agitations of modernity (war, revolution, feminism, psychoanalysis). In this perspective, Modernism must be understood more broadly than simply in terms of its provocative works, experimental forms, and singular careers. Rather, as Levenson demonstrates, Modernism should be viewed as the emergence of an adversary culture of the New that depended on audiences as well as artists, enemies as well as supporters. -- Book Description.
Author : Brian May
Publisher : University of Missouri Press
Page : 244 pages
File Size : 18,1 MB
Release : 1997
Category : Literary Criticism
ISBN : 9780826210968
The past few years have witnessed a resurgence in the study of British literary modernism. With recent publications on modernist American poetry and increasingly appreciative attitudes toward modern British novelists like Joseph Conrad and E. M. Forster, many scholars are experiencing a renewed interest in modernism. In The Modernist as Pragmatist, Brian May investigates modernist works that have been, until recently, regarded largely as mere exercises in stale Victorian liberal ideology. Breaking from one current interpretation of Forster as an innovative and perhaps objectionable representative of modernist fictional audacity, May keenly argues that Forster is neither a traditional liberal nor an imperial modernist stylist. He is, rather, a pragmatic liberal critic of both unreconstructed Victorian liberalism and unreckoning modernist aestheticism. May also looks at the debate between two contemporary progressive pragmatists, Richard Rorty and Cornel West, who have turned to the liberalism of the past as an avenue toward the future. First clarifying the terms of the debate, May then tries to resolve it using the writings of E. M. Forster to discuss some of the major political and philosophical statements of Rorty and West. In turn, the works of these two philosophers are used as tools to gain insight into Forster's literary texts and cultural contexts. By bringing British literary history to American neopragmatist philosophy, May allows the reader to understand both more concretely, historically, and imaginatively. Persuasive new readings of A Passage to India, Howards End, and The Longest Journey are used to illustrate how Rorty and West offer a choice between pragmatisms. May's well-argued study offers an exploration of how literature and philososphy can lead to a fruitful dialogue that can complement formalism as well as traditional types of contextualism. It also persuasively connects Forster to the contemporary debates between liberalism and pragmatism, making this an important contribution to all scholars of modernism.
Author : Michael Harry Levenson
Publisher : Cambridge University Press
Page : 272 pages
File Size : 40,29 MB
Release : 1986-06-27
Category : Literary Criticism
ISBN : 9780521338004
A Geneology of Modernism is a study of literary transition in the first two decades of the twentieth-century, a period of extraordinary ferment and great accomplishment, during which the avant-garde gradually consolidated a secure place within English culture. Michael Levenson analyses that complex process by following the successive phases of a literary movement - Impressionist, Imagist, Vorticist, Classicist - as it attempted to formulate the principles on which a new aesthetic might be founded. The emphasis here falls on the ideology of modernism, but throughout the book the ideological question is tied on the one hand to specific literary works and on the other to general movements in philosophy and the fine arts. The major figures under discussion, Joseph Conrad, Ford Madox Ford, Ezra Pound, Wyndham Lewis, and T. S. Elliot, are placed in relation to thinkers who have been largely neglected in the history of modernism: Max Stirner, Wilhelm Worringer, Pierre Lasserre, Allen Upward, and Hilaire Belloc. Levenson thus situates the emergence of a modernist aesthetic within the context of literary theory, literary practice, and cultural history.
Author : Austin Sarat
Publisher :
Page : 345 pages
File Size : 13,98 MB
Release : 1996
Category : Philosophy
ISBN : 9780691025964
For over thirty years, George Kateb--along with John Rawls, the late Judith Shklar, and Sir Isaiah Berlin--has been one of liberal political theory's most distinctive voices. An eloquent spokesman for the moral dimensions of individual rights and constitutional democracy, he is a fierce critic of statism and communitarianism and a staunch advocate of individualism in the struggle against all forms of paternalism, conformity, and group-think. Kateb's broad concern as a political theorist has been to unveil the cultural, moral, and existential dimensions of constitutionalism in America. The essays in this book are assembled in his honor, but they are not only celebratory; they pay him homage through their authors' effort to understand the fate of democratic individuality in the modern age. John Hollander and Cornel West contribute reflections on Kateb as a person and a political theorist. Dana Villa, Judith Shklar, and Thomas Dumm write on political theory and the claims of democratic individuality. Democratic individuality and the politics of identity are discussed by Tracy Strong, William Connolly, Benjamin Barber, and Leslie Theile; culture, sensibility, and the self, by David Bromwich, Helene Keyssar, Kim Townsend, and George Shulman. Democratic individuality and civic action are the subjects of essays by Amy Gutmann, Jeffrey Abramson, and Austin Sarat.
Author : Iftikhar Dadi
Publisher : Univ of North Carolina Press
Page : 356 pages
File Size : 27,48 MB
Release : 2010-05-15
Category : Art
ISBN : 0807895962
This pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. Art historian Iftikhar Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond. He looks at the stunningly diverse artistic production of key artists associated with Pakistan, including Abdur Rahman Chughtai, Zainul Abedin, Shakir Ali, Zubeida Agha, Sadequain, Rasheed Araeen, and Naiza Khan. Dadi shows how, beginning in the 1920s, these artists addressed the challenges of modernity by translating historical and contemporary intellectual conceptions into their work, reworking traditional approaches to the classical Islamic arts, and engaging the modernist approach towards subjective individuality in artistic expression. In the process, they dramatically reconfigured the visual arts of the region. By the 1930s, these artists had embarked on a sustained engagement with international modernism in a context of dizzying social and political change that included decolonization, the rise of mass media, and developments following the national independence of India and Pakistan in 1947. Bringing new insights to such concepts as nationalism, modernism, cosmopolitanism, and tradition, Dadi underscores the powerful impact of transnationalism during this period and highlights the artists' growing embrace of modernist and contemporary artistic practice in order to address the challenges of the present era.
Author : Kirsty Martin
Publisher : Oxford University Press, USA
Page : 228 pages
File Size : 24,36 MB
Release : 2013-03-28
Category : Literary Criticism
ISBN : 0199674086
This volume looks at ideas of sympathy in the early 20th-century novel. It offers a new reading of literary modernism challenging notions of modernism as hostile to emotion and empathy. It also offers a new intervention into the growing field of literature and emotion studies.
Author : Christopher Butler
Publisher : Oxford University Press
Page : 137 pages
File Size : 48,18 MB
Release : 2010-07-29
Category : Art
ISBN : 0192804413
A compact introduction to modernism--why it began, what it is, and how it hasshaped virtually all aspects of 20th and 21st century life
Author : Zubin Meer
Publisher : Lexington Books
Page : 284 pages
File Size : 24,65 MB
Release : 2011-05-26
Category : Literary Criticism
ISBN : 0739122649
Individualism: The Cultural Logic of Modernity explores ideas of the modern sovereign individual in the western cultural tradition. Divided into two sections, this volume surveys the history of western individualism in both its early and later forms: chiefly from the sixteenth to the eighteenth centuries, and then individualism in the twentieth century. These essays boldly challenge not only the exclusionary framework and self-assured teleology, but also the metaphysical certainty of that remarkablytenacious narrative on "the rise of the individual." Some essays question the correlation of realist characterization to the eighteenth-century British novel, while others champion the continuing political relevance of selfhood in modernist fiction overand against postmodern nihilism. Yet others move to the foreground underappreciated topics, such as the role of courtly cultures in the development of individualism. Taken together, the essays provocatively revise and enrich our understanding of individualism as the generative premise of modernity itself. Authors especially considered include Locke, Defoe, Freud, and Adorno. The essays in this volume first began as papers presented at a conference of the American Comparative Literature Association held atPrinceton University. Among the contributors are Nancy Armstrong, Deborah Cook, James Cruise, David Jenemann, Lucy McNeece, Vivasvan Soni, Frederick Turner, and Philip Weinstein.
Author : Anthony Giddens
Publisher : John Wiley & Sons
Page : 305 pages
File Size : 22,31 MB
Release : 2013-04-30
Category : Social Science
ISBN : 0745666485
This major study develops a new account of modernity and its relation to the self. Building upon the ideas set out in The Consequences of Modernity, Giddens argues that 'high' or 'late' modernity is a post traditional order characterised by a developed institutional reflexivity. In the current period, the globalising tendencies of modern institutions are accompanied by a transformation of day-to-day social life having profound implications for personal activities. The self becomes a 'reflexive project', sustained through a revisable narrative of self identity. The reflexive project of the self, the author seeks to show, is a form of control or mastery which parallels the overall orientation of modern institutions towards 'colonising the future'. Yet it also helps promote tendencies which place that orientation radically in question - and which provide the substance of a new political agenda for late modernity. In this book Giddens concerns himself with themes he has often been accused of unduly neglecting, including especially the psychology of self and self-identity. The volumes are a decisive step in the development of his thinking, and will be essential reading for students and professionals in the areas of social and political theory, sociology, human geography and social psychology.
