Momus. A Walking Interview


Book Description

"e;Momus. A Walking Interview"e; is a long conversation between the Italian critic Francesco Tenaglia and Scottish born artist Nicholas Currie aka Momus that took place during a day-long stroll in various areas of the city of Milan with an always-on microphone. The different neighborhoods elicited different topics including musicals, Chinatowns, enterism, Italy, Sehnsucht, David Bowie, word processors, death, classic rock, politics, isolation, future, and much more.Momus started his career in music making during the '80s first with the band The Happy Family then as a solo artist for Creation Records and Cherry Red Records. He has written for various publications such as Wired, Vice, Index Magazine, 032c, and Mousse. He has also been active in performance art and as an author: he wrote "e;The Book of Jokes"e;; "e;The Book of Scotlands"e;, and "e;The Book of Japans"e; for Sternberg Press; "e;Herr F"e;, and "e;Popppappp"e; for Fiktion.Foreword by the journalist and dj Fabio De Luca.More info: www.nochpublishing.com




The Book of Scotlands


Book Description

The Book of Scotlands outlines 156 possible Scotlands which currently do not exist anywhere but maybe, someday, could. At a moment when, after centuries of desire and unrest, independence seems to be a real possibility for Scotland, Scottish-born, Berlin-based musician/author/journalist Momus, real name Nick Currie, offers a delirium of visions, practical and absurd. Momus, who describes himself as a polymath-dabbler, suggests that the real Scotland is free to embrace or reject this parallel world.




What it Means to Write About Art


Book Description

The most comprehensive portrait of art criticism ever assembled, as told by the leading writers of our time. In the last fifty years, art criticism has flourished as never before. Moving from niche to mainstream, it is now widely taught at universities, practiced in newspapers, magazines, and online, and has become the subject of debate by readers, writers, and artists worldwide. Equal parts oral history and analysis of craft, What It Means to Write About Art offers an unprecedented overview of American art writing. These thirty in-depth conversations chart the role of the critic as it has evolved from the 1960s to today, providing an invaluable resource for aspiring artists and writers alike. John Ashbery recalls finding Rimbaud’s poetry through his first gay crush at sixteen; Rosalind Krauss remembers stealing the design of October from Massimo Vignelli; Paul Chaat Smith details his early days with Jimmy Durham in the American Indian Movement; Dave Hickey talks about writing country songs with Waylon Jennings; Michele Wallace relives her late-night and early-morning interviews with James Baldwin; Lucy Lippard describes confronting Clement Greenberg at a lecture; Eileen Myles asserts her belief that her negative review incited the Women’s Action Coalition; and Fred Moten recounts falling in love with Renoir while at Harvard. Jarrett Earnest’s wide-ranging conversations with critics, historians, journalists, novelists, poets, and theorists—each of whom approach the subject from unique positions—illustrate different ways of writing, thinking, and looking at art. Interviews with Hilton Als, John Ashbery, Bill Berkson, Yve-Alain Bois, Huey Copeland, Holland Cotter, Douglas Crimp, Darby English, Hal Foster, Michael Fried, Thyrza Nichols Goodeve, Dave Hickey, Siri Hustvedt, Kellie Jones, Chris Kraus, Rosalind Krauss, Lucy Lippard, Fred Moten, Eileen Myles, Molly Nesbit, Jed Perl, Barbara Rose, Jerry Saltz, Peter Schjeldahl, Barry Schwabsky, Paul Chaat Smith, Roberta Smith, Lynne Tillman, Michele Wallace, and John Yau.




How to Write About Contemporary Art


Book Description

An essential handbook for students and professionals on writing eloquently, accurately, and originally about contemporary art How to Write About Contemporary Art is the definitive guide to writing engagingly about the art of our time. Invaluable for students, arts professionals and other aspiring writers, the book first navigates readers through the key elements of style and content, from the aims and structure of a piece to its tone and language. Brimming with practical tips that range across the complete spectrum of art-writing, the second part of the book is organized around its specific forms, including academic essays; press releases and news articles; texts for auction and exhibition catalogues, gallery guides and wall labels; op-ed journalism and exhibition reviews; and writing for websites and blogs. In counseling the reader against common pitfalls—such as jargon and poor structure—Gilda Williams points instead to the power of close looking and research, showing how to deploy language effectively; how to develop new ideas; and how to construct compelling texts. More than 30 illustrations throughout support closely analysed case studies of the best writing, in Source Texts by 64 authors, including Claire Bishop, Thomas Crow, T.J. Demos, Okwui Enwezor, Dave Hickey, John Kelsey, Chris Kraus, Rosalind Krauss, Stuart Morgan, Hito Steyerl, and Adam Szymczyk. Supplemented by a general bibliography, advice on the use and misuse of grammar, and tips on how to construct your own contemporary art library, How to Write About Contemporary Art is the essential handbook for all those interested in communicating about the art of today.




UnAmerica


Book Description

A remodelling of the classically charming and na ve sixth century Christian tale, The Voyage of Saint Brendan. The nation is in the iron claw of capitalism, Christianity's basic principles are flouted daily, the South has won the Civil War, slavery is widespread, exploitation rampant and God - now working as a janitor at Tastee Freez with late-onset Alzheimer's - is rapidly losing the plot. In an effort to obliterate his botched creation from memory, the fallen divinity recruits retail worker Brad Power to enlist a crew of 12 for a seafaring adventure.




The Book of Jokes


Book Description

Imagine a universe where every joke you've ever heard is solid, real, and occasionally dangerous--and all happening, one after the other, to the same small group of people. Detailing a series of filthy and ludicrous episodes in the life of a single family, saddled with a super-eccentric, sexually rapacious father, "The Book of Jokes" tells the story of the youth and education of a bland young boy doomed to record--in an incongruously serious, autobiographical mode--all the ridiculous incidents befalling his household. With their lives dictated by set ups and punchlines, the boy's family quickly becomes luridly dysfunctional, and he realizes that the only way to escape his tragicomic fate is by trying to take control of the joke-telling himself. Channeling the spirits of Chaucer, Rabelais, Flann O'Brien, and Gian Francesco Poggio Bracciolini, the Vatican secretary who compiled the first known book of jokes in 1451, "The Book of Jokes" is a happy raspberry in the face of life as we know and tell it.




Queer Communion


Book Description

Ron Athey is one of the most important, prolific, and influential performance artists of the past four decades. A singular example of lived creativity, his radical performances are odds with the art worlds and art marketplaces that have increasingly dominated contemporary art and performance art over the period of his career. Queer Communion, an exploration of Athey's career, refuses the linear narratives of art discourse and instead pays homage to the intensities of each mode of Athey's performative practice and each community he engages. Emphasizing the ephemeral and largely uncollectible nature of his work, the book places Athey's own writing at its center, turning to memoir, memory recall, and other modes of retrieval and narration to archive his performances. In addition to documenting Athey's art, ephemera, notes, and drawings, the volume features commissioned essays, concise "object lessons" on individual objects in the Athey archive, and short testimonials by friends and collaborators by contributors including Dominic Johnson, Amber Musser, Julie Tolentino, Ming Ma, David Getsy, Alpesh Patel, and Zackary Drucker, among others. Together they form Queer Communion, a counter history of contemporary art.




The Freezer Door


Book Description

A meditation on the trauma and possibility of searching for connection in a world that enforces bland norms of gender, sexual, and social conformity. When you turn the music off, and suddenly you feel an unbearable sadness, that means turn the music back on, right? When you still feel the sadness, even with the music, that means there's something wrong with this music. Sometimes I feel like sex without context isn't sex at all. And sometimes I feel like sex without context is what sex should always be.--The Freezer Door The Freezer Door records the ebb and flow of desire in daily life. Crossing through loneliness in search of communal pleasure in Seattle, Mattilda Bernstein Sycamore exposes the failure and persistence of queer dreams, the hypocritical allure of gay male sexual culture, and the stranglehold of the suburban imagination over city life. Ferocious and tender, The Freezer Door offers a complex meditation on the trauma and possibility of searching for connection in a world that relentlessly enforces bland norms of gender, sexual, and social conformity while claiming to celebrate diversity.




Mad Clot on a Holy Bone


Book Description

"Mad Clot on a Holy Bone: Memories of a Psychic Theater is the first published collection of the work of playwright and artist Asher Hartman and his Gawdafful National Theater company. The book includes three plays by Hartman: Purple Electric Play (PEP!), Mr. Akita, and Sorry, Atlantis: Eden’s Achin’ Organ Seeks Revenge; as well as a full-color insert, contributions by Janet Sarbanes and Lucas Wrench, and a conversation between Asher Hartman and Mark Allen (who produced the three featured plays in collaboration with Machine Project) and Tim Reid (a playwright and performer who joined the Gawdafful company in 2018, as the assistant director of Sorry, Atlantis). Mad Clot on a Holy Bone is co-edited by Mark Allen and Deirdre O’ Dwyer and designed by Becca Lofchie"--Publisher's website.




Burning City


Book Description

Poetry. BURNING CITY acts as a "multisensory Baedecker" to the many incarnations of international modernism from 1910-1939. Inspired by the abandoned plans of the early avant-garde poet Yvan Goll to write a history of modernity through the poetry of that era, scholars Jed Rasula and Tim Conley have carried out Goll's project, scouring the small journals and magazines of the period for both lost and seminal texts. BURNING CITY is organized not just according to the cities which inspired the texts Paris, Cracow, Buenos Aires, and so on but according to such icons of the modern urban experience as "Cineland," "Music Hall," "Electric Man." BURNING CITY makes a new contribution to anthologies of both poetry and modernism by its thematic focus on city life, by its inclusion of poets from languages and nationalities seldom represented in standard US surveys, and by its preservation of the typographic versatility of the this feverishly innovating period. "'The fascination of cities, ' wrote Langston Hughes, 'seizes me, burning like a fever in the blood.' BURNING CITY enacts that passion with astonishing skill and learning. Whatever else Modernism was or was not, its geography was that of the New Urbanism: from Paris and Berlin to Sao Paulo and Shanghai, from such icons as the Eiffel Tower and the Empire State Building to Moscow's Nikitin Circus, it is the City in all its contradictions, its splendors and miseries, that was to become the laboratory of modernism, still dominating our dreams and nightmares a century after the fact. Truly global in its reach, yet local in its exacting particularities, BURNING CITY breaks down the old familiar isms and genre divisions, introducing us to writings we've never seen before, printed side by side with our favorite poems by Huidobro and Musil, Mayakovsky and Mina Loy. In a nutshell, the map of modernism will never be the same " Marjorie Perloff"