Monir Shahroudy Farmanfarmaian - Sunset, Sunrise


Book Description

"'Monir Shahroudy Farmanfarmaian: Sunset, Sunrise' coincides with the artist's first major solo exhibition in Ireland and Sharjah Art Foundation. With an eminent career that spans more than six decades, Farmanfarmaian (b.1924, Qazvin, Iran) is one of the most prominent contemporary Iranian artists. Between 1945 and 1957, she spent formative years as a key figure of the New York art scene, a time marked by friendships with fellow artists such as Frank Stella and Andy Warhol, before returning to Iran. She was abroad when the Islamic Revolution of 1979 broke out, effectively making her an exile until 1992. With Farmanfarmaian now in her mid-nineties and firmly re-established in her native Tehran since 2004, this long-overdue exhibition, 'Sunset, Sunrise' at IMMA and Sharjah Art Foundation, foregrounds a lexicon of over 70 works that are fundamental to the artist's magnificent artistic achievement - mirror mosaics, sculptures, drawings and tapestries. The exhibition marks the first time Farmanfarmaian's work will be shown in Ireland. The exhibition is co-curated by Rachel Thomas (Senior Curator: Head of Exhibitions, IMMA) and Hoor Al Qasimi (Director, Sharjah Art Foundation). The exhibition is organised by IMMA, Ireland, in collaboration with Sharjah Art Foundation, United Arab Emirates. Documenting this significant exhibition, the publication includes contributions from Rahel Aima, Tina Kinsella, Caoimhín Mac Giolla Léith, Hans Ulrich Obrist and Murtaza Vali."--Back cover.







Monir Shahroudy Farmanfarmaian


Book Description

This book is the first substantial survey of Farmanfarmaian's acclaimed geometric works.




SQM, the Quantified Home


Book Description

The way in which we live is changing under the influence of different factors - be they financial, environment of respective, technological or geopolitical nature, quickly. What was equated with "home" has change, the "home" has turned into a Handeslware whose value is measured in Quatdratmetern. 'SQM: The Quantified Home' is less concerned with the house as a physical , protective shell, it presents it as a complex universe of overlapping cultural references, daily rituals, practical needs, unexpressed wishes and aspirations which develop steadily and flow together in an architectural space. The book presents the fundamental changes in the perception of the home, evaluates relevant data, makes assumptions and shows a selection of houses and interiors - from Osama bin Laden's fortress to examples of "living" in the era of Airbnb. In essays by architects, designers, artists and theorists will examine how the space in which we live, has become recognisable and yet so foreign. 140 illustrations




Jerwood Photoworks Awards


Book Description




From a Persian Kitchen


Book Description

An Irish Times Best Food Book of the Year. 'A dream of a cookery book. Sumptuous, tempting with quite beautiful photography.' Irish Examiner 'The book is so beautiful, full of [your] own photographs, that look like gorgeous still life paintings.' Suzy Kline, BBC R4 Saturday Live 'The best kind of cookbook are those that you make you want to scribble and make every dish.' The Hampstead Kitchen 'A menu of Middle Eastern gems to tempt the taste buds' Sunday Express Gourmand World Cookbook 2019 award finalist Author and photographer Atoosa Sepehr offers not just mouthwatering traditional Iranian recipes, but also her own sumptuous photographs of both her food and the people and landsapes of Iran. Born and brought up in Iran, Atoosa came to work in the UK in 2007, but she never left behind the wonderful flavours of her family and childhood. Cooking these dishes for her family and friends over here has given her the passion to share the authentic, home cooked Persian cuisine with an international readership. The book contains traditional recipes handed down the generations, but converted to fit into Atoosa's busy life. They are delicious and easy to prepare, using ingredients you can get in any supermarket. 'Every time I cook a Persian dish, I feel connected to this long and varied history, knowing that despite changing geographical and political boundaries, Persian cuisine has survived and thrived, bringing people together, sharing and celebrating.' Atoosa Atoosa's Persian Kitchen is an impressively practical recipe book, but it is a photographic celebration of an entire country, too.




Learning by Heart


Book Description

Tap into your natural ability to create! Engaging, proven exercises for developing creativity Priceless resource for teachers, artists, actors, everyone Artist and educator Corita Kent inspired generations of artists, and the truth of her words "We can all talk, we can all write, and if the blocks are removed, we can all draw and paint and make things" still shines through. This revised edition of her classic work Learning by Heart features a new foreword and a chart of curriculum standards. Kent's original projects and exercises, developed through more than 30 years as an art teacher and richly illustrated with 300 thought-provoking images, are as inspiring and as freeing today as they were during her lifetime. Learn how to challenge fears, be open to new directions, recognize connections between objects and ideas, and much more in this remarkable, indispensable guide to freeing the creative spirit within all of us. With new material by art world heavyweights Susan Friel and Barbara Loste, Learning by Heart brings creative inspiration into the 21st century!




Joana Hadjithomas, Khalil Joreige


Book Description

The Lebanese video artists, documentarians and photographers Joana Hadjithomas and Khalil Joreige have been a duo since the 1990s, making works that address the turbulent history of their homeland. This monograph surveys the duo's projects, including their most recent series of installations and research on the now defunct Lebanese space exploration program.




Life Above Everything


Book Description

Life above Everything is a major exhibition that brings together the work of two acknowledged masters, Lucian Freud and Jack B. Yeats. Exploring the affinities and interconnections between these two artists, this exhibition draws the work of these two stubbornly individual painters into dialogue, placing them side-by-side for the first time in 70 years. While Lucian Freud's work has been exhibited in the past in group exhibitions alongside other artists from the 'School of London', Life above Everything is one of the few exhibitions to date in which Freud has been shown with a single other artist. Freud's interest in Yeats is little discussed, but he had a lifelong interest in the Irish painter's work, holding a deep admiration for its force and energy. He did not cite Yeats as an 'influence' but instead seems to have felt a common purpose with his originality and independence, his continuous searching observation, and his sense of the connection between painting and life. A pen and ink drawing by Yeats, The Dancing Stevedores (c.1900), hung beside Freud's bed for over 20 years. Life Above Everything will include a substantial number of oil paintings by both artists, 33 by Freud and 24 by Yeats, as well as a range of works on paper, sourced from public and private collections internationally. There are five new loans of work by Freud to the IMMA Collection: Freud Project including important early works such as Girl with Roses (1947-48), Girl with Beret (1951) and Boat, Connemara (1951). Significant loans of works by Yeats include The Bus by the River (1927), People in a Street (c.1935), A Dancer (Rosses Point, Sligo) (1921), as well as From the Tram Top (c. 1925), which features one of Yeats's rare cameos in his own work. Unique to this exhibition is the inclusion of seven paintings by Jack B. Yeats which Freud selected for a close friend, advising him on works to acquire at auction or through the relevant gallery. We are delighted to be able to present these seven paintings, 'approved' by Freud, as a special grouping of Yeats's works within this exhibition. David Dawson, artist and Freud's long-time studio assistant, has assisted in the selection for this exhibition, bringing to the project a unique, intimate knowledge of Freud's interest in Yeats.--IMMA website.




The Place of the Visual in Psychoanalytic Practice


Book Description

The Place of the Visual in Psychoanalytic Practice: Image in the Countertransference explores the place of the visual image in psychoanalysis and psychotherapy, a still relatively unexplored topic in the psychoanalytic literature. Though ‘talking therapies’ are necessarily structured around the use of the spoken word, it can be difficult and at times misleading to explore the unconscious through speech alone. This book examines how it may be further understood through recognising the presence of imagery as a form of non-verbal, but valuable, means of communication. Drawing on the work of Freud, Bion, Winnicott and Ogden, alongside other British and American contributions to this infrequently addressed subject, the book examines the connection between reverie, dream and daydream and explores the reservoirs of imagery of both client and therapist, focusing mainly on the therapists' s visual countertransference. Covering essential theory and a wealth of clinical material, The Place of the Visual in Psychoanalytic Practice: Image in the Countertransference is a rich yet accessible guide to both recognising and using visual imagery within the clinical setting for both psychoanalysts and psychotherapists.