The Art of the Medal


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Money and Banking in Canada


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Portrait of the King


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Cast Chinese Amulets


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For over 2,000 years, the Chinese have been producing amulets in the shape of flat metal objects, usually cast in brass or bronze, some shaped like the traditional square-holed cash coins, others in a variety of fancy shapes, promising good luck in various fields, the turning away of evil influences, or conveying religious sentiments. Some have inscriptions taken from the Classics of 500 BC. Previously, catalogues of these amulets were arranged in various different ways - by shape, size, meaning, Emperor's name, or a common feature. However, this made it difficult to locate a particular piece - it would not be immediately clear to a non-expert whether a piece was "Lucky", "Religious", "Family" or "Coin". This catalogue is designed for ease of identification. It is divided into four sections - Openwork, Pictorial, Zodiac, and Inscriptions. Preceding the detailed catalogue for each section is a Finding Guide which is arranged by salient features, or by the first character of the inscription. There is also a section which lists inscriptions that might not be clear as they are in non-standard scripts or lay-outs. In the catalogue there is a brief description of the piece, the inscription (if any) in Chinese characters and Pinyin, and a translation, explanation, and source. Over 5,000 amulets are included in the catalogue. Together they provide a fascinating insight into traditional Chinese beliefs and aspirations.




Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum


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J. Paul Getty had a passion for the exquisitely made furniture and decorative objects of eighteenth-century France, which he began collecting in the 1930s. Gillian Wilson, curator of decorative arts since 1971, has broadened and strengthened the collection, adding Boulle furniture, mounted oriental porcelain, tapestries, clocks, ceramics, and more. In the 1980s and 1990s the Museum continued to enlarge its decorative arts holdings, creating a European sculpture department in 1984 and adding glass, maiolica, goldsmiths’ work, pietre dure, and furniture from Italy and Northern Europe. This book is a revised and expanded edition of Decorative Arts: An Illustrated Summary Catalogue of the Collection of the J. Paul Getty Museum (1993). In addition to more than forty recent acquisitions—among these four wall sconces from Versailles that once belonged to Marie Antoinette and an elaborate upholstered bed from the collection of Karl Lagerfeld—it includes the results of years of research. Designed for scholars, students, and devotees of the decorative arts, this volume provides a comprehensive look at the Getty's fine collection.







Chinese Numismatics


Book Description

This is the first book to explore the history of the field of Chinese numismatics from both Eastern and Western perspectives. Consisting of four papers that complement each other beautifully, it gives a sound introduction to the study of Chinese numismatics, focusing on the 19th century and, crucially, how to think about Chinese money.In "Currencies of Ancient China from their Origins to the Late Empire", François Thierry notes how Europeans sometimes understood Chinese money and sometimes got it completely wrong. In "Numismatic Friendship: Social Networks of Numismatists and Coin Collectors During the Late Qing Dynasty", Lyce Jankowski opens up the world of Chinese collectors of Chinese coins, their networks and motivations. In "A Short History of Chinese Numismatics in Western Languages", Helen Wang surveys publications to 1900, giving information about the authors, their occupations, motivations and areas of interest; and in "Chinese Money Matters, So Why Does It Have Such a Low Profile?" she looks at the current situation, and offers routes into the field. In his Introduction, Joe Cribb reflects on his study of Chinese money and how it has informed his career in numismatics.




Zombie Economics


Book Description

In the graveyard of economic ideology, dead ideas still stalk the land. The recent financial crisis laid bare many of the assumptions behind market liberalism—the theory that market-based solutions are always best, regardless of the problem. For decades, their advocates dominated mainstream economics, and their influence created a system where an unthinking faith in markets led many to view speculative investments as fundamentally safe. The crisis seemed to have killed off these ideas, but they still live on in the minds of many—members of the public, commentators, politicians, economists, and even those charged with cleaning up the mess. In Zombie Economics, John Quiggin explains how these dead ideas still walk among us—and why we must find a way to kill them once and for all if we are to avoid an even bigger financial crisis in the future. Zombie Economics takes the reader through the origins, consequences, and implosion of a system of ideas whose time has come and gone. These beliefs—that deregulation had conquered the financial cycle, that markets were always the best judge of value, that policies designed to benefit the rich made everyone better off—brought us to the brink of disaster once before, and their persistent hold on many threatens to do so again. Because these ideas will never die unless there is an alternative, Zombie Economics also looks ahead at what could replace market liberalism, arguing that a simple return to traditional Keynesian economics and the politics of the welfare state will not be enough—either to kill dead ideas, or prevent future crises. In a new chapter, Quiggin brings the book up to date with a discussion of the re-emergence of pre-Keynesian ideas about austerity and balanced budgets as a response to recession.