Monstrous Reflection


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A Monster Calls


Book Description

Large Print�s increased font size and wider line spacing maximizes reading legibility, and has been proven to advance comprehension, improve fluency, reduce eye fatigue, and boost engagement in young readers of all abilities, especially struggling, reluctant, and striving readers.




BREXIT and its Consequences for UK and EU Citizenship or Monstrous Citizenship


Book Description

This book examines the result of the 23 June 2016 UK referendum on leaving the EU where 51.9% of the eligible voters who voted chose to leave. Politicians and media have stressed not only that leave means leave, but also that much of the British voting public was motivated to vote leave by issues of immigration and border control. Guild investigates how the issue of EU citizenship became transformed into a discussion about immigration through four themes: the negotiations between the UK and the EU before the referendum; the nature of and difference between British and EU citizenship; the issue of third country national family members and the fears incited by the referendum in light of the rejection of expertise.




Monster Portraits


Book Description

"An uncanny and imaginative autobiography of otherness, it offers the fictional record of a writer in the realms of the fantastic shot through with the memories of a pair of Somali-American children growing up in the 1980s. Operating under the sign of two—texts and drawings, brother and sister, black and white, extraordinary and everyday —Monster Portraits multiplies, disintegrates, and blends, inviting the reader to find the danger in the banal, the beautiful in the grotesque. Accumulating into a breathless journey and groundbreaking study, these brief fictions and sketches claim the monster as a fragmentary vastness: not the sum but the derangement of its parts."--Amazon.com.




Wednesday: Child of Woe


Book Description

This is the complete collection of the Wednesday: Child of Woe series so far. Welcome to Wednesday's World of Darkness a collection of terrifying tales for those who prefer the darker side of life.




Monstrous Ontologies: Politics Ethics Materiality


Book Description

While the presence of monsters in popular culture is ever-increasing, their use as an explicit or implicit category to frame, stigmatise, and demonise the other is seemingly on the rise. At the same time, academic interest for monsters is ever-growing. Usually, monstrosity is understood as a category that emerges to signal a transgression to a given order; this approach has led to the demystification of the insidious characterisations of the (racial, sexual, physical) other as monstrous. While this effort has been necessary, its collateral effects have reduced the monstrous to a mere (socio-cultural) construction of the other: a dialectical framing that de facto deprives monstrosity from any reality. 'Monstrous Ontologies: Politics, Ethics, Materiality' proffers the necessity of challenging these monstrous otherings and their perverse socio-political effects, whilst also asserting that the monstrous is not simply an epistemological construct, but that it has an ontological reality. There is a profound difference between monsters and monstrosity. While the former is an often sterile political and social simplification, the end-product of rhetorical and biopolitical apparatuses; the latter may be understood as a dimension that nurtures the un-definable, that is, that shows the limits of these apparatuses by embodying their material excess: not a 'cultural frame', but the limit to the very mechanism of 'framing'. The monstrous expresses the combining, hybridising, becoming, and creative potential of socio-natural life, albeit colouring this powerful vitalism with the dark hue of a fearful, disgusting, and ultimately indigestible reality that cannot simply be embraced with multicultural naivety. As such, it forces us towards radically changing not the categories, but the very mechanisms of categorisation through which reality is framed and acted upon. Here lies the profound ethical dimension that monstrosity forces us to acknowledge; here lies its profoundly political potential, one that cannot be unfolded by merely deconstructing monstrosity, and rather requires to engage with its uncomfortable, appalling, and revealing materiality. This book will appeal to postgraduate students, PostDocs, and academics alike in the fields of philosophy, critical theory, humanities, sociology and social theory, criminology, human geography, and critical legal theory.




The English Review


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Moonshine beyond the Monster


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Monstrosity from the Inside Out


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Emerging from darkness, daring to take form and become something more than the Other, monsters stalk these pages, shifting form in true monstrous fashion as they inhabit literature and film, history and parallel communities modelled after our own. They become enmeshed in popular music, run rampant through cities, take androgynous form to rally for their own identities, their own futures, and their own families, and they hold up mirrors while we are caught shattering our sense of Self. Both the past and the future are rich fodder for the evil that monsters do, and from freak show to homunculus to serial killer to cyborg, they remind us that they are never far from sight - and that we cannot look away even if we wish to. Monstrosity from the Inside Out takes as the paradox that monsters are simultaneously impossible and very much a part of what it means to be human.




The Vanishing Season


Book Description

"A gripping and powerful read. It is what we call edge-of-your-seat, rollercoaster of a thriller. You will not be able to put it down before you finish it."—The Washington Book Review Winner of the Minotaur Books/Mystery Writers of America First Crime Novel Competition, Joanna Schaffhausen’s accomplished debut, The Vanishing Season, will grip readers from the opening page to the stunning conclusion. Ellery Hathaway knows about serial killers, but not through her police training. She's an officer in sleepy Woodbury, MA, where a bicycle theft still makes the newspapers. No one there knows she was once victim number seventeen in the grisly story of serial killer Francis Michael Coben. The only one who lived. When three people disappear from her town in three years, all around her birthday—the day she was kidnapped so long ago—Ellery fears someone knows her secret. Someone very dangerous. Her superiors dismiss her concerns, but Ellery knows the vanishing season is coming and anyone could be next. She contacts the one man she knows will believe her: the FBI agent who saved her from a killer’s closet all those years ago.