Preparatory Notes for Future Masterpieces


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Selected as one of the San Francisco Chronicles' 15 best books of 2021 From critically acclaimed author Maceo Montoya comes an inventive and adventurous satirical novel about a Mexican-American artist’s efforts to fulfill his vision: to paint masterful works of art. His plans include a move to Paris to join the ranks of his artistic hero, Gustave Courbet—except it’s 1943, and he’s stuck in the backwoods of New Mexico. Penniless and prone to epileptic fits, even his mother thinks he’s crazy. Ernie Lobato has just inherited his deceased uncle’s manuscript and drawings. At the urging of his colleague, an activist and history buff (Lorraine Rios), Ernie sends the materials to a professor of Chicanx literature (Dr. Samuel Pizarro). Throughout the novel, Dr. Pizarro shares his insights and comments on the uncle’s legacy in a series of annotations to his text and illustrations. As Ernie’s uncle battles a world that is unkind to “starving artists,” he runs into other tormented twentieth-century artists, writers, and activists with ambitions to match his own: a young itinerant preacher (Reies López Tijerina); the “greatest insane artist” (Martín Ramirez); and Oscar Zeta Acosta who is hellbent on self-destruction. Will the fortuitous encounters with these prophetic figures result in his own genius being recognized? Or will his uncompromising nature consign him to what he fears most? Told through a combination of words and images in the tradition of classic works such as Don Quixote and Alice in Wonderland, Preparatory Notes for Future Masterpieces features fifty-one vivid black-and-white pen drawings. This complex and engaging story also doubles as literary criticism, commenting on how outsiders’ stories fit into the larger context of the Chicanx literary canon. A unique and multilayered story that embraces both contradiction and possibility, it also sheds new light on the current state of Chicanx literature while, at the same time, contributing to it. Propulsive, humorous, and full of life, this candid novel will be loved not only by Beat fiction fans but by contemporary fiction lovers as well.




Hearings and Reports on Atomic Energy


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Problems of Drug Dependence


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Mariana


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Power of Position


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How biodiversity classification, with its ranking of species, has social and political implications as well as implications for the field of information studies. The idea that species live in nature as pure and clear-cut named individuals is a fiction, as scientists well know. According to Robert D. Montoya, classifications are powerful mechanisms and we must better attend to the machinations of power inherent in them, as well as to how the effects of this power proliferate beyond the boundaries of their original intent. We must acknowledge the many ways our classifications are implicated in environmental, ecological, and social justice work—and information specialists must play a role in updating our notions of what it means to classify. In Power of Position, Montoya shows how classifications are systems that relate one entity with other entities, requiring those who construct a system to value an entity’s relative importance—by way of its position—within a system of other entities. These practices, says Montoya, are important ways of constituting and exerting power. Classification also has very real-world consequences. An animal classified as protected and endangered, for example, is protected by law. Montoya also discusses the Catalogue of Life, a new kind of composite classification that reconciles many local (“traditional”) taxonomies, forming a unified taxonomic backbone structure for organizing biological data. Finally, he shows how the theories of information studies are applicable to realms far beyond those of biological classification.




I, Vampire


Book Description

From yesterday to a hundred years ago, he lives in the world and walks among us. He enjoys the finest things in life, including beautfiul women, well-aged wine, and the finest classical composers. He has no guilt—he has no need of it. Neither good, nor bad, neither angel nor devil, he is a man, he is a vampire. And this is his story. . . . “Women are my weakness. Or to be more accurate, I should say they are my greatest weakness, for I have many. Travel. Books. Classical music. Art. Excellent wine. And, formerly, cocaine. I admit these things without a sense of guilt. I am, as my friend from Vienna says, a man with a man’s contradictions. I am neither good nor bad, neither angel nor devil. I am a man. I am a vampire.”—From I, Vampire




Father Dreamer (Libretto)


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Father Ruiz has always dreamed of circumnavigating the globe in a hot air balloon. When he finally gets up in the air, however, he finds himself confronted by his conscience, the four winds and, finally, the Devil himself.







Public Works and Economic Development Act of 1965


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Considers S. 1648, to authorize grants for public works and development facilities, other financial assistance and the planning and coordination needed to alleviate conditions of substantial and persistent unemployment and underemployment in economically distressed areas and regions.







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