Monument Builders


Book Description

This is a study of buildings created to honour the dead. It explores the links between socio-religious and existential perceptions of death and how this has been interpreted in architecture over the 20th century.




Monument Retailer


Book Description




Monument Wars


Book Description

Traces the history of the National Mall in Washington, D.C., discussing its plan and structures, and considering how the concept of memorials and memorial space has changed since the nineteenth century.




Archaeologists and the Dead


Book Description

This volume addresses the relationship between archaeologists and the dead, through the many dimensions of their relationships: in the field (through practical and legal issues), in the lab (through their analysis and interpretation), and in their written, visual and exhibitionary practice--disseminated to a variety of academic and public audiences. Written from a variety of perspectives, its authors address the experience, effect, ethical considerations, and cultural politics of working with mortuary archaeology. Whilst some papers reflect institutional or organizational approaches, others are more personal in their view: creating exciting and frank insights into contemporary issues that have hitherto often remained "unspoken" among the discipline. Reframing funerary archaeologists as "death-workers" of a kind, the contributors reflect on their own experience to provide both guidance and inspiration to future practitioners, arguing strongly that we have a central role to play in engaging the public with themes of mortality and commemoration, through the lens of the past. Spurred by the recent debates in the UK, papers from Scandinavia, Austria, Italy, the US, and the mid-Atlantic, frame these issues within a much wider international context that highlights the importance of cultural and historical context in which this work takes place.







Philosophical Perspectives on Ruins, Monuments, and Memorials


Book Description

This collection of newly published essays examines our relationship to physical objects that invoke, commemorate, and honor the past. The recent destruction of cultural heritage in war and controversies over Civil War monuments in the US have foregrounded the importance of artifacts that embody history. The book invites us to ask: How do memorials convey their meanings? What is our responsibility for the preservation or reconstruction of historically significant structures? How should we respond when the public display of a monument divides a community? This anthology includes coverage of the destruction of Palmyra and the Bamiyan Buddhas, the loss of cultural heritage through war and natural disasters, the explosive controversies surrounding Confederate-era monuments, and the decay of industry in the U.S. Rust Belt. The authors consider issues of preservation and reconstruction, the nature of ruins, the aesthetic and ethical values of memorials, and the relationship of cultural memory to material artifacts that remain from the past. Written by a leading group of philosophers, art historians, and archeologists, the 23 chapters cover monuments and memorials from Dubai to Detroit, from the instant destruction of Hiroshima to the gradual sinking of Venice.




Crosses of Memory and Oblivion


Book Description

This book explores the history and legacy of monuments to the fallen from the Francoist side in the Spanish Civil War. Del Arco Blanco studies thousands of monuments in towns and cities across Spain to provide a detailed account of the history and memory of the civil war, Francoism, and the transition to democracy. Chapters in the book focus on the myth of those said to have 'fallen for God and for Spain'—a phrase that encapsulated and shaped the dichotomy between ‘good’ and ‘bad’ Spaniards. They also focus on the use of monuments to control political and ideological ideals and to legitimise the Francoist dictatorship. Further chapters study Spanish society’s struggle to deal with its past of mass killing, denial, and exclusion. Del Arco Blanco also pays attention to the way the Francoist authorities used monuments and memory for their political and ideological advantage and to control people, power as well as the political agenda. The book draws on extensive research to reconstruct both the specific history of monuments scattered throughout the country and their role within manipulative Francoist memory of the Spanish Civil War. In these ways, monuments helped shape the Francoist narrative and memory, but they also became part of the landscape of contemporary Spanish history. This book is an excellent resource for postgraduate students and professional researchers studying the aftermath of the Spanish Civil War, and the influence of monuments on the construction of national memory, culture, and society in Spain both at the time and through to the present day.







Burying the Dead but Not the Past


Book Description

Immediately after the Civil War, white women across the South organized to retrieve the remains of Confederate soldiers. In Virginia alone, these Ladies' Memorial Associations (LMAs) relocated and reinterred the remains of more than 72,000 soldiers. Challenging the notion that southern white women were peripheral to the Lost Cause movement until the 1890s, Caroline Janney restores these women as the earliest creators and purveyors of Confederate tradition. Long before national groups such as the Woman's Christian Temperance Union and the United Daughters of the Confederacy were established, Janney shows, local LMAs were earning sympathy for defeated Confederates. Her exploration introduces new ways in which gender played a vital role in shaping the politics, culture, and society of the late nineteenth-century South.




Monument Maker


Book Description

A ROUGH TRADE BOOK OF THE YEAR CONCRETE ISLANDS NO. 1 BOOK OF THE YEAR 'In a dizzying gyroscopic vortex of inner archeology, David Keenan sifts through spiraling past lives to unearth his provocative vision of the future. A colossus of imagination' LENNY KAYE 'Visionary and prismatic, gloriously hallucinatory although grounded in the material, Monument Maker's grand sweep takes in distant historical subterrains, a shimmering summer of the present, the transient, the eternal, the profane, the divine' WENDY ERSKINE 'I sometimes think David Keenan dreams aloud. His prose has the effortless enigmatic, unsettling quality of dream' EDNA O'BRIEN 'A masterpiece' WILLIAM BASINSKI Is it possible for books to dream? For books to dream within books? Is there a literary subterranea that would facilitate ingress and exit points through these dreams? These are some of the questions posed by David Keenan's masterly fifth novel, Monument Maker, an epic romance of eternal summer and a descent, into history, into the horrors of the past; a novel with a sweep and range that runs from the siege of Khartoum and the conquest of Africa in the 19th century through the Second World War and up to the present day, where the memory of a single summer, and a love affair that took place across the cathedrals of Ile de France, unravels, as a secret initiatory cult is uncovered that has its roots in macabre experiments in cryptozoology in pre-war Europe. MONUMENT MAKER straddles genres while fully embracing none of them, a book within a book within a book that runs from hallucinatory historical epics through future-visioned histories of the world narrated by a horribly disfigured British soldier made prophetic by depths of suffering; books that interact with Keenan's earlier novels, including a return to the mythical post-punk Airdrie landscape of his now classic debut, THIS IS MEMORIAL DEVICE; whole histories of art and religion; books that are glorious choral appendices; bibliographies; imagined films; tape recorded interviews; building to a jubilant accumulation of registers, voices and rhythms that is truly Choral. Written over the course of 10 years, MONUMENT MAKER represents the apex of Keenan's project to create books that contain uncanny life and feel like living organisms. It is a meditation on art and religion, and on what it means to make monument; this great longing for something eternal, something that could fix moments in time, forever.