Movies, Myth, and the National Security State


Book Description

"A valuable book.... highly engaging and thought provoking. Sweeping in its analysis, it brings together a sophisticated discussion of US political history since World War II with a very sharp evaluation of movies during the distinct eras of these years." --Robert Snyder, Southwestern University While analysts may agree that Hollywood movies have always both mirrored and helped to shape the tenor of their times, the question remains: Just how do they do it? And beyond that, how do we identify the political/ideological content of any film? The authors of Movies, Myth, and the National Security State offer answers to these questions, exploring how Hollywood movies have functioned to propagate, or to debate, or sometimes to contest the evolving US national security state since 1945. Drawing on more than a thousand films released since 1948, and focusing in detail on 48 films that address key issues and dilemmas confronting the US and its sense of self and role in the world, they provide insights into US political life as it has developed across some seven decades. Dan O¿Meara and Alex Macleod are professors of international relations at the University of Quebec at Montreal (UQAM). Frédérick Gagnon is assistant professor of political science at UQAM. David Grondin is assistant professor of American studies and international relations at the University of Ottawa.




Silent Film and the Triumph of the American Myth


Book Description

Silent Film and the Triumph of the American Myth connects the rise of film and the rise of America as a cultural center and twentieth-century world power. Silent film, Paula Cohen reveals, allowed America to sever its literary and linguistic ties to Europe and answer the call by nineteenth-century writers like Emerson, Thoreau and Whitman for an original form of expression compatible with American strengths and weaknesses. When film finally began to talk in 1927, the medium had already done its work. It had helped translate representation into a dynamic visual form and had "Americanized" the world. Cohen explores the way film emerged as an American medium through its synthesis of three basic elements: the body, the landscape, and the face. Nineteenth-century American culture had already charged these elements with meaning--the body through vaudeville and burlesque, landscape through landscape painting and moving panoramas, and the face through portrait photography. Integrating these popular forms, silent film also developed genres that showcased each of its basic elements: the body in comedy, the landscape in the western, and the face in melodrama. At the same time, it helped produce a new idea of character, embodied in the American movie star. Cohen's book offers a fascinating new perspective on American cultural history. It shows how nineteenth-century literature can be said to anticipate twentieth-century film--how Douglas Fairbanks was, in a sense, successor to Walt Whitman. And rather than condemning the culture of celebrity and consumption that early Hollywood helped inspire, the book highlights the creative and democratic features of the silent-film ethos. Just as notable, Cohen champions the concept of the "American myth" in the wake of recent attempts to discredit it. She maintains that American silent film helped consolidate and promote a myth of possibility and self-making that continues to dominate the public imagination and stands behind the best impulses of our contemporary world.







Hollywood, the Pentagon and Washington


Book Description

Hollywood and the Pentagon: on one side a great industry, 'the makers of dreams', on the other the US Defence department. What relations unify these two potent symbols of American power? This extensive analysis of mainstream Hollywood movies lifts the lid on the interdependence between these two institutions. The movie industry is exposed as a key protagonist in the US strategy debate through the production of films on national security across many genres, from comedy to thriller, from sci-fi to war movies. This timely book also explores prevailing ideas on the lsquo;threatrsquo; to homeland USA that is put forward by the national security network, a threat that is seen as the justification for and legitimization of Americarsquo;s military operations and strategic choices. This book reveals how in the last 20 years there has been a consistent collaboration between these two industries: enormous contracts have been exchanged between the studios and the defence department. It shows how Hollywood is completely penetrated by the ideological and political thinking of Washington, which in turn appears to be directly inspired by the productions of Hollywood.




The Myth of Homeland Security


Book Description

"As I write this, I'm sitting in a restaurant in a major U.S. airport, eating my breakfast with a plastic knife and fork. I worked up quite an appetite getting here two hours early and shuffling in the block-long lines until I got to the security checkpoint where I could take off my shoes, remove my belt, and put my carry-on luggage through the screening system . "What's going on? It's homeland security. Welcome to the new age of knee-jerk security at any price. Well, I've paid, and you've paid, and we'll all keep paying-but is it going to help? Have we embarked on a massive multibillion-dollar boondoggle that's going to do nothing more than make us feel more secure? Are we paying nosebleed prices for "feel-good" measures? . "This book was painful to write. By nature, I am a problem solver. Professionally I have made my career out of solving complex problems efficiently by trying to find the right place to push hard and make a difference. Researching the Department of Homeland Security, the FBI, CIA, INS, the PATRIOT Act, and so forth, one falls into a rabbit's hole of interdependent lameness and dysfunction. I came face to face with the realization that there are gigantic bureaucracies that exist primarily for the sole purpose of prolonging their existence, that the very structure of bureaucracy rewards inefficiency and encourages territorialism and turf warfare."




American Grand Strategy under Obama


Book Description

Discover how rivalling discourses of American grand strategy reveal a fractured consensus of geopolitical identity and national security under President Obama. This conflict manifested in divergent elite visions of liberal hegemony, cooperative engagement and unilateral restraint. Georg Lfflmann examines the identity conflict within the Washington foreign policy establishment, between elite insiders and outsiders, and how the 'Obama Doctrine' both confirmed a geopolitical vision of American exceptionalism and challenged established notions of US hegemony and world leadership.




Reel Power


Book Description

Hollywood is often characterized as a stronghold of left-liberal ideals. In Reel Power, Matthew Alford shows it is in fact deeply complicit in serving the interests of the most regressive U.S. corporate and political forces. Films like Transformers, Terminator: Salvation and Black Hawk Down are constructed with Defense Department assistance as explicit cheerleaders for the U.S. military, but Matthew Alford also emphasizes how so-called radical films like Three Kings, Hotel Rwanda and Avatar present watered-down alternative visions of American politics that serve a similar function. Reel Power is the first book to examine the internal workings of contemporary Hollywood as a politicized industry as well as scores of films across all genres. No matter what the progressive impulses of some celebrities and artists, Alford shows how they are part of a system that is hard-wired to encourage American global supremacy and frequently the use of state violence.




Creating the National Security State


Book Description

For the last sixty years, American foreign and defense policymaking has been dominated by a network of institutions created by one piece of legislation--the 1947 National Security Act. This is the definitive study of the intense political and bureaucratic struggles that surrounded the passage and initial implementation of the law. Focusing on the critical years from 1937 to 1960, Douglas Stuart shows how disputes over the lessons of Pearl Harbor and World War II informed the debates that culminated in the legislation, and how the new national security agencies were subsequently transformed by battles over missions, budgets, and influence during the early cold war. Stuart provides an in-depth account of the fight over Truman's plan for unification of the armed services, demonstrating how this dispute colored debates about institutional reform. He traces the rise of the Office of the Secretary of Defense, the transformation of the CIA, and the institutionalization of the National Security Council. He also illustrates how the development of this network of national security institutions resulted in the progressive marginalization of the State Department. Stuart concludes with some insights that will be of value to anyone interested in the current debate over institutional reform.




Popular Cinema as Political Theory


Book Description

The book presents cinematic case studies in political realism versus political idealism, demonstrating methods of viewing popular cinema as political theory. The book appreciates political myth-making in popular genres as especially practical and accessible theorizing about politics.




In Deep: The FBI, the CIA, and the Truth about America's "Deep State"


Book Description

Revised and updated "One of today’s most respected journalists, David Rohde takes on one of the country’s most toxic conspiracy theories," presenting a "scrupulously reported and even-handed" account of how power and intelligence are exploited in Washington that “goes deep indeed inside America’s security state, telling a story that will surprise readers of all political persuasions” (Jane Mayer, author of Dark Money). Donald Trump blamed his 2020 defeat on Democrats and the “deep state”—a supposed secret cabal of Washington insiders that relentlessly encroaches on the individual rights of Americans—for stealing the election and undermining his presidency. Most Americans who supported him agreed. Americans on the left increasingly fear the “military-industrial complex,” a faction of generals and defense contractors who they believe routinely push the country into endless wars. But does the American “deep state” really exist? This question is fundamental to preserving the legitimacy of American democracy, as frustration with and distrust for the government continue to grow. In Deep seeks to dispel these pernicious myths through an examination of the FBI, CIA, and Justice Department scandals of the past fifty years from the Church Committee’s exposure of Cold War abuses to the claims and counterclaims of the Trump era and the relentless spread of conspiracy theories online and on air. It exposes the misconduct of Attorney General William Barr; how distrust of the “deep state” undermined the US government response to the COVID-19 pandemic; and the growing discord sowed by the explosion of false information online. It investigates Trump’s quest to discredit government experts, the legislative and judicial branches, and the results of the 2020 election and assume authoritarian power for himself. “The idea of the deep state, Rohde writes, is inextricably linked to a particular view of presidential power” (Dina Temple-Raston, Washington Post). Based on dozens of interviews with career CIA operatives and FBI agents, “In Deep is a wholly satisfying read and a necessary one for anyone wanting to understand the forces at play in our government today” (Andrea Bernstein, Peabody Award–winning cohost of the Trump, Inc. podcast and author of American Oligarchs).