Murder at the Movies


Book Description

Once more we meet the inimitable Inspector Albert V. Tretheway and his colleague, Constable Jonathan (Jake) Small, in the Canadian city of Fort York in 1939. Pranks begin when Tretheway's beloved bowler hat disappears. Three weeks later Tretheway and Jake investigate a nervous neighbor's report about an anonymous phone tip that her long-dead husband is in her garage. They find instead a live horse wearing Tretheway's missing bowler. The pranks escalate, and only Tretheway connects them and surmises they are movie-inspired. The guessing game begins. Which movie is next? When the fourth prank involves a pre-dug grave, the Hindu Goddess Kali and the murder of a popular Bugle-Major, Tretheway spearheads a chase, cerebral and physical, through more movie murder adventures to a fiery spectacular finale.




Murder For Two


Book Description

Officer Marcus Moscowicz is a small town policeman with dreams of making it to detective. One fateful night, shots ring out at the surprise birthday party of Great American Novelist Arthur Whitney and the writer is killed…fatally. With the nearest detective an hour away, Marcus jumps at the chance to prove his sleuthing skills—with the help of his silent partner, Lou. But whodunit? Did Dahlia Whitney, Arthur's scene-stealing wife, give him a big finish? Is Barrette Lewis, the prima ballerina, the prime suspect? Did Dr. Griff, the overly-friendly psychiatrist, make a frenemy? Marcus has only a short amount of time to find the killer and make his name before the real detective arrives… and the ice cream melts!




Murder at the Book Club


Book Description

Something bad is brewing among a friendly group of book lovers: “A deliciously Agatha Christie-style mystery that sucks you in from the first page.” —Sibel Hodge, bestselling author of Look Behind You Imagine nine women meeting. Tea and cake are on the coffee table. They’ve come together to share their love of books. They are friends. They trust each other. It’s a happy gathering. What could be more harmless? Then scratch the surface and look closer. One is lonely. One is desperate. And one of them is a killer. When the body of a woman is discovered on a Cambridge common, DCI Barrett and DI Palmer are called in to investigate. But the motive behind the crime isn’t clear—and it all leads back to a book club. As the lies, volatile friendships, and tension among the group rise to the surface, DCI Barrett and DI Palmer must work out the motive and track down a cold-blooded killer. But just when they think they’re on the right track, a twist in the plot throws them off course . . . “Will keep readers guessing till the very end!” —J.A. Baker, bestselling author of The Other Mother “A deliciously devilish whodunit!” —Robert Bryndza, bestselling author of the Detective Erika Foster series




The Opening Night Murder


Book Description

At the dawn of the Restoration Period, Suzanne Thornton hopes to find a second life in the theater. But instead, on opening night, she finds a dead body on stage… The triumphant return of King Charles II in 1660 is occasion for much celebration in London. The Merry Monarch’s unquenchable thirst for entertainment creates opportunities for everyone from tavern keepers to brothel owners to actors. One of these is Suzanne Thornton. No longer a kept woman since her man has fled, she sees an opportunity to reopen a theater and stage the classics—Shakespeare, Marlowe, and the like. And now, thanks to Royal decree, Juliet can be played by a woman. Suzanne secures financing from an old lover, assembles a troupe, and restores the venue—none other than the historic Globe Theater. Tragically, during the opening night performance, a dead body lands on the stage. After the curtain comes down, Suzanne finds herself a suspect. But she also finds that murder is good for business—the next night’s performance is sold out. Wishing to live to enjoy her success, Suzanne undertakes her own investigation to find a killer who may try to close her down for good…




Murder at the Theatre Royale


Book Description

It's Christmas at London's Theatre Royale and journalist Daphne King is determined to solve an extraordinary mystery... December 1935. Director Chester Harrison's production of A Christmas Carol has had a troubled run on its tour of regional theatres. With tensions amongst the cast running high, the company reach their final stop - London's Theatre Royale - a few days before Christmas. Catastrophe, however, strikes on opening night: 'Scrooge' dies on stage, seemingly due to a heart attack. But the show must go on. Until, that is, an old rival of Chester's is murdered in a dressing room. Are those associated with the production being picked off one by one? Journalist Daphne King is determined to reveal the truth... Readers love Ada Moncrieff's Christmas mysteries: 'Brilliant...full of twists and turns' 'A modern rival to Agatha Christie' 'A new festive favourite'




Murder at Ford's Theatre


Book Description

It was the site of one of the most infamous assassinations in American history. Now bestselling mystery master Margaret Truman premieres a new murder at Ford’s Theater–one that’s hot off today’s headlines. The body of Nadia Zarinski, an attractive young woman who worked for senator Bruce Lerner–and who volunteered at Ford’s–is discovered in the alley behind the theatre. Soon a pair of mismatched cops–young, studious Rick Klieman and gregarious veteran Moses “Mo” Johnson–start digging into the victim’s life, and find themselves confronting an increasing cast of suspects. There’s Virginia Senator Lerner himself, rumored to have had a sexual relationship with Nadia–and half the women in D.C. under ninety. . . . Clarise Emerson, producer/director of Ford’s Theatre and ex-wife of the Senator, whose nomination to head the National Endowment for the Arts (NEA) is now threatened by the scandal . . . Jeremiah Lerner, her aimless, hot-tempered son, said to have been sleeping with Nadia when his famous father wasn’t . . . Bernard Crowley, the theatre’s controller, whose emotions overflow at the mention of the crime . . . faded British stage star Sydney Bancroft, desperate for recognition and a comeback, and armed with damning information about Clarise Emerson . . . and other complex characters from both sides of the footlights. With her unparalleled understanding of Washington and its players, and her savvy sense of how strange bedfellows cut deals even in the midst of mayhem, Margaret Truman always delivers the most sophisticated and satisfying suspense. Murder at Ford’s Theatre is her most compelling, insightful novel yet, sure to earn her a standing ovation from her many fans and new followers alike.




Art of Murder


Book Description

THE STORY: In a remote estate in the countryside of Connecticut, Jack Brooks, one of the most accomplished and eccentric painters of his generation, awaits the imminent arrival of his art dealer. But the visit is not a standard one, for Jack feels




Miss Bennet: Christmas at Pemberley


Book Description

A sequel to Jane Austen’s Pride and Prejudice set two years after the novel ends, MISS BENNET continues the story, only this time with bookish middle-sister Mary as its unlikely heroine. Mary is growing tired of her role as dutiful middle sister in the face of her siblings’ romantic escapades. When the family gathers for Christmas at Pemberley, an unexpected guest sparks Mary’s hopes for independence, an intellectual match, and possibly even love.




Agatha Christie's Murder on the Orient Express


Book Description

Just after midnight, a snowdrift stops the Orient Express in its tracks. The luxurious train is surprisingly full for the time of the year, but by the morning it is one passenger fewer. An American tycoon lies dead in his compartment, stabbed a dozen times, his door locked from the inside. Isolated and with a killer in their midst, detective Hercule Poirot must identify the murderer – in case he or she decides to strike again.




Murder Most Queer


Book Description

The “villainous homosexual” has long stalked America’s cultural imagination, most explicitly in the figure of the queer murderer, a character in dozens of plays. But as society’s understanding of homosexuality has changed, so has the significance of these controversial characters, especially when employed by LGBT theater artists themselves to explore darker fears and desires. Murder Most Queer examines the shifting meanings of murderous LGBT characters in American theater over a century, showing how these representations wrestle with and ultimately subvert notions of gay villainy. Murder Most Queer works to expose the forces that create the homophobic paradigm that imagines sexual and gender nonconformity as dangerous and destructive and to show how theater artists—and for the most part LGBT theater artists—have rewritten and radically altered the significance of the homicidal homosexual. Jordan Schildcrout argues that these figures, far from being simple reiterations of a homophobic archetype, are complex and challenging characters who enact trenchant fantasies of empowerment, replacing the shame and stigma of the abject with the defiance and freedom of the outlaw, giving voice to rage and resistance. These bold characters also probe the darker anxieties and fears that can affect queer lives and relationships. Instead of sentencing them to the prison of negative representations, this book analyzes the meanings in their acts of murder, confronting the real fears and desires condensed in those dramatic acts.