Music and Transcendence


Book Description

Music and Transcendence explores the ways in which music relates to transcendence by bringing together the disciplines of musicology, philosophy and theology, thereby uncovering congruencies between them that have often been obscured. Music has the capacity to take one outside of oneself and place one in relation to that which is ’other’. This ’other’ can be conceived in an ’absolute’ sense, insofar as music can be thought to place the self in relation to a divine ’other’ beyond the human frame of existence. However, the ’other’ can equally well be conceived in an ’immanent’ (or secular) sense, as music is a human activity that relates to other cultural practices. Music here places the self in relation to other people and to the world more generally, shaping how the world is understood, without any reference to a God or gods. The book examines how music has not only played a significant role in many philosophical and theological accounts of the nature of existence and the self, but also provides a valuable resource for the creation of meaning on a day-to-day basis.




Music and Altered States


Book Description

An international collection examining the opportunities for using music-induced states of altered consciousness. The observations of the contributors cover a wide range of music types capable of inducing altered states. It will interest practicing music therapists, musicologists, and ethnomusicologists, students and academics in the field.




Musical Sincerity and Transcendence in Film


Book Description

Examining a wide range of movies from the last thirty-five years, Timothy Cochran traces two recurring assumptions implied by self-conscious music-making in recent cinema: that music is a potent means of expressing sincerity and experiencing humanistic depth, and that music can provide varied forms of transcendence and psychological escape.




Scoring Transcendence


Book Description

Films are the lingua franca of western culture; for decades they have provided viewers with a universal way of understanding the human experience. And film music, Kutter Callaway demonstrates, has such a profound effect on the human spirit that it demands theological reflection. By engaging scores from the last decade of popular cinema, Callaway reveals how a musically aware approach to film can yield novel insights into the presence and activity of God in contemporary culture. And, through conversations with these films and their filmmakers, viewers can gain a new understanding of how God may be speaking to modern society through film and its transcendent melodies.




Musical Beauty


Book Description

This book offers an important new perspective on the Western tradition of musical aesthetics through an examination of Anicius Boethius and Immanuel Kant. Within the trajectory illuminated by these two thinkers, musical meaning is framed by and formed through the concept of beauty--a concept which is shaped by prior understandings about notions of the self and the world. Beauty opens up a space within which the boundary between the self and the world, subject and object, is negotiated and configured. In doing so, either the subject or the object is asserted to the detriment of the other, and to the physicality of music. This book asserts that the uniqueness of music's ontology emerges from its basis in sound and embodied practice. It suggests that musical beauty is generated by the mutuality of subject and object arising within the participation that music encourages, one which involves an ekstatic mode of attention on the part of the subject.




Mozart


Book Description

Much Has Been Written about Wolfgang Amadeus Mozart, but relatively little on the religious dimension of his person and his music. In this book Hans Kung offers an intriguing theological probing into Mozart's musical work. Kung begins by discussing Mozart's Catholic background--something that, surprisingly, has hardly been treated by Mozart scholars. He moves on to explore how Mozart's music itself displays to the keen ear "traces of transcendence," giving intimations of a mysterious bliss transcending even all music.




Poe and the Idea of Music


Book Description

The selling point of this book I think is that it's the only book that addresses Edgar Allan Poe's use of music from a purely literary standpoint.




Creative Research in Music


Book Description

Creative Research in Music explores what it means to be an artistic researcher in music in the twenty-first century. The book delineates the myriad processes that underpin successful artistic research in music, providing best practice exemplars ranging from Western classical art to local indigenous traditions, and from small to large-scale, multi-media and cross-cultural work formats. Drawing on the richness of creative research work at key institutions in South-East Asia and Australian, this book examines the social, political, historical and cultural driving forces that spur and inspire excellence in creative research to extend and to cross boundaries, to sustain our music industry, to advocate for the importance of music in our world, and to make it clear that music matters. In the chapters, our authors present the ideas of informed practice, innovation and transcendence from diverse international perspectives. Each of these three themes has an introductory section where the theme is explored and the chapters in that section introduced. Taken as a whole, the book discusses how the themes in combination, with reference to the authorial group, are able to transform music pedagogy and performance for our global and complex world. Chapter 9 of this book is freely available as a downloadable Open Access PDF at http: //www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.




If It Sounds Good, It Is Good


Book Description

American roots muscic is not a product of an elite leisure class, as some academics contend, but of explosive creativity among slaves, hillbillies, fieldhands, drunks, slackers, and hucksters. Yet these poor, working-class people, built the foundations of jazz, gospel, blues, bluegrass, rock 'n' roll, and country music, an unparalleled burst of invention. This is the counterfactual to the academics' story. Manning takes us down a long, strange path, following music to deeper understandings of racism, slavery, inequality, meditation, addiction, the science of our brains, and ultimately to an enticing glimpse of pure religion.




I'll Take You There


Book Description

A guide to some of the popular music. Regardless of their spiritual leanings, the subjects discussed in this book (including Public Enemy, Madonna, Johnny Cash, Nine Inch Nails, Marvin Gaye, Eminem, and Bruce Springsteen) make music that expresses a basic striving for transcendence. The artists' stories and personalities inform these discussions.