Music, Theatre and Politics in Germany


Book Description

Music, theatre and politics have maintained a long-standing relationship that continues to be strong. The contributions in this volume bridge the conventional chronological division between 'late Romantic' and 'modern' music to thematize a wide array of i




Music Theatre and the Holy Roman Empire


Book Description

Packed full of new archival evidence that reveals the interconnected world of music theatre during the 'Classical era', this interdisciplinary study investigates key locations, genres, music, and musicians. Austin Glatthorn explores the extent to which the Holy Roman Empire delineated and networked a cultural entity that found expression through music for the German stage. He maps an extensive network of Central European theatres; reconstructs the repertoire they shared; and explores how print media, personal correspondence, and their dissemination shaped and regulated this music. He then investigates the development of German melodrama and examines how articulations of the Holy Roman Empire on the musical stage expressed imperial belonging. Glatthorn engages with the most recent historical interpretations of the Holy Roman Empire and offers quantitative, empirical analysis of repertoire supported by conventional close readings to illustrate a shared culture of music theatre that transcended traditional boundaries in music scholarship.




Art, Ideology, and Economics in Nazi Germany


Book Description

From 1933 to 1945, the Reich Chamber of Culture exercised a profound influence over hundreds of thousands of German artists and entertainers. Alan Steinweis focuses on the fields of music, theater, and the visual arts in this first major study of Nazi cultural administration, examining a complex pattern of interaction among leading Nazi figures, German cultural functionaries, ordinary artists, and consumers of culture. Steinweis gives special attention to Nazi efforts to purge the arts of Jews and other so-called undesirables. Steinweis describes the political, professional, and economic environment in which German artists were compelled to function and explains the structure of decision making, thus showing in whose interest cultural policies were formulated. He discusses such issues as insurance, minimum wage statutes, and certification guidelines, all of which were matters of high priority to the art professions before 1933 as well as after the Nazi seizure of power. By elucidating the economic and professional context of cultural life, Steinweis helps to explain the widespread acquiescence of German artists to artistic censorship and racial 'purification.' His work also sheds new light on the purge of Jews from German cultural life.




Life and Death in a German Town


Book Description

The period between 1929 and 1949 represents one of the most traumatic and destructive in the history of Germany. Economic crisis, Nazism, war, destruction and post-war dislocation dominated the lives of all Germans and those living in Germany. While all ethnic groups faced great hardship during these years, there were stark differences between the experience of native ethnic Germans, German refugees from Eastern Europe, German Jews, Romanies and foreigners. Using vital primary sources, archival material and insightful interviews, Panikos Panayi presents an extraordinary analysis of the individual experiences of, and relationships between, all these groups living in the German town of Osnabruck. He focuses on Alltagsgeschichte (the history of everyday life) to understand the realities for people living in one German location in a time of great change and upheaval. By concentrating on the wide span of 20 years of German experience he brings original breadth to an area of study, more commonly associated with the narrower focus of 1933-45. Despite the centrality of race in Nazi ideology, this is the first major study to look at the lives of all of the differing ethnic groups in Germany during this period. Panayi reveals the fluidity of the borderline between victims and perpetrators, how the use of forced labour dramatically changed the ethnic composition of the town and the impact of the arrival of German refugees from Eastern Europe at the end of World Wa II. Panayi's revealing analysis of the continuity and discontinuity in the everyday lives of Osnabruckers between 1929 and 1949, and the inter-ethnic relations during this period, is an essential reference tool for anyone wanting to understand the now time realities of living in Nazi Germany.




The Routledge Companion to Musical Theatre


Book Description

Global in scope and featuring thirty-five chapters from more than fifty dance, music, and theatre scholars and practitioners, The Routledge Companion to Musical Theatre introduces the fundamentals of musical theatre studies and highlights developing global trends in practice and scholarship. Investigating the who, what, when, where, why, and how of transnational musical theatre, The Routledge Companion to Musical Theatre is a comprehensive guide for those studying the components of musical theatre, its history, practitioners, audiences, and agendas. The Companion expands the study of musical theatre to include the ways we practice and experience musicals, their engagement with technology, and their navigation of international commercial marketplaces. The Companion is the first collection to include global musical theatre in each chapter, reflecting the musical’s status as the world’s most popular theatrical form. This book brings together practice and scholarship, featuring essays by leading and emerging scholars alongside luminaries such as Chinese musical theatre composer San Bao, Tony Award-winning star André De Shields, and Tony Award-winning director Diane Paulus. This is an essential resource for students on theatre and performance courses and an invaluable text for researchers and practitioners in these areas of study.




Music in German Immigrant Theater


Book Description

A history -- the first ever -- of the abundant traditions of German-American musical theater in New York, and a treasure trove of songs and information.




Independent Theatre in Contemporary Europe


Book Description

Over the past 20 years European theatre underwent fundamental changes in terms of aesthetic focus, institutional structure and in its position in society. The impetus for these changes was provided by a new generation in the independent theatre scene. This book brings together studies on the state of independent theatre in different European countries, focusing on the fields of dance and performance, children and youth theatre, theatre and migration and post-migrant theatre. Additionally, it includes essays on experimental musical theatre and different cultural policies for independent theatre scenes in a range of European countries.




World Encyclopedia of Contemporary Theatre


Book Description

The World Encyclopedia of Contemporary Theatre:Europe covers theatre since World War II in forty-seven European nations, including the nations which re-emerged following the break-up of the former USSR, Czechoslovakia and Yugoslavia. Each national article is divided into twelve sections - History, Structure of the National Theatre Community, Artistic Profile, Music Theatre, Theatre for Young Audiences, Puppet Theatre, Design, Theatre, Space and Architecture, Training, Criticism, Scholarship and Publishing and Further Reading - allowing the reader to use the book as a source for both area and subject studies.




Heiner Müller's Democratic Theater


Book Description

Analyzes not just Müller's texts but also the theatrical events that emerged from them, showing that from the beginning of his career Müller tried to create democracy both within and outside the theater.




The New Music Theater


Book Description

"The New Music Theater is the first comprehensive attempt in English to cover a still-emerging art form in its widest range. This book, written for the reader who comes from the contemporary worlds of music, theater, film, literature, and visual arts, provides a wealth of examples and descriptions, not only of the works themselves but of the concepts, ideas and trends that have gone into the evolution of what may be the most central performance art form of the post-modern world."--BOOK JACKET.