Musical Colours


Book Description

On the cover of the 1970 record THE VANISHING REGIMENTS, Colonel CH Jaeger OBE made an interesting observation: ‘Be it true or not that old soldiers never die but only fade away, it is absolutely certain that the music connected with soldiering never does in fact. Many famous Regiments in the last few years have passed off the scene, others have been amalgamated. Much of the music of former Regiments is still in use, though the names of the Regiments concerned have vanished, perhaps forever’. Regimental colours are the symbolic spirit of the regiment; their marches are the musical spirit. Their histories are sometimes older than the regiments themselves and very much guarded and cherished by them. When you hear a regimental band play a march, why that march? This book is an attempt to cover the fascinating histories of military marches, how and why regiments adopted them, even those that have faded into history. It will appeal to those interested in Regimental Marches of Canadian and United Kingdom Armed Forces. Over 500 marches are covered with many band photos from across the centuries. Also included are narratives of the composers, Victoria Cross musicians and even words to many marches. So, get out the records, crank up the volume and listen to the bands play their MUSICAL COLOURS while reading all bout them.




Harmonic Colours for Bass


Book Description

Harmonic Colours for Bass is designed add style and dimension to your grooves by providing a combination of technical training and musical examples. Music examples are written in standard notation and tablature and are demonstrated on the included play-along recording.




The Student Music Organizer


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Colour-music


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The Musical Times


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The Oxford Handbook of Musical Theatre Screen Adaptations


Book Description

Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St Louis, Singin' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen. The Oxford Handbook of Musical Theatre Screen Adaptations traces how the genre of the stage-to-screen musical has evolved, starting with screen adaptations of operettas such as The Desert Song and Rio Rita, and looks at how the Hollywood studios in the 1930s exploited the publication of sheet music as part of their income. Numerous chapters examine specific screen adaptations in depth, including not only favorites such as Annie and Kiss Me, Kate but also some of the lesser-known titles like Li'l Abner and Roberta and problematic adaptations such as Carousel and Paint Your Wagon. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies.