My Miserable Life As an Asian Boy Growing Up in America


Book Description

Humiliation, forced feminization, forced homosexuality, castration, brainwashing, slavery, solitary confinement, despair I have been born into a prison, and my body is my prison. I was never allowed to be the real me, and this life is a mere transient state to which I could never call home, and all my life I have been waiting, waiting to escape, to return home, to a world that is mine. This entire existence is my prison. I cannot think. I cannot move. I must endure silently. I still remember the times I saw my mother being fucked by my step dad and I had to look away, in disgust, in horror, and in envy. Even though I turned away, I would jealously leer at them, fighting back tears of unfulfilled desire. How much I wish it was to me that my step dad would show the same affection. The sight of my mother being filled to the brim with his powerful white cock made me tingle, and, ever since I could remember, I resented my little asian peepee. I wished I was an Asian girl so I could be fucked by my white step dad too, but he simply refused to touch me. He would complement me on how feminine I was, how little I was, how much he loved the fact that asian boys are basically interchangeable with girls, and how often he jokingly referred to me as a girl, but he never actually treated me like the girl I am. He never loved me the way he loved mommy. I hated him. Yet I loved him and looked up to him, and even worshipped him. And as long as I can remember, I have always wished that I could find a white man just like my white step dad, but unlike my step dad, my white man will castrate me, keep me as a girl for the rest of my life. I want to be fucked in the same way my white step dad fucked my asian mother.




My Miserable Life


Book Description

I have been born into a prison, and my body is my prison. I was never allowed to be the real me, and this life is a mere transient state to which I could never call home, and all my life I have been waiting, waiting to escape, to return home, to a world that is mine. This entire existence is my prison. I cannot think. I cannot move. I must endure silently. I still remember the times I saw my mother being fucked by my step dad and I had to look away, in disgust, in horror, and in envy. Even though I turned away, I would jealously leer at them, fighting back tears of unfulfilled desire. How much I wish it was to me that my step dad would show the same affection. The sight of my mother being filled to the brim with his powerful white cock made me tingle, and, ever since I could remember, I resented my little asian peepee. I wished I was an Asian girl so I could be fucked by my white step dad too, but he simply refused to touch me. He would complement me on how feminine I was, how little I was, how much he loved the fact that asian boys are basically interchangeable with girls, and how often he jokingly referred to me as a girl, but he never actually treated me like the girl I am. He never loved me the way he loved mommy. I hated him. Yet I loved him and looked up to him, and even worshipped him. And as long as I can remember, I have always wished that I could find a white man just like my white step dad, but unlike my step dad, my white man will castrate me, keep me as a girl for the rest of my life. I want to be fucked in the same way my white step dad fucked my asian mother.




Everything Asian


Book Description

You're twelve years old. A month has passed since your Korean Air flight landed at lovely Newark Airport. Your fifteen-year-old sister is miserable. Your mother isn't exactly happy, either. You're seeing your father for the first time in five years, and although he's nice enough, he might be, well--how can you put this delicately?--a loser. You can't speak English, but that doesn't stop you from working at East Meets West, your father's gift shop in a strip mall, where everything is new. Welcome to the wonderful world of David Kim.




Prisoner of War


Book Description

He lied about his age to enlist. Now he'll have to lie about everything else to survive! Survive the war. Outlast the enemy. Stay alive. That's what Henry Forrest has to do. When he lies about his age to join the Marines, Henry never imagines he'll face anything worse than his own father's cruelty. But his unit is shipped off to the Philippines, where the heat is unbearable, the conditions are brutal, and Henry's dreams of careless adventuring are completely dashed.Then the Japanese invade the islands, and US forces there surrender. As a prisoner of war, Henry faces one horror after another. Yet among his fellow captives, he finds kindness, respect, even brotherhood. A glimmer of light in the darkness. And he'll need to hold tight to the hope they offer if he wants to win the fight for his country, his freedom . . . and his life. Michael P. Spradlin's latest novel tenderly explores the harsh realities of the Bataan Death March and captivity on the Pacific front during World War II.




Battle Bunny


Book Description

Alex, whose birthday it is, hijacks a story about Birthday Bunny on his special day and turns it into a battle between a supervillain and his enemies in the forest--who, in the original story, are simply planning a surprise party.




A Feather on the Breath of God


Book Description

From Sigrid Nunez, the National Book Award-winning author of The Friend, comes A Feather on the Breath of God: a mesmerizing story about the tangled nature of relationships between parents and children, between language and love A young woman looks back to the world of her immigrant parents: a Chinese-Panamanian father and a German mother. Growing up in a housing project in the 1950s and 1960s, she escapes into dreams inspired both by her parents' stories and by her own reading and, for a time, into the otherworldly life of ballet. A yearning, homesick mother, a silent and withdrawn father, the ballet--these are the elements that shape the young woman's imagination and her sexuality.




Missed Translations


Book Description

A bittersweet and humorous memoir of family—of the silence and ignorance that separate us, and the blood and stories that connect us—from an award-winning New York Times writer and comedian. Approaching his 30th birthday, Sopan Deb had found comfort in his day job as a writer for the New York Times and a practicing comedian. But his stage material highlighting his South Asian culture only served to mask the insecurities borne from his family history. Sure, Deb knew the facts: his parents, both Indian, separately immigrated to North America in the 1960s and 1970s. They were brought together in a volatile and ultimately doomed arranged marriage and raised a family in suburban New Jersey before his father returned to India alone. But Deb had never learned who his parents were as individuals—their ages, how many siblings they had, what they were like as children, what their favorite movies were. Theirs was an ostensibly nuclear family without any of the familial bonds. Coming of age in a mostly white suburban town, Deb’s alienation led him to seek separation from his family and his culture, longing for the tight-knit home environment of his white friends. His desire wasn’t rooted in racism or oppression; it was born of envy and desire—for white moms who made after-school snacks and asked his friends about the girls they liked and the teachers they didn’t. Deb yearned for the same. Deb’s experiences as one of the few minorities covering the Trump campaign, and subsequently as a stand up comedian, propelled him on a dramatic journey to India to see his father—the first step in a life altering journey to bridge the emotional distance separating him from those whose DNA he shared. Deb had to learn to connect with this man he recognized yet did not know—and eventually breach the silence separating him from his mother. As it beautifully and poignantly chronicles Deb’s odyssey, Missed Translations raises questions essential to us all: Is it ever too late to pick up the pieces and offer forgiveness? How do we build bridges where there was nothing before—and what happens to us, to our past and our future, if we don’t?




Geisha of a Different Kind


Book Description

"Geisha of a Different Kind bravely engages with the struggles and triumphs of Asian American gay men as they inhabit American society and its gay mainstream. A lucid study with anunflinching focus on the daily contingencies of these men's lives, this book isan important contribution to the scholarly understanding of contemporary U.S.sex/gender systems and their fraught links to racial formations."--Martin F. Manalansan IV, author of Global Divas: Filipino Gay Men in the Diaspora.




Thirty-five Castration Fantasies


Book Description

Here are thirty-five brief, short-story fantasies that treat femdom castration as a highly-erotic, seductive and fetishistic activity. Emphasis is on the female-dominant/male-submissive relationship and not on the gory details of the climactic act itself. The mode of the domination is purely assertive, as if it were a woman's simple, basic prerogative. No violence, gore or harsh verbal abuse is used.These little vignettes take place in a contemporary world where this kind of radical emasculation is deliciously rare and exotic but at the same time perfectly acceptable. The general settings are: suburbia, a clinic or a farm.I know how disappointing it is when you get false hopes up that a work of erotic fiction will be featuring one's favorite fetishistic details. So, in particular, the reader should be warned that no penectomy or full-blown feminization takes place.The cover art is by Sorenutz and is taken from a commission I paid him to draw.Please note: all characters are 18+.Here is the table of contents: * Amazon Bar* Aunt Abigail's Trimmin' Parlor* Bridge Night Demo* Castration Farm* Castration Slut* Company Sissy* Consultation With A Castratrix* Down On The Farm With Ms. Van Gelder* Dream Fulfillment* Eric's Correction* Female-led Marriage* Fixing Little Jimmy* Good Little Piggy* House Husband* Jake Gets Clipped* Kinky Fetish Boutique* Manhood Pouch* Men To Boys* Mom Has Me Castrated* My Wife Takes Me to Aunt Abigail's* Only Sissies Masturbate* Pa Loses His Nuts* Prepping A Piggy-Boy* Property Transfer* Retiring an Old Sperm Bull* Saturday Afternoon* Scrotum Poaching* Seduction* Sexual Behavior Consultant* Sperm Cow Farm* The Old Bull* The Perfect Servant* Walk-ins Welcome* Wife of a Big-bottomed Sissy* Young David on Aunt Abigail's Far




Boundaries


Book Description

Renowned artist and architect Maya Lin's visual and verbal sketchbook—a unique view into her artwork and philosophy. Walking through this parklike area, the memorial appears as a rift in the earth -- a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these individuals into a whole.... So begins the competition entry submitted in 1981 by a Yale undergraduate for the design of the Vietnam Veterans Memorial in Washington, D.C. -- subsequently called "as moving and awesome and popular a piece of memorial architecture as exists anywhere in the world." Its creator, Maya Lin, has been nothing less than world famous ever since. From the explicitly political to the un-ashamedly literary to the completely abstract, her simple and powerful sculpture -- the Rockefeller Foundation sculpture, the Southern Poverty Law Center Civil Rights Memorial, the Yale Women's Table, Wave Field -- her architecture, including The Museum for African Art and the Norton residence, and her protean design talents have defined her as one of the most gifted creative geniuses of the age. Boundaries is her first book: an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that make up those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text. Boundaries is a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art.