L'eau, enjeux politiques et théologiques, de Sumer à la Bible


Book Description

This book investigates a corpus of royal inscriptions and literary texts, with special emphasis on those that are mythological and biblical, stretching over several millennia from the early days of Sumer to the Biblical period, in order to determine the ways in which the concept of water was used, in particular the way it functions in the political and theological ideology of the time. Three literary motifs are the object of a careful study : the crossing of water, the flood and the water of abundance. Though their study shows diversity in evolution, transmission and reception, it appears that their function is common at the heart of the Mesopotamian political theology of royal mediation.




Mytho-poetics at Work


Book Description

In Mytho-poetics at Work Rengenier Rittersma offers an account of the posthumous fame of the Count of Egmont (1522-1568), whose public decapitation triggered the Dutch revolt. Drawing from numerous European sources – pamphlets, chronicles, and literature – this monograph tries to unravel why and how the alleged freedom fighter became an icon in European thought. It demonstrates that Egmont unfurled an evocative power over several centuries and cultural regions, as his name could be deliberately instrumentalized by different groups of people in order to corroborate their own confessional and political programs. In addition, this book offers the very first systematic study of the phenomenon of mytho-genesis and provides a conceptual model that can be applied to analogous historical myths.




Politics and ‘Politiques' in Sixteenth-Century France


Book Description

During the French Wars of Religion, the nature and identity of politics was the subject of passionate debate and controversy. Exploring early modern French uses of the word 'politique' and the statesman who practised this art, this book investigates questions of language and of power over the course of a tumultuous century.




Mythogenesis, Interdiscursivity, Ritual


Book Description

The studies included in Mythogenesis, Interdiscursivity, Ritual —offered to Professor Demetrios Yatromanolakis, a pioneering scholar— shed new light on a variety of areas: the encounters of ancient Greece with other societies and cultures in antiquity; the interplay between art (vase-painting and sculpture) and broader ideological developments/mentalities in antiquity; ritual in ancient Greek contexts; political ideologies and religion; history of scholarship, textual criticism/critical editing, and hermeneutics; the reception of myth and of archaic and classical Greek culture and philosophy in diverse discursive, mediatic, and sociocultural contexts — from impressionist painting, to modernism and the avant-garde, to Foucauldian thought.





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Slavic Mythology


Book Description

Slavic Mythology is a comprehensive study on myths, folklore and legends of the Slavic people settled in Eastern and Central Europe with a meticulous approach to the spirits and ghouls found in Slavic mythical beliefs. Thorough and comprehensive research covers various aspects of the theme, from stories of spirits of the dead, through folk tales of gods and beings of the households, forests and water, to legends of Slavic gods. The study comprehends the mythology of Slavic people of the Elbe river and the Russians, with a glance at the Baltic mythology.




The Mythology of All Races


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The New Comparative Mythology


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Repetition and Mythos


Book Description

Writing his Habilitationsschrift as a young man in the late 1950s, future Pontiff Joseph Ratzinger argues that, when St. Bonaventure composed his Collationes in Hexaëmeron in the spring of 1273, not since St. Augustine’s De Civitate Dei contra Paganos had the world seen such a ground-breaking work on the logos of history. Indeed, for Ratzinger’s Bonaventure, history is “first philosophy.” The thirteenth-century Franciscan rails against the widespread assumption, rooted the newly “rediscovered” Aristotle, of history’s unintelligibility. For Bonaventure, mythos mediates the difference between science and history, yielding a non-positivistic approach to the latter. Building on the dynamics of Plato’s Line, Boulter show that the days of creation, narrated by Bonaventure, structure both history and thought. Because, like a story, it has beginning and end, history as a whole can be grasped. Hence, eschatological knowledge of the end of the world is possible. Yet this work also shows how the false “progress myths” of modernity are counterfeit versions of true, spiritual advancement of the kind embodied by saints such as Francis and Bonaventure himself. What is the logos of history? It turns out that it is mythos.