Narrative Desire and Historical Reparations


Book Description

This book examines and explains the obsession with history in the contemporary British novel. It frames these historical novels as expressions of narrative desire, highlighting the reciprocal relationship between a desire to disclose and to rid ourselves of anxieties elicited by the past. Scrutinizing representative novels from Byatt, McEwan and Rushdie, contemporary fiction is revealed as capable of advocating a viable ethical stance and as a form of authentic commentary. Our anxieties often exist in response to what might be perceived as the oppression or eradication of values, whether this is through the modern repudiation of Victorian principles (Byatt), the Western rethinking of Enlightenment narratives in light of the Holocaust (McEwan), or pluralism threatened by religious fundamentalism (Rushdie). Each of these novelists differentially employs postmodern artifice, sometimes as a way to reject the notion of historical construction, sometimes to advocate for it, but always to bring us closer to what the author believes are significant values and truths, rather than relativism. The representative qualities of these novels serve to highlight themes, concerns, and anxieties present in many of the works of each author and by extension those of their contemporaries.




Narrative Desire and Historical Reparations


Book Description

This book examines and explains the obsession with history in the contemporary British novel. It frames these historical novels as expressions of narrative desire, highlighting the reciprocal relationship between a desire to disclose and to rid ourselves of anxieties elicited by the past. Scrutinizing representative novels from Byatt, McEwan and Rushdie, contemporary fiction is revealed as capable of advocating a viable ethical stance and as a form of authentic commentary. Our anxieties often exist in response to what might be perceived as the oppression or eradication of values, whether this is through the modern repudiation of Victorian principles (Byatt), the Western rethinking of Enlightenment narratives in light of the Holocaust (McEwan), or pluralism threatened by religious fundamentalism (Rushdie). Each of these novelists differentially employs postmodern artifice, sometimes as a way to reject the notion of historical construction, sometimes to advocate for it, but always to bring us closer to what the author believes are significant values and truths, rather than relativism. The representative qualities of these novels serve to highlight themes, concerns, and anxieties present in many of the works of each author and by extension those of their contemporaries.




Narrating the Past


Book Description

In recent years controversy has surrounded the narrative turn in history and the historical turn in fiction. This book clarifies what is at stake, tracing connections between historiography and life-writing, arguing that the challenges posed in representing the past illuminate issues which are central to all literary narrative.




Transnational Narratives in Englishes of Exile


Book Description

Monolingual, monolithic English is an issue of the past. In this collection, by using cinema, poetry, art, and novels we demonstrate that English has become the heteroglossic language of immigration – Englishes of exile. By appropriating its plural form we pay respect to all those who have been improving standard English, thus proving that one may be born in a language as well as give birth to a language or add to it one’s own version. The story of the immigrant, refugee, exile, expatriate is everybody’s story, and without migration, we could not evolve our human race.




The Contemporary British Historical Novel


Book Description

A detailed study of an increasingly popular genre, this book offers readings of a group of significant and representative works, drawing on a range of interpretative strategies to examine the ways in which the contemporary historical novel engages with questions of nation and identity to illuminate Britain's post-imperial condition.




Alternate History


Book Description

While, strictly speaking, Alternate Histories are not Future Narratives, their analysis can shed a clear light on why Future Narratives are so different from past narratives. Trying to have it both ways, most Alternate Histories subscribe to a conflicting set of beliefs concerning determinism and freedom of choice, contingency and necessity. For the very first time, Alternate Histories are here discussed against the backdrop of their Other, Future Narratives. The volume contains in-depth analyses of the classics of the genre,such as Philip K. Dick's The Man in the High Castle and Philip Roth's The Plot against America, as well as less widely-discussed manifestations of the genre, such as Dieter Kühn's N, Christian Kracht's Ich werde hier sein im Sonnenschein und im Schatten, and Quentin Tarantino's film Inglourious Basterds.




Taboo and Transgression in British Literature from the Renaissance to the Present


Book Description

Taboo and Transgression in British Literature from the Renaissance to the Present develops an innovative overview of the interdisciplinary theoretical approaches to the topic that have emerged in recent years. Alongside exemplary model analyses of key periods and representative primary texts, this exciting new anthology of critical essays has been specifically designed to fill a major gap in the field of literary and cultural studies. This book traces the complex dynamic and ongoing negotiation of notions of transgression and taboo as an essential, though often neglected, facet to understanding the development, production, and conception of literature from the early modern Elizabethan period through postmodern debates. The combination of a broad theoretical and historical framework covering almost fifty representative authors and uvres makes this essential reading for students and specialists alike in the fields of literary studies and cultural studies.




British Literature in Transition, 1980–2000


Book Description

This volume shows how British literature recorded contemporaneous historical change. It traces the emergence and evolution of literary trends from 1980-2000.




Possible Worlds of Fiction and History


Book Description

With Possible Worlds of Fiction and History, Lubomír Doležel reexamines the claim—made first by Roland Barthes and then popularized by Hayden White—that "there is no fundamental distinction between fiction and history." Doležel rejects this assertion and demonstrates how literary and discourse theory can help the historian to restate the difference between fiction and history. He challenges scholars to reassess the postmodern viewpoint by reintroducing the idea of possible worlds. Possible-worlds semantics reveals that possible worlds of fiction and possible worlds of history differ in their origins, cultural functions, and structural and semantic features. Doležel’s book is the first systematic application of this idea to the theory and philosophy of history. Possible Worlds of Fiction and History is the crowning work of one of literary theory’s most engaged thinkers.




Second World War in Contemporary British Fiction


Book Description

Shows how central the Second World War still is to post-war writing. Focusing on the upsurge of interest in the Second World War in recent British novels, this monograph explores the ways in which secrecy and secret work - including code-breaking, espionage and special operations - have been approached in representations of the war. It considers established writers, including Muriel Spark, Sarah Waters and Kazuo Ishiguro, as well as newer voices, such as Liz Jensen and Peter Ho Davies. The examination of the after-effects of involvement in secret work, inter-generational secrets in a domestic context, political allegiance and sexuality shows how issues of loyalty, deception and betrayal are brought into focus in these novels.




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