From Fugitive Slave to Free Man


Book Description

William Wells Brown spent the first twenty years of his life mainly in St. Louis and the surrounding areas working as a house servant, field hand, a tavern keeper's assistant, a printer's helper, an assistant in a medical office, and a handyman for James Walker, a Missouri slave trader. During his time with Walker, Brown made three trips up and down the Mississippi River. These trips allowed him to encounter slavery from every perspective and provided experiences he would draw on throughout his writing career.







Narrative of William W. Brown, a Fugitive Slave


Book Description

The former slave William Wells Brown gives his autobiography "Narrative of William W. Brown, a Fugitive Slave". He aims to give a portrayal of his former life, the cruelties he endured as a slave and the reason leading to his escape from his master. He wrote the book about three years after this. Wells has a special challenge to the Christians of his nation to join him in restoring the dignity of the slaves so that they may best receive the gospel message. The novel captures the important theme of the role of the American Church as both the sometimes woeful enabler of the horrors of slavery and also as a force of good that contributed significantly to the end of the practice.




Narrative of William W. Brown, a Fugitive Slave: Written by Himself


Book Description

I WAS born in Lexington, Ky. The man who stole me as soon as I was born, recorded the births of all the infants which he claimed to be born his property, in a book which he kept for that purpose. My mother's name was Elizabeth. She had seven children, viz: Solomon, Leander, Benjamin, Joseph, Millford, Elizabeth, and myself. No two of us were children of the same father. My father's name, as I learned from my mother, was George Higgins. He was a white man, a relative of my master, and connected with some of the first families in Kentucky. My master owned about forty slaves, twenty-five of whom were field hands. He removed from Kentucky to Missouri, when I was quite young, and settled thirty or forty miles above St. Charles, on the Missouri, where, in addition to his practice as a physician, he carried on milling, merchandizing and farming. He had a large farm, the principal productions of which were tobacco and hemp. The slave cabins were situated on the back part of the farm, with the house of the overseer, whose name was Grove Cook, in their midst. He had the entire charge of the farm, and having no family, was allowed a woman to keep house for him, whose business it was to deal out the provisions for the hands. A woman was also kept at the quarters to do the cooking for the field hands, who were summoned to their unrequited toil every morning at four o'clock, by the ringing of a bell, hung on a post near the house of the overseer. They were allowed half an hour to eat their breakfast, and get to the field. At half past four, a horn was blown by the overseer, which was the signal to commence work; and every one that was not on the spot at the time, had to receive ten lashes from the negro-whip, with which the overseer always went armed. The handle was about three feet long, with the butt-end filled with lead, and the lash six or seven feet in length, made of cowhide, with platted wire on the end of it. This whip was put in requisition very frequently and freely, and a small offence on the part of a slave furnished an occasion for its use. During the time that Mr. Cook was overseer, I was a house servant--a situation preferable to that of a field hand, as I was better fed, better clothed, and not obliged to rise at the ringing of the bell, but about half an hour after. I have often laid and heard the crack of the whip, and the screams of the slave. My mother was a field hand, and one morning was ten or fifteen minutes behind the others in getting into the field. As soon as she reached the spot where they were at work, the overseer commenced whipping her. She cried, "Oh! pray--Oh! pray--Oh! pray"--these are generally the words of slaves, when imploring mercy at the hands of their oppressors. I heard her voice, and knew it, and jumped out of my bunk, and went to the door. Though the field was some distance from the house, I could hear every crack of the whip, and every groan and cry of my poor mother. I remained at the door, not daring to venture any farther. The cold chills ran over me, and I wept aloud. After giving her ten lashes, the sound of the whip ceased, and I returned to my bed, and found no consolation but in my tears. It was not yet daylight.




The Black Man


Book Description




William Wells Brown: An African American Life


Book Description

A National Book Critics Circle Award Finalist 'Biography' A groundbreaking biography of the most pioneering and accomplished African-American writer of the nineteenth century. Born into slavery in Kentucky, raised on the Western frontier on the farm adjacent to Daniel Boone’s, “rented” out in adolescence to a succession of steamboat captains on the Mississippi and Missouri rivers, the young man known as “Sandy” reinvented himself as “William Wells” Brown after escaping to freedom. He lifted himself out of illiteracy and soon became an innovative, widely admired, and hugely popular speaker on antislavery circuits (both American and British) and went on to write the earliest African American works in a plethora of genres: travelogue, novel (the now canonized Clotel), printed play, and history. He also practiced medicine, ran for office, and campaigned for black uplift, temperance, and civil rights. Ezra Greenspan’s masterful work, elegantly written and rigorously researched, sets Brown’s life in the richly rendered context of his times, creating a fascinating portrait of an inventive writer who dared to challenge the racial orthodoxies and explore the racial complexities of nineteenth-century America.







The Escape


Book Description




Slavery and Class in the American South


Book Description

Slavery and Class in the American South reveals how work, family, and connections that made for socioeconomic differences among the enslaved of the South are critical components of the American slave narrative.