Still Lives


Book Description

An examination, through personal narratives and reflective commentary, of life without sensation or movement in the body. In writing Still Lives, Jonathan Cole wanted to find out about living in a wheelchair, without having what he calls "the doctor/patient thing" intervene. He has done this by asking people with spinal cord injuries the simple question of what it is like to live without sensation and movement in the body. If the body has absented itself, where does the person reside? He describes his method in the first chapter: "I have gone to people, not with a white coat or a stethoscope...[but] to listen to their lives as they express them," and it is the candid and powerful narratives of twelve people with spinal cord injuries that form the heart of the book.Asking his simple question, Cole discovers that there is no single or simple answer. The twelve people with tetraplegia (known as quadriplegia in the US) or paraplegia whose stories he tells testify to similar impairments but widely differing experiences. Cole employs their individual responses to shape the book into six main sections: "Enduring," "Exploring," "Experimenting," "Observing," "Empowering," and, finally, "Continuing." Each concludes with a commentary on the broader issues raised. Still Lives moves from a view of impairment as tragedy to reveal the possibilities and richness of experience available to those living with spinal injuries. More universally, it offers new perspectives on our relation to our bodies. In exploring the creative and imaginative adjustments required to construct a "still life," it makes a plea for the able-bodied to adjust their view of this most profound of impairments.




Narratives of Injury


Book Description

Narratives of Injury redescribes the history of injury from the perspective of those most at risk, rather than medical professionals and other outsiders. Refocusing on the first-hand perspectives found in literary texts and journalistic accounts, it uncovers a self-conscious tradition of mining stories running through nineteenth-century writing. The book examines both non-canonical authors and famous novelists, including Charles Dickens, Joseph Skipsey, G. A Henty, E. H. Burnett, George Eliot, Edward Tirebuck, H.G. Wells and D. H. Lawrence. Their narratives revise our understanding both of injury and of the radical potential of fiction. Sudden physical injuries have often been configured as fundamentally unknowable by the victims themselves, particularly in studies of nineteenth-century literature and culture. Likewise, narratives of psychological trauma have been largely understood, in Cathy Caruth's words, as the 'attempt to master what was never fully grasped in the first place.' Such readings privilege the reader as a necessary interpreter of physical or psychological injury. By contrast, Narratives of Injury reasserts the significance of patients' own experiences, choices and actions.




An Aesthetics of Injury


Book Description

An Aesthetics of Injury exposes wounding as a foundational principle of modernism in literature and film. Theorizing the genre of the narrative wound—texts that aim not only to depict but also to inflict injury—Ian Fleishman reveals harm as an essential aesthetic strategy in ten exemplary authors and filmmakers: Charles Baudelaire, Franz Kafka, Georges Bataille, Jean Genet, Hélène Cixous, Ingeborg Bachmann, Elfriede Jelinek, Werner Schroeter, Michael Haneke, and Quentin Tarantino. Violence in the modernist mode, an ostensible intrusion of raw bodily harm into the artwork, aspires to transcend its own textuality, and yet, as An Aesthetics of Injury establishes, the wound paradoxically remains the essence of inscription. Fleishman thus shows how the wound, once the modernist emblem par excellence of an immediate aesthetic experience, comes to be implicated in a postmodern understanding of reality reduced to ceaseless mediation. In so doing, he demonstrates how what we think of as the most real object, the human body, becomes indistinguishable from its “nonreal” function as text. At stake in this tautological textual model is the heritage of narrative thought: both the narratological workings of these texts (how they tell stories) and the underlying epistemology exposed (whether these narrativists still believe in narrative at all). With fresh and revealing readings of canonical authors and filmmakers seldom treated alongside one another, An Aesthetics of Injury is important reading for scholars working on literary or cinematic modernism and the postmodern, philosophy, narratology, body culture studies, queer and gender studies, trauma studies, and cultural theory.




Brain Injury Survivors


Book Description

"Although millions of people are affected each year by brain injuries, what it is like to live with these injuries is often misunderstood. Laura Lorenz delves into the experience of acquired brain injury (ABI) survivors to reveal how they make sense of their changed circumstances - and how social policies and medical expectations can enhance, or detract from, their quality of life." "As she traces individual journeys on the road from diagnosis through rehabilitation, Lorenz evokes the reality of living with ABI. She also tackles the systemic problems undercutting the quality of current medical and social support. Moving beyond ABI, her work encourages a fresh approach to the patient-provider relationship for people with a wide range of disabilities." --Book Jacket.




While We Were Sleeping


Book Description

Public health has made our lives safer—but it often works behind the scenes, without our knowledge, that is, "while we are sleeping." This book powerfully illuminates how public health works with more than sixty success stories drawn from the area of injury and violence prevention. It also profiles dozens of individuals who have made important contributions to safety and health in a range of social arenas. Highlighting examples from the United States as well as from other countries, While We Were Sleeping will inform a wide audience of readers about what public health actually does and at the same time inspire a new generation to make the world a safer place.




Trauma, Experience and Narrative in Europe after World War II


Book Description

This book promotes a historically and culturally sensitive understanding of trauma during and after World War II. Focusing especially on Eastern and Central Europe, its contributors take a fresh look at the experiences of violence and loss in 1939–45 and their long-term effects in different cultures and societies. The chapters analyze traumatic experiences among soldiers and civilians alike and expand the study of traumatic violence beyond psychiatric discourses and treatments. While acknowledging the problems of applying a present-day medical concept to the past, this book makes a case for a cultural, social and historical study of trauma. Moving the focus of historical trauma studies from World War I to World War II and from Western Europe to the east, it breaks new ground and helps to explain the troublesome politics of memory and trauma in post-1945 Europe all the way to the present day. This book is an outcome of a workshop project ‘Historical Trauma Studies,’ funded by the Joint Committee for the Nordic Research Councils in the Humanities and Social Sciences (NOS-HS) in 2018–20. Chapters 4, 5 and 6 are available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.




Narratives of Trauma and Moral Agency among Christian Post-9/11 Veterans


Book Description

Serving in the military is often a disruptive event in the lives of those who join, precipitating a reassessment of the service member’s ethical sensibilities or, tragically, resulting in lasting moral injury and trauma. The military experience compels them to navigate multiple identities, from citizen to warrior and back. Their religious identity, sometimes rooted in a civilian religious community, can be altered by military participation. Through a series of inductive, in-depth qualitative interviews, Suitt explores how varied religious resources and potentially traumatic events affect the lives of post-9/11 veterans who once or currently identified as Christian. Adding to existing research on moral injury, it traces how military chaplains, ethics education, just war theory rhetoric, and formal religious practice supplied by the military alter the course of service members’ moral lives. These narrative trajectories reveal how veterans use Christian faith or other systems of meaning-making to understand war and their identities as service members and veterans.




Narrative Approaches to Brain Injury


Book Description

This book brings together narrative approaches and brain injury rehabilitation, in a manner that fosters an understanding of the natural fit between the two. We live our lives by narratives and stories, and brain injury can affect those narratives at many levels, with far-reaching effects. Understanding held narratives is as important as understanding the functional profile of the injury. This book explores ways to create a space for personal stories to emerge and change, whilst balancing theory with practical application. Despite the emphasis of this book on the compatibility of narrative approaches to supporting people following brain injury, it also illustrates the potential for contributing to significant change in the current narratives of brain injury. This book takes a philosophically different approach to many current neuro-rehabilitation topics, and has the potential to make a big impact. It also challenges the reader to question their own position, but does so in an engaging manner which makes it difficult to put down.




Narrative Research in Health and Illness


Book Description

This comprehensive book celebrates the coming of age of narrativein health care. It uses narrative to go beyond the patient's storyand address social, cultural, ethical, psychological,organizational and linguistic issues. This book has been written to help health professionals andsocial scientists to use narrative more effectively in theireveryday work and writing. The book is split into three, comprehensive sections;Narratives, Counter-narratives and Meta-narratives.




Stories Are What Save Us


Book Description

A foreword by former soldier and memoirist Brian Turner, author of My Life as a Foreign Country, and an afterword by military wife and memoirist Angela Ricketts, author of No Man's War: Irreverent Confessions of an Infantry Wife, bookend the volume.