Nathan Field


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Ten Lectures on Psychotherapy and Spirituality


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TABLE OF CONTENTS: Acknowledgments. About the Contributors. Introduction. 1 The Strange Case of the Missing Spirit. 2 The Challenge of Evolution and the Place of Sympathy. 3 Have "objects" got faces? 4 The Spiritual Dimension in Psychotherapeutic Practice. 5 The Use of Theological Concepts in Psychoanalytic Understanding. 6 A New Anatomy of Spirituality. 7 The Role of Projective Identification in the Formation of Weltanschauung. 8 A Personal Journey through Psychotherapy and Religion. 9 What Happens Between People. 10 What Is Religion? Index.




Performing Childhood in the Early Modern Theatre


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This book investigates how the Children of Paul's (1599-1606) and the Children of the Queen's Revels (1600-13) defined their players as children and, via an analysis of their plays and theatrical practices, it examines early modern theatre as a site in which children have the opportunity to articulate their emerging selfhoods.










The Elizabethan Stage


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Children of the Queen's Revels


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History of boy actors in England during the Elizabethan Age.




The Actor as Playwright in Early Modern Drama


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This book uncovers important links between acting and authorship in early modern England.







King of Shadows


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Only in the world of the theater can Nat Field find an escape from the tragedies that have shadowed his young life. So he is thrilled when he is chosen to join an American drama troupe traveling to London to perform A Midsummer Night's Dream in a new replica of the famous Globe theater. Shortly after arriving in England, Nat goes to bed ill and awakens transported back in time four hundred years -- to another London, and another production of A Midsummer Night's Dream. Amid the bustle and excitement of an Elizabethan theatrical production, Nat finds the warm, nurturing father figure missing from his life -- in none other than William Shakespeare himself. Does Nat have to remain trapped in the past forever, or give up the friendship he's so longed for in his own time?