Native Wit


Book Description

The lively memoir of one of New Zealand's wittiest art, urbanism and social commentators. Legendary art commentator Hamish Keith returned to much-deserved national attention when his television series and accompanying book The Big Picture seized the imagination of New Zealanders. The high-rating show and bestselling book rekindled fresh enthusiasm for the complex and fascinating story of our art heritage and cemented Keith's stature as one of our most engaging, confronting and witty cultural commentators. Native Wit, Keith's witty, revealing memoir, gives readers an insight into his well-lived, rich and immensely varied life. Whether as a confrere of Colin McCahon, the chairman of the Arts Council, husband of Oscar-winning film costume designer Ngila Dickson, bon vivant and accomplished chef or arch enemy of doddering bureaucrats, Keith has a dynamic personality and a trenchant analysis that makes him a pleasure to read.




The Talking Stone


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Twenty-seven tales of Native Americans from nine geographic regions of North America.




Elements of Wit


Book Description

Got wit? We’ve all been in that situation where we need to say something clever, but innocuous; smart enough to show some intelligence, without showing off; something funny, but not a joke. What we need in that moment is wit—that sparkling combination of charm, humor, confidence, and most of all, the right words at the right time. Elements of Wit is an engaging book that brings together the greatest wits of our time, and previous ones from Oscar Wilde to Nora Ephron, Winston Churchill to Christopher Hitchens, Mae West to Louis CK, and many in between. With chapters covering the essential ingredients of wit, this primer sheds light on how anyone—introverts, extroverts, wallflowers, and bon vivants—can find the right zinger, quip, parry, or retort…or at least be a little bit more interesting.







Wit's End


Book Description

This book is a study of the “Great Movies,” that fluid category of feature films deemed by various authorities—film societies, critics, academics, and movie enthusiasts—to be the enduring and memorable works of cinematic history. But what are they about? In Wit’s End, the author attempts to “make sense” of these films in order to understand their greatness in the context of their relation to other films and to the worlds they come from and recreate on screen. To that end, we employ the conceptual power of pragmatic social theory and the rich idea of aesthesis to explore and arrange these films as a means of understanding what they express about the universality of human life in our keen use of wit, organization of social wont, and direction of cultural way. It is hoped that such an inquiry will illuminate the glory of the great films and contribute to the advance of film studies.




Interlingua-English


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Scotch Wit and Humor


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Reproduction of the original: Scotch Wit and Humor by Authors Various




The Eclectic Magazine


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The poems of Horace


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Lady Louisa Stuart


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