Neither Confirm nor Deny


Book Description

Winner, 2024 Book Award, Society for History in the Federal Government In 1974, the Hughes Glomar Explorer, ostensibly an advanced deep-sea mining vessel owned by reclusive billionaire Howard Hughes, lowered a claw-like contraption to the floor of the Pacific Ocean. This high-tech venture was only a cover story for an even more improbable scheme: a CIA mission to retrieve a sunken Soviet submarine. Like a Jules Verne novel with an Ian Fleming twist, the saga of the Glomar Explorer features underwater espionage, impossible gadgetry, and high-stakes international drama. It also marks a key moment in the history of transparency—and not just for what became known as the Glomar response: “We can neither confirm nor deny. . . . ” M. Todd Bennett plumbs the depths of government secrecy in this new account of the Glomar mission and its consequences. Trawling through recently declassified documents, he explores the logistics, media fallout, and geopolitical significance of one of the most ambitious operations in intelligence history. Glomar, Bennett argues, played a pivotal but underappreciated role in helping the CIA ward off oversight amid a push for transparency and accountability. He reframes the operation’s history to offer an alternative perspective on the 1970s, a decade known for expansive openness, as well as the persistent tension between the demands of democracy and the need for secrecy in foreign policy. Combining keen historical analysis and gripping storytelling, Neither Confirm nor Deny brings to the surface fresh insights into the history of the security state, the politics of intelligence, and the CIA’s relationship with the media and the public.




We Will Neither Confirm, Nor Deny


Book Description

The true story of Sergeant Hiram Holt, USAF Retired. Pentagon demands 35 year Vow of Silence, now the truth is out! Every Veteran will embrace this book which speaks to their unique problems with retirement and benefits. Action, Intrigue, and Patriotism Covers Korea,Vietnam,and up to the War on Terror in response to The World Trade Center Attack. If you love America, read this book!




The Taking of K-129


Book Description

An incredible true tale of espionage and engineering set at the height of the Cold War--a mix between The Hunt for Red October and Argo--about how the CIA, the U.S. Navy, and America's most eccentric mogul spent six years and nearly a billion dollars to steal the nuclear-armed Soviet submarine K-129 after it had sunk to the bottom of the Pacific Ocean; all while the Russians were watching. In the early hours of February 25, 1968, a Russian submarine armed with three nuclear ballistic missiles set sail from its base in Siberia on a routine combat patrol to Hawaii. Then it vanished. As the Soviet Navy searched in vain for the lost vessel, a small, highly classified American operation using sophisticated deep-sea spy equipment found it--wrecked on the sea floor at a depth of 16,800 feet, far beyond the capabilities of any salvage that existed. But the potential intelligence assets onboard the ship--the nuclear warheads, battle orders, and cryptological machines--justified going to extreme lengths to find a way to raise the submarine. So began Project Azorian, a top secret mission that took six years, cost an estimated $800 million, and would become the largest and most daring covert operation in CIA history. After the U.S. Navy declared retrieving the sub "impossible," the mission fell to the CIA's burgeoning Directorate of Science and Technology, the little-known division responsible for the legendary U-2 and SR-71 Blackbird spy planes. Working with Global Marine Systems, the country's foremost maker of exotic, deep-sea drilling vessels, the CIA commissioned the most expensive ship ever built and told the world that it belonged to the reclusive billionaire Howard Hughes, who would use the mammoth ship to mine rare minerals from the ocean floor. In reality, a complex network of spies, scientists, and politicians attempted a project even crazier than Hughes's reputation: raising the sub directly under the watchful eyes of the Russians.




Information Rights


Book Description

“An essential addition to the bookshelf of any practitioner who has to consider information rights, however often. The book is the best kind of practitioner text: practical and clear, but also scholarly, thoughtful and analytical.” (Sarah Hannett KC, Judicial Review) Retaining the position it has held since first publication, this is the 6th edition of the leading practitioner text on all aspects of information law. The latest edition includes a substantially enlarged set of chapters on appeals, enforcement, and remedies, as well as covering over 250 new judgments and decisions published since the last edition. Information Rights has been cited by the Supreme Court, Court of Appeal and the Tribunals, and is used by practitioners, judges and all those who practise in the field, including journalists. The new edition maintains its style of succinct statements of principle, supported by case law, legislative provisions, and statutory guidance. The work is divided into 2 volumes. Volume 1 is a 1,500-page commentary, with a comprehensive coverage of the data protection regime, freedom of information and environmental information law, as well as other rights of access to official information such as local government legislation and the Public Records Act. There is detailed coverage of appeal and regulatory procedures. Volume 2 comprises extensive annotated statutory material, including the DPA 2018, the UK GDPR, FOIA, Tribunal rules and statutory guidance. Contributors: James Findlay KC, Olivia Davies, John Fitzsimons, Richard Hanstock and Dr Christina Lienen (all of Cornerstone Barristers); Antony White KC, Sarah Hannett KC, Sara Mansoori KC and Aidan Wills (all of Matrix Chambers); Aidan Eardley KC and Clara Hamer (both of 5RB); Rupert Bowers KC and Martin Westgate KC (both of Doughty Street Chambers); Henry King KC and Bankim Thanki KC (both of Fountain Court Chambers); James Maurici KC and Jacqueline Lean (both of Landmark Chambers); Gemma White KC (Blackstone Chambers); Oliver Sanders KC (1 Crown Office Row); Saima Hanif KC (3VB); Jennifer Thelen (39 Essex Chambers); and Simon McKay (McKay Law).




The CIA's Greatest Covert Operation


Book Description

March 1968: three miles below the stormy surface of the North Pacific, a Soviet submarine lay silent as a tomb-its crew dead, its payload of nuclear missiles, once directed toward strategic targets in Hawaii, inoperable. No longer a real threat, the sub still presented an alluring target and it was not long before the CIA answered its siren call—even at the risk of igniting World War III. Project AZORIAN—the monumentally audacious six-year mission to recover the sub and learn its secrets—has been celebrated within the CIA as its greatest covert operation and hailed by the American Society of Mechanical Engineers as the twentieth century's greatest marine engineering feat. While previous accounts have offered beguiling glimpses, none have had significant access to CIA personnel or documents. Now David Sharp, the mission's Director of Recovery Systems, draws upon his own recollections and personal records, ship's logs, declassified documents, and conversations with team members to shine a bright light on this remarkable but still little understood enterprise. Sharp reveals how the CIA conceived, organized, and conducted AZORIAN, including recruiting the legendary Howard Hughes to provide the "ocean mining" cover story. He takes readers onto and beneath the high seas to show the problems faced by the crew during the operation, including potential Soviet intervention and tense moments when the recovery ship itself was in danger of breaking up. He also puts a human face on key players like Carl Duckett, the head of the CIA's Science and Technology Directorate; John Parangosky, AZORIAN's program manager; John Graham, designer of the Hughes Glomar Explorer; Curtis Crooke of Global Marine Development, co-creator of the "grunt lift" recovery concept; and Oscar "Ott" Schick, manager of the Lockheed-built capture vehicle and submersible barge. A mammoth undertaking worthy of the most dramatic and spell-binding espionage fiction, Project AZORIAN harnessed American imagination and ingenuity at their highest levels. Featuring dozens of previously classified photos, Sharp's chronicle of that amazing operation plunges readers deep into the darkest shadows of the Cold War to produce the definitive account of an amazing mission.




Investigative Aesthetics


Book Description

A new field of counterinvestigation across in human rights, art and law Today, artists are engaged in investigation. They probe corruption, human rights violations, environmental crimes and technological domination. At the same time, areas not usually thought of as artistic make powerful use of aesthetics. Journalists and legal professionals pore over opensource videos and satellite imagery to undertake visual investigations. This combination of diverse fields is what the authors call “investigative aesthetics”: the mobilisation of sensibilities associated with art, architecture and other such practices in order to speak truth to power. Investigative Aesthetics draws on theories of knowledge, ecology and technology; evaluates the methods of citizen counter-forensics, micro-history and art; and examines radical practices such as those of WikiLeaks, Bellingcat, and Forensic Architecture. These new practices take place in the studio and the laboratory, the courtroom and the gallery, online and in the streets, as they strive towards the construction of a new common sense. Matthew Fuller and Eyal Weizman have here provided an inspiring introduction to a new field that will change how we understand and confront power today. To Nour Abuzaid for your brilliance, perseverance, and unshaken belief in the liberation of Palestine.







Unmarked


Book Description

Written from and for the Left, Unmarked rethinks the claims of visibility politics through a feminist psychoanalytic examination of specific performance texts - including photography, painting, film and theatre.