Christians and Muslims in Early Islamic Egypt


Book Description

This volume collects studies exploring the relationship of Christians and Muslims in everyday life in Early Islamic Egypt (642–10th c.) focusing mainly, but not exclusively on administrative and social history. The contributions concentrate on the papyrological documentation preserved in Greek, Coptic, and Arabic. By doing so, this book transcends traditional disciplinary boundaries and offers results based on a holistic view of the documentary material. The articles of this volume discuss various aspects of change and continuity from Byzantine to Islamic Egypt and offer also the (re)edition of 23 papyrus documents in Greek, Coptic, and Arabic. The authors provide a showcase of recent papyrological research on this under-studied, but dynamically evolving field. After an introduction by the editor of the volume that outlines the most important trends and developments of the period, the first two essays shed light on Egypt as part of the Caliphate. The following six articles, the bulk of the volume, deal with the interaction and involvement of the Egyptian population with the new Muslim administrative apparatus. The last three studies of the volume focus on naming practices and language change.




A Companion to Ancient Epigram


Book Description

A delightful look at the epic literary history of the short, poetic genre of the epigram From Nestor’s inscribed cup to tombstones, bathroom walls, and Twitter tweets, the ability to express oneself concisely and elegantly, continues to be an important part of literary history unlike any other. This book examines the entire history of the epigram, from its beginnings as a purely epigraphic phenomenon in the Greek world, where it moved from being just a note attached to physical objects to an actual literary form of expression, to its zenith in late 1st century Rome, and further through a period of stagnation up to its last blooming, just before the beginning of the Dark Ages. A Companion to Ancient Epigram offers the first ever full-scale treatment of the genre from a broad international perspective. The book is divided into six parts, the first of which covers certain typical characteristics of the genre, examines aspects that are central to our understanding of epigram, and discusses its relation to other literary genres. The subsequent four parts present a diachronic history of epigram, from archaic Greece, Hellenistic Greece, and Latin and Greek epigrams at Rome, all the way up to late antiquity, with a concluding section looking at the heritage of ancient epigram from the Middle Ages up to modern times. Provides a comprehensive overview of the history of the epigram The first single-volume book to examine the entire history of the genre Scholarly interest in Greek and Roman epigram has steadily increased over the past fifty years Looks at not only the origins of the epigram but at the later literary tradition A Companion to Ancient Epigram will be of great interest to scholars and students of literature, world literature, and ancient and general history. It will also be an excellent addition to the shelf of any public and university library.




Greek Epigram from the Hellenistic to the Early Byzantine Era


Book Description

Greek epigram is a remarkable poetic form. The briefest of all ancient Greek genres, it is also the most resilient: for almost a thousand years it attracted some of the finest Greek poetic talents as well as exerting a profound interest on Latin literature, and it continues to inspire and influence modern translations and imitations. After a long period of neglect, research on epigram has surged during recent decades, and this volume draws on the fruits of that renewed scholarly engagement. It is concerned not with the work of individual authors or anthologies, but with the evolution of particular subgenres over time, and provides a selection of in-depth treatments of key aspects of Greek literary epigram of the Hellenistic, Roman, and early Byzantine periods. Individual chapters offer insights into a variety of topics, from explorations of the dynamic interactions between poets and their predecessors and contemporaries, and of the relationship between epigram and its socio-political, cultural, and literary background from the third century BCE up until the sixth century CE, to its interaction with its origins, inscribed epigram more generally, other literary genres, the visual arts, and Latin poetry, as well as the process of editing and compilation which generated the collections which survived into the modern world. Through the medium of individual studies the volume as a whole seeks to offer a sense of this vibrant and dynamic poetic form and its world which will be of value to scholars and students of Greek epigram and classical literature more broadly.




New Epigrams of Palladas


Book Description

P.CtYBR inv. 4000, owned by Yale University's Beinecke Library, is a fragmentary papyrus codex that comprises parts of six bifolia (24 pages) and contains Greek elegiac epigrams. Of the approximately 60 epigrams that are partially extant, two were previously known from the Greek Anthology, but the others survive nowhere else and appear here for the first time in a modern edition. In spite of the fact that there is no explicit declaration of authorship in the remaining portions of the codex, all signs point to a single author that can be identified with confidence as Palladas of Alexandria, who is known from approximately 150 epigrams preserved in the Greek Anthology. Because both the manuscript itself and the poetry that it contains are demonstrably from the early fourth century A.D., it is now virtually certain that this poet was active, not around the turn of the fifth century, as has often been assumed in modern scholarship, but almost a hundred years earlier. Palladas has a distinctive poetic voice - highly personal and topical, with a tendency towards bitterly pessimistic observation on the world around him. Despite the lacunose state of the codex, these traits are clearly on display in the new poems. Among other points of interest, there is a satire of the victory titles claimed by the emperors Diocletian and Galerius, a lament on the destruction of Alexandria, a curious mention of the sufferings of the Egyptian goddess Triphis, and lampoons of men from Hermopolis. This editio princeps contains a substantial introduction (codicological reconstruction, paleography, orthography, contents, metrics, authorship and date, and historical notes), diplomatic transcription and edited Greek text on facing pages, commentary, indexes, and photographic plates. It will be of particular interest to papyrologists, specialists in Greek epigram, and scholars of late antique history and literature.




Poems in Context


Book Description

Examining carefully the Egyptian epic hexameter production from the 3rd to the 6th centuries AD, especially that of the southern region (Thebaid), this study provides an image of three centuries in the history of the Graeco-Egyptian literature, in which authors and poetry are related directly to the social-economic, cultural and literary contexts from which they come. The training they could get and the books and authors they came in touch with explain that we know so many names and works, written in a language and metrics that enjoyed the greatest esteem, being considered proofs of the highest culture. Laura Miguélez Cavero demonstrates that the traditional image of a “school of Nonnos” is not justified ‐ rather, Triphiodorus, Nonnus, Musaeus, Colluthus, Cyrus of Panopolis and Christodorus of Coptos are just the tip of a literary iceberg we know only to some extent through the texts that papyri offer us.







Palladas and the Yale Papyrus Codex (P. CtYBR inv. 4000)


Book Description

The Yale papyrus codex has significantly enriched our knowledge of ancient Greek epigram, while it also sparked a lively debate around its date, authorship, and the interpretation of individual poems. This book offers the first collection of essays into this fascinating and elusive text.




Brill's Companion to Hellenistic Epigram


Book Description

Important research in recent decades, along with the publication of P.Mil.Vogl. VIII 309 ('the Milan Posidippus papyrus') in 2001, have reinvigorated the study of Hellenistic epigram. Yet, scholarship on this genre often remains fragmented according to disciplinary sub-specialty and approach: some scholars focus on poets of Meleager’s Garland, others on Philip’s; some on inscriptional epigram, others on literary; each approaching the genre with different motives and questions. In this volume, expert scholars offer those less familiar with the genre an introduction to all aspects of Hellenistic epigram—from models and forms inherited from inscriptional epigram to poetology, sub-genera, epigrammatic intertexts, and ancient and modern reception. Even specialists will find here fresh explorations of epigram, along with new directions for scholarship.




Xenophon and the Graces of Power


Book Description

One of classical Greece's most worldly and lucid writers, Xenophon across his many works gave a restless criticism of power: democratic, oligarchic and autocratic. From military campaigns (in which he took part), through the great powers of his day (Sparta, Persia, Athens) to modes of control within the household, he observed intimately and often with partisan passion. In this work a leading French Hellenist, Vincent Azoulay, analyses across Xenophon's diverse texts the techniques by which the Greek writer recommends that leaders should manipulate. Through gifts and personal allure, though mystique, dazzling appearance, exemplary behaviour, strategic absences - and occasional terror, Xenophon analyses ways in which a powerful few might triumphantly replace the erratic democracies and self-indulgent oligarchies of his day. First published in French (in 2004) to international acclaim, this book is here translated for the first time, revised and updated.




Hellenistic Epigrams


Book Description

Greek 'literary' epigrams constitute one of the most versatile and dynamic poetic forms in the Hellenistic period. Originally modeled on the anonymous epitaphs and dedications inscribed on monuments throughout antiquity, these short poems came to include a variety of subtypes and served as a vehicle for Hellenistic poets to experiment with themes and motifs from other genres. This edition introduces students to a wide selection of epigrams from the third and second centuries BCE. It provides substantial help in construing the Greek and will be appropriate for those approaching the genre for the first time, whilst also containing material of interest to scholars. It includes work by the most important epigrammatists of this period, with substantial attention paid to the way these poets engage with the epigraphic and literary traditions. The Introduction provides an overview of the history of the genre and of its formal features, including dialect and meter.