New Essays on F. Scott Fitzgerald's Neglected Stories


Book Description

F. Scott Fitzgerald's short stories are the most critically undervalued and ignored segment of his fiction. Despite the fact that most of his short fiction has been published in various extant collections, critics nonetheless continue to focus primarily on his novels. Moreover, even when they turn their attention to Fitzgerald's stories, they tend to deal with the half dozen most frequently anthologized to the exclusion of the vast majority. This volume presents twenty-three previously unpublished essays on Fitzgerald's "other" stories. The first section contains close readings of individual stories and ranges chronologically over his entire career--from "The Spire and the Gargoyle" (published in 1917, when Fitzgerald was at Princeton) through such early efforts as "Bernice Bobs Her Hair" (1920) and "John Jackson's Arcady" (1924) down to late stories such as "An Alcoholic Case" (1937) and "The Lost Decade" (1939). The second section includes essays on Fitzgerald's three story groups--the Basil and Josephine stories, the Count of Darkness stories, and the Pat Hobby stories. By placing these stories within the context of Fitzgerald's total fictional achievement, this collection serves as a resource for a deepened understanding of the intensely autobiographical nature of Fitzgerald's work, offering insights into his methods of composition and his aims, both artistic and human. The roster of contributors includes long-time Fitzgerald critics such as John Kuehl, Scott Donaldson, and Ruth Prigozy, along with distinguished critics of modern American literature such as Robert Merrill, Alan Cheuse, and James Nagel, and younger scholars like Gerald Pike and Heidi Kunz Bullock. The editor, Jackson R. Bryer, deliberately chose such a diverse group to ensure a variety of critical perspectives. The resulting volume is not the "last word" on these neglected stories; rather, these are the "first words" on stories that will now begin to receive more attention in what will be a continuing discovery of the pleasures in the full range of F. Scott Fitzgerald's fiction.




F. Scott Fitzgerald


Book Description

"Kuehl 'closely analyzes the works of short fiction that made F. Scott Fitzgerald, according to the author, one of the "few modern American masters of the form." The insights Kuehl shares with readers bring a richness and new dimension to our understanding of Fitzgerald's fiction and of the writer himself.'" Booklist.




F. Scott Fitzgerald in Context


Book Description

Explores many of the important social, historical and cultural contexts surrounding the life and works of F. Scott Fitzgerald.




The Cambridge Companion to F. Scott Fitzgerald


Book Description

Publisher Description (unedited publisher data) Eleven specially-commissioned essays by major Fitzgerald scholars present a clearly written and comprehensive assessment of F. Scott Fitzgerald as a writer and as a public and private figure. No aspect of his career is overlooked, from his first novel published in 1920, through his more than 170 short stories, to his last unfinished Hollywood novel. Contributions present the reader with a full and accessible picture of the background of American social and cultural change in the early decades of the twentieth century. The introduction traces Fitzgerald's career as a literary and public figure, and examines the extent to which public recognition has affected his reputation among scholars, critics, and general readers over the past sixty years. This is the only volume that offers undergraduates, graduates and general readers a full account of Fitzgerald's work as well as suggestions for further exploration of his work. Library of Congress subject headings for this publication: Fitzgerald, F, Scott (Francis Scott), 1896-1940 Criticism and interpretation Handbooks, manuals, etc.




The Crack-Up


Book Description

A self-portrait of a great writer 's rise and fall, intensely personal and etched with Fitzgerald's signature blend of romance and realism. The Crack-Up tells the story of Fitzgerald's sudden descent at the age of thirty-nine from glamorous success to empty despair, and his determined recovery. Compiled and edited by Edmund Wilson shortly after F. Scott Fitzgerald's death, this revealing collection of his essays—as well as letters to and from Gertrude Stein, Edith Wharton, T.S. Eliot, John Dos Passos—tells of a man with charm and talent to burn, whose gaiety and genius made him a living symbol of the Jazz Age, and whose recklessness brought him grief and loss. "Fitzgerald's physical and spiritual exhaustion is described brilliantly," noted The New York Review of Books: "the essays are amazing for the candor."




F. Scott Fitzgerald


Book Description

Years after his death, F. Scott Fitzgerald continues to captivate both the popular and the critical imagination. This collection of essays presents fresh insights into his writing, discussing neglected texts and approaching familiar works from new perspectives. Seventeen scholarly articles deal not only with Fitzgerald's novels but with his stories and essays as well, considering such topics as the Roman Catholic background of The Beautiful and Damned and the influence of Mark Twain on Fitzgerald's work and self-conception. The volume also features four personal essays by Fitzgerald's friends Budd Schulberg, Frances Kroll Ring, publisher Charles Scribner III, and writer George Garrett that shed new light on his personal and professional lives. Together these contributions demonstrate the continued vitality of Fitzgerald's work and establish new directions for ongoing discussions of his life and writing.




F. Scott Fitzgerald's "The Beautiful and Damned"


Book Description

F. Scott Fitzgerald’s second novel, The Beautiful and Damned, has frequently been dismissed as an outlier and curiosity in his oeuvre, a transitional work from the coming-of-age plot of This Side of Paradise to the masterful critique of American aspiration in The Great Gatsby. The Beautiful and Damned belongs to a genre that is widely misunderstood, the “bright young things” novel in which spoiled and wealthy characters succumb to decay because of their privilege and lack of purpose. Set between 1913 and 1922, Fitzgerald’s longest novel touches on many of the decisive issues that mark the passage from the Gilded Age and the Progressive Era into the Jazz Age: conspicuous consumption, income inequality, yellow journalism, the Great War, the rise of the movie industry, automobile travel, Wall Street stock scams, immigration and xenophobia, and the fixation with youth and aging. Published to coincide with the novel’s centennial in 2022, this collection approaches The Beautiful and Damned for its insights more than its faults. Prominent Fitzgerald scholars analyze major themes and reveal unappreciated issues with attention to history, biography, literary influence, gender studies, and narratology. While acknowledging the novel’s shortcomings, the essayists illustrate that The Beautiful and Damned has much more to say about its milieu than previously recognized. This collection provides a guide for understanding Fitzgerald’s aims while demonstrating the richness of ideas that this novel explores, alongside the anxieties and ambitions that reverberate within it.




The Best Early Stories of F. Scott Fitzgerald


Book Description

Edited and with an Introduction by Bryant Mangum Foreword by Roxana Robinson Benediction • Head and Shoulders • Bernice Bobs Her Hair • The Ice Palace • The Offshore Pirate • May Day • The Jelly Bean • The Diamond as Big as the Ritz • Winter Dreams • Absolution In the euphoric months before and after the publication of This Side of Paradise, F. Scott Fitzgerald, the flapper’s historian and poet laureate of the Jazz Age, wrote the ten stories that appear in this unique collection. Exploring characters and themes that would appear in his later works, such as The Beautiful and Damned and The Great Gatsby, these early selections are among the very best of Fitzgerald’s many short stories. This Modern Library Paperback Classic includes notes, an appendix of nonfiction essays by Scott and Zelda Fitzgerald and their contemporaries, and vintage magazine illustrations.




The Cambridge Companion to F. Scott Fitzgerald


Book Description

This second edition of The Cambridge Companion to F. Scott Fitzgerald offers both new and familiar readers an authoritative guide to the full scope of Fitzgerald's literary legacy. Gathering the critical insights of leading Fitzgerald specialists, it includes newly commissioned essays on The Beautiful and Damned, The Great Gatsby, Tender is the Night, Zelda Fitzgerald, Fitzgerald's judgment of his peers, and Fitzgerald's screenwriting and Hollywood years, alongside updated and revised versions of four of the best essays from the first edition on such topics as youth, maturity, and sexuality; the short stories and autobiographical essays; and Americans in Europe. It also includes an essay on Fitzgerald's critical and cultural reputation in the first decades of the 21st century, and an up-to-date bibliography of the best Fitzgerald scholarship and criticism for further reading.




Competing Stories


Book Description

Major changes in media in the late 19th and early 20th centuries challenged traditional ideas about artistic representation and opened new avenues for authors working in the modernist period. Modernist authors’ reactions to this changing media landscape were often fraught with complications and shed light on the difficulty of negotiating, understanding, and depicting media. The author of Competing Stories: Modernist Authors, Newspapers, and the Movies argues that negative depictions of newspapers and movies, in modernist fiction, largely stem from worries about the competition for modern audiences and the desire for control over storytelling and reflections of the modern world. This book looks at a moment of major change in media, the dominance of mass media that began with the primarily visual media of newspapers and movies, and the ways that authors like Ernest Hemingway, Zora Neale Hurston, James Joyce, Djuna Barnes, and others responded. The author contends that an examination of this moment may facilitate a better understanding of the relationship between media and authorship in our constantly shifting media landscape.