New Essays on Maria Edgeworth


Book Description

Devoted to the varied writings of the influential novelist, children's author, and educator, this collection situates Edgeworth's writing in the context of her life and times. Combining postcolonial, historical, and gender criticism, the contributors offer fresh readings of Edgeworth's novels, stories, letters, and educational texts, including Belinda, Moral Tales, Practical Education, Helen, and The Absentee. Throughout her work, Edgeworth confronts a world whose values, while grounded in tradition and supported by slavery and colonial domination, are being challenged and ultimately changed in surprising ways by women, peasants, servants, and other voices from the margins. In discussing Edgeworth and her writing, the contributors also offer innovative perspectives on the novel and other central issues of eighteenth- and nineteenth-century literature. The collection will be invaluable to established scholars working in eighteenth- and nineteenth-century literature, women's studies, and children's literature, as well as to students encountering Edgeworth for the first time.




New Essays on Maria Edgeworth


Book Description

Devoted to the varied writings of the influential novelist, children's author, and educator, this collection combines postcolonial, historical, and gender criticism to offer fresh readings of Edgeworth's novels, stories, letters, and educational texts. The collection will be invaluable to established scholars working in eighteenth- and nineteenth-century literature, women's studies, and children's literature, as well as to students encountering Edgeworth for the first time.




Essay on Irish Bulls


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Belinda


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Castle Rackrent


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Maria Edgeworth and Abolition


Book Description

This Palgrave Pivot offers new readings of Maria Edgeworth’s representations of slavery. It shows how Edgeworth employed satiric technique and intertextual allusion to represent discourses of slavery and abolition as a litmus test of character – one that she invites readers to use on themselves. Over the course of her career, Edgeworth repeatedly indicted hypocritical and hyperbolic misappropriation of the sentimental rhetoric that dominated the slavery debate. This book offers new readings of canonical Edgeworth texts as well as of largely neglected works, including: Whim for Whim, “The Good Aunt”, Belinda, “The Grateful Negro”, “The Two Guardians”, and Harry and Lucy Continued. It also offers an unprecedented deep-dive into an important Romantic Era woman writer’s engagement with discourses of slavery and abolition.




An Uncomfortable Authority


Book Description

In recent years, Maria Edgeworth (1768-1849) has been the subject of increasing interest. A woman, a member of the landholding elite, an educator, and a daughter who lived under the historical shadow of her father, Edgeworth's life is difficult to categorize. Ironically, these very aspects of Edgeworth's identity that once excluded her from literary and historical discussions now form the basis of current interest in her life and her writing. This collection of essays builds on existing scholarship to develop new perspectives about Edgeworth's place in English and Irish history, literary history, and women's history. These essays explore the ways in which Edgeworth's entire adult life was an attempt to reconcile the irreconcilable, an attempt to justify and preserve her own privileged position even as she acknowledged the tenuousness of that position and as she sought to claim other privileges denied her. Christopher Fauske is the assistant dean in the School of Arts & Science at Salem State College, Salem, Massachusetts. Heidi Kaufman is assistant Professor of English at the University of Delaware.




An Essay on the Noble Science of Self-Justification


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An Essay On The Noble Science Of Self-Justification




Ennui


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Lord Glenthorn is bored and lacking oomph. But before you feel sorry for him, it is worth knowing that he has a pile of money, a grand title, estates in England and Ireland and no stress. That is until he finds out he is not Lord Glenthorn, the Anglo-Irish earl. He is in fact the peasant Christy O'Donoghoe, which is a fly in the ointment for his efforts to provide for the woman he loves. At the same time, he gets caught up in the violent Irish Rebellion of 1798. Can he shake off the ennui, become a self-made man and win the hand of his love? Those who enjoy Jane Austen's novels, including 'Persuasion', 'Sense and Sensibility', and 'Pride and Prejudice', will love 'Ennui'. Like Austen, Maria Edgeworth has a gift for gently exposing the hypocrisy and accidental comedy of Britain's 19th century upper-middle class. First published in 1809, 'Ennui' is a didactic novel, which means it aims to teach the reader a moral lesson - like 'Aesop's Fables'. The Irish writer Maria Edgeworth (1768-1849) was highly regarded in her day as a pioneer of early 19th century fiction and children's literature. A friend of the novelist Sir Walter Scott ('Ivanhoe', 'Rob Roy'), she was active and vocal about political and estate reform. Today, she is rather underappreciated - and overshadowed - by other 19th century satirical novelists like Jane Austen and Anthony Trollope. A prolific writer, Edgeworth's best-known works include 'Ennui', 'The Dun' and 'Belinda', which was controversial in its day for featuring inter-racial marriage.




The Art of Political Fiction in Hamilton, Edgeworth, and Owenson


Book Description

Even as Romantic-period authors asserted the importance of telling the unvarnished truth, novelists were deploying narrative glossing in particularly sophisticated forms. The author examines the artistic craft and political engagement of three major women novelists-Elizabeth Hamilton, Maria Edgeworth, and Sydney Owenson-whose self-conscious use of glosses facilitated their critiques of politics and society. All three writers employed devices such as prefaces and editorial notes, as well as alternative media, especially painting and drama, to comment on the narrative. The effect of these disparate media, the author argues, is to call the reader's attention away from the narrative itself. That is, such glossing or 'varnishing' creates narrative ruptures that offer the reader a glimpse of the process of fictional structuring and often reveal the novel's indebtedness to a particular historical moment. In spite, or perhaps because, of their being gendered feminine in eighteenth-century rhetorical commentary, therefore, these glosses allow women writers to participate in 'masculine' discussions outside the conventional domestic sphere. Informed by a wide range of archival texts and examples from the visual arts, and highlighting the 1798 Irish Rebellion as a major event in Irish and British Romantic writing, the author's study offers a new interdisciplinary reading of gendered and political responses to key events in the history of Romanticism.