Book Description
Provides an international forum where theatrical scholarship and practice can meet.
Author : Clive Barker
Publisher : Cambridge University Press
Page : 100 pages
File Size : 19,96 MB
Release : 1998-06-04
Category : Drama
ISBN : 9780521648523
Provides an international forum where theatrical scholarship and practice can meet.
Author : Clive Barker
Publisher : Cambridge University Press
Page : 108 pages
File Size : 22,16 MB
Release : 1998-11-19
Category : Drama
ISBN : 9780521648516
New Theatre Quarterly provides an international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning.
Author : B. Sweeney
Publisher : Springer
Page : 253 pages
File Size : 37,18 MB
Release : 2008-02-14
Category : Performing Arts
ISBN : 0230582052
This title examines the representation of the body in Irish theatre alongside the specific circumstances within which Irish theatre is performed, incorporating issues of gender and embodiment, and the performance of Irishness and tradition. The author contextualizes the body in Irish theatre, and includes in-depth analysis of five key productions.
Author : Clive Barker
Publisher : Cambridge University Press
Page : 108 pages
File Size : 49,95 MB
Release : 2001-05-10
Category : Drama
ISBN : 9780521001472
Provides an international forum where theatrical scholarship and practice can meet.
Author : Clive Barker
Publisher : Cambridge University Press
Page : 108 pages
File Size : 45,57 MB
Release : 1996-10-03
Category : Drama
ISBN : 9780521565028
One of a series discussing topics of interest in theatre studies from theoretical, methodological, philosophical and historical perspectives. The books are aimed at drama and theatre teachers, advanced students in schools and colleges, arts authorities, actors, playwrights, critics and directors.
Author : Clive Barker
Publisher : Cambridge University Press
Page : 100 pages
File Size : 49,89 MB
Release : 1997-08-21
Category : Drama
ISBN : 9780521589024
Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.
Author : Clive Barker
Publisher : Cambridge University Press
Page : 100 pages
File Size : 18,50 MB
Release : 2000-08-17
Category : Drama
ISBN : 9780521789028
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies. Articles in volume 62 include: Staging and Storytelling, Theatre and Film: Richard III at Stratford; The Theatrical Biosphere and Ecologies of Performance; The Afro-Caribbean Identity and the English Stage; A Riposte to David Mamet: Heresy and Common Sense in True and False; Form as Weapon: the Political Function of Song in Urban Zimbabwean Theatre; 'Aphrodite Speaks': on the recent Performance Art of Carolee Schneemann; Theatre and Urban Space: the Case of Birmingham Rep; Across Two Eras: Slovak Theatre from Communism to Independence; Whatever Happened to Gay Theatre?
Author : Simon Trussler
Publisher : Cambridge University Press
Page : 108 pages
File Size : 12,2 MB
Release : 2005-03-21
Category : Drama
ISBN : 9780521603270
Provides an international forum where theatrical scholarship and practice can meet.
Author : Clive Barker
Publisher : Cambridge University Press
Page : 98 pages
File Size : 45,31 MB
Release : 1997-08-21
Category : Drama
ISBN : 9780521589017
Provides an international forum where theatrical scholarship and practice can meet to question dramatic assumptions.
Author : Simon Trussler
Publisher : Cambridge University Press
Page : 98 pages
File Size : 14,76 MB
Release : 2003-08-25
Category : Drama
ISBN : 9780521535885
New Theatre Quarterly provides a lively international forum where theatrical scholarship and practice can meet, and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology, and that theatre criticism needs a language. Articles in volume 73 include: Performance, Embodiment, Voice: the Theatre/Dance Cross-overs of Dodin, Bausch, and Forsythe; The Performative Self: Improvisation for Self and Other; The Events of June 1848: the 'Monte Cristo' Riots and the Politics of Protest; Culture, Memory, and American Performer Training; 'The Maker and the Tool': Charles Parker, Documentary Performance, and the Search for a Popular Culture; Simple Pleasures: the Ten-Minute Play, Overnight Theatre, and the Decline of the Art of Storytelling; Archive or Memory? The Detritus of Live Performance; NTQ Reports and Announcements; NTQ Book Reviews.