The Rose Island Lighthouse Series


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"Wanton Chase was a sickly baby so his mother took him to stay with his grandparents at the Rose Island Lighthouse, thinking the sea air would do him good. Despite his isolation on the island, Wanton cried when he had to leave, and later in life he wrote nostalgically of his happy boyhood times spent at the lighthouse. The Curious Childhood of Wanton Chase captures some of Mr. Chase's memories through heartwarming stories interspersed with fascinating glimpses of life in the world just prior to World War I. If you are a lighthouse enthusiast or simply want to learn about a fascinating piece of Rhode Island history, you will enjoy this journey with young Wanton Chase to beautiful Rose Island." --




God Is Alive and Well


Book Description

Gallup Editor-in-Chief Frank Newport examines religion in America today, reviews just how powerfully intertwined religion is with every aspect of American society, and explores what appears to be religion's vibrant future in the U.S. -- all based on more than a million interviews conducted by Gallup since 2008. Popular books such as The God Delusion have dismissed religion as a delusional artifact of evolution and ancient superstitions. But should millions of Americans' statements of belief and their behavior be dismissed that quickly? The pattern of religious influence in American society suggests mass consequence rather than mass delusion. In God Is Alive and Well, Frank Newport, Gallup's Editor-in-Chief, provides a new evidence-based analysis of Americans' religious beliefs and practices -- and bold predictions about religion's future in the U.S. Most Americans are at least marginally religious, significantly more so than in most developed nations around the world. The majority of Americans believe in God and say that religion is important in their daily lives. And Americans routinely participate in religious rituals. Levels of religious consciousness are not distributed equally. Systematic patterns of differences in religion occur with surprising regularity. An American's religiosity is very much bound up with social position and geographic space. There is an important interplay between religion and life status factors -- age, gender, marital status, having children -- and with achieved status distinctions -- class, education, income. Those who are most religious are demonstrably different across a wide spectrum of outcomes from those who are not. These include lifestyle choices, social participation, ideology, partisanship, and views on political and social issues. Religion can be the driver for highly disruptive social behaviors, up to and including the taking of human life. Unlike citizens of any other country in the world, Americans group themselves into hundreds of distinct micro religious groups and denominations. These groups are constantly evolving, splitting like amoeba to form new groups. The most common pattern today is the development of the "no name" religious group, consisting of Americans who worship only under the banner of their own nondenominational predilections. These religious groupings are sociologically related to social status, geography, politics, and social and political attitudes. The emotional, non-negotiable bases of religion and the nature of its appeal to the most ultimate of rationales mean that highly religious Americans are one of the most potentially influential groups in society. Religious beliefs provide a foundation for much of today's American politics. America is and will remain a religious nation, and it is entirely possible that in many ways, religion will be more, rather than less, important in the years ahead. The foundation for God Is Alive and Well is the perspective of science -- analyzing what people think, do, and believe about religion. Frank Newport's distinction as a well-known social scientist and authority on American life, his media experience, and his unique personal history as the son of a Southern Baptist theologian will increase this book's sales potential. God Is Alive and Well is based in large part on more than a million interviews Gallup has conducted in recent years -- interviews that asked Americans about their religion, their religious beliefs, and their religious behavior. The resulting data provide an unparalleled and unprecedented database of information about Americans and their religions. Written for lay readers using a conversational tone, God Is Alive and Well presents new information with an entertaining style.




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Iron Thunder


Book Description

When his father is killed fighting for the Union in the War Between the States, thirteen-year-old Tom Carroll must take a job to help support his family. He manages to find work at a bustling ironworks in his hometown of Brooklyn, New York, where dozens of men are frantically pounding together the strangest ship Tom has ever seen. A ship made of iron. Tom becomes assistant to the ship's inventor, a gruff, boastful man named Captain John Ericsson. He soon learns that the Union army has very important plans for this iron ship called the Monitor. It is supposed to fight the Confederate "sea monster"--another ironclad--the Merrimac. But Ericsson is practically the only person who believes the Monitor will float. Everyone else calls it "Ericsson's Folly" or "the iron coffin." Meanwhile, Tom's position as Ericsson's assistant has made him a target of Confederate spies, who offer him money for information about the ship. Tom finds himself caught between two certain dangers: an encounter with murderous spies and a battle at sea in an iron coffin




The Thirty Years War


Book Description

The Thirty Years War: A Documentary History fills a gap in recent studies of the great pan-European conflict, providing fresh translations of thirty-eight primary documents for the student and general reader. The selections are drawn from the standard political documents, from the Apology of the Bohemian Estates for the Defenestration of Prague to the text of the Treaty of Westphalia, as well as from imperial edicts, trial records, letters, diary entries, and satirical broadsheets, all directly translated from the Early New High German, French, Swedish, and Latin. The volume contains some ten illustrations and one map . . . and on the whole is well organized and well presented with a judicious amount of footnotes and a slim For Further Reading section. A succinct introduction introduces the four sections, each with its own substantial introduction: (1) Outbreak of the Thirty Years War (1618-1623), (2) The Intervention of Denmark and Sweden (1623-1635), and (3) The Long War (1635-1648). The concluding section (4) Two Wartime Lives (1618-1648), interestingly juxtaposes the journals of a wandering mercenary and a settled townsman. The first is the diary of Peter Hagendorf, kept between the years 1624 and 1649 and only rediscovered in 1993. Hagendorf experienced the war as a common mercenary from the Baltic to Italy, from France to Pomerania. His counterpart is Hans Heberle, a shoemaker from a small town in the territory of the free imperial city of Ulm whose Zeytregister chronicled happenings both in the neighborhood and further afield. The engrossing accounts of their shifting fortunes over the three decades of the war really help to give this collection of texts, and the troublesome period itself, a human face. They are the stuff from which Grimmelshausen would craft his great novel of the war, The Adventuresome Simplicissimus (1668). Tryntje Helfferich is to be applauded for this consistently interesting and eminently useful volume. --Martin W. Walsh, University of Michigan, in Sixteenth Century Journal




The Notebooks of Leonardo Da Vinci (Complete)


Book Description

A singular fatality has ruled the destiny of nearly all the most famous of Leonardo da Vinci's works. Two of the three most important were never completed, obstacles having arisen during his life-time, which obliged him to leave them unfinished; namely the Sforza Monument and the Wall-painting of the Battle of Anghiari, while the third—the picture of the Last Supper at Milan—has suffered irremediable injury from decay and the repeated restorations to which it was recklessly subjected during the XVIIth and XVIIIth centuries. Nevertheless, no other picture of the Renaissance has become so wellknown and popular through copies of every description. Vasari says, and rightly, in his Life of Leonardo, "that he laboured much more by his word than in fact or by deed", and the biographer evidently had in his mind the numerous works in Manuscript which have been preserved to this day. To us, now, it seems almost inexplicable that these valuable and interesting original texts should have remained so long unpublished, and indeed forgotten. It is certain that during the XVIth and XVIIth centuries their exceptional value was highly appreciated. This is proved not merely by the prices which they commanded, but also by the exceptional interest which has been attached to the change of ownership of merely a few pages of Manuscript. That, notwithstanding this eagerness to possess the Manuscripts, their contents remained a mystery, can only be accounted for by the many and great difficulties attending the task of deciphering them. The handwriting is so peculiar that it requires considerable practice to read even a few detached phrases, much more to solve with any certainty the numerous difficulties of alternative readings, and to master the sense as a connected whole. Vasari observes with reference to Leonardos writing: "he wrote backwards, in rude characters, and with the left hand, so that any one who is not practised in reading them, cannot understand them". The aid of a mirror in reading reversed handwriting appears to me available only for a first experimental reading. Speaking from my own experience, the persistent use of it is too fatiguing and inconvenient to be practically advisable, considering the enormous mass of Manuscripts to be deciphered. And as, after all, Leonardo's handwriting runs backwards just as all Oriental character runs backwards—that is to say from right to left—the difficulty of reading direct from the writing is not insuperable. This obvious peculiarity in the writing is not, however, by any means the only obstacle in the way of mastering the text. Leonardo made use of an orthography peculiar to himself; he had a fashion of amalgamating several short words into one long one, or, again, he would quite arbitrarily divide a long word into two separate halves; added to this there is no punctuation whatever to regulate the division and construction of the sentences, nor are there any accents—and the reader may imagine that such difficulties were almost sufficient to make the task seem a desperate one to a beginner. It is therefore not surprising that the good intentions of some of Leonardo s most reverent admirers should have failed.










America and the Great War


Book Description

Choice Magazine Outstanding Academic Titles of the Year for 2017 "A uniquely colorful chronicle of this dramatic and convulsive chapter in American--and world--history. It's an epic tale, and here it is wondrously well told." --David M. Kennedy, Pulitzer Prize-winning historian and author of FREEDOM FROM FEAR From August 1914 through March 1917, Americans were increasingly horrified at the unprecedented destruction of the First World War. While sending massive assistance to the conflict's victims, most Americans opposed direct involvement. Their country was immersed in its own internal struggles, including attempts to curb the power of business monopolies, reform labor practices, secure proper treatment for millions of recent immigrants, and expand American democracy. Yet from the first, the war deeply affected American emotions and the nation's commercial, financial, and political interests. The menace from German U-boats and failure of U.S. attempts at mediation finally led to a declaration of war, signed by President Wilson on April 6, 1917. America and the Great War commemorates the centennial of that turning point in American history. Chronicling the United States in neutrality and in conflict, it presents events and arguments, political and military battles, bitter tragedies and epic achievements that marked U.S. involvement in the first modern war. Drawing on the matchless resources of the Library of Congress, the book includes many eyewitness accounts and more than 250 color and black-and-white images, many never before published. With an introduction by Pulitzer Prize–winning historian David M. Kennedy, America and the Great War brings to life the tempestuous era from which the United States emerged as a major world power.