Nightingales in Berlin


Book Description

A celebrated figure in myth, song, and story, the nightingale has captivated the imagination for millennia, its complex song evoking a prism of human emotions,—from melancholy to joy, from the fear of death to the immortality of art. But have you ever listened closely to a nightingale’s song? It’s a strange and unsettling sort of composition—an eclectic assortment of chirps, whirs, trills, clicks, whistles, twitters, and gurgles. At times it is mellifluous, at others downright guttural. It is a rhythmic assault, always eluding capture. What happens if you decide to join in? As philosopher and musician David Rothenberg shows in this searching and personal new book, the nightingale’s song is so peculiar in part because it reflects our own cacophony back at us. As vocal learners, nightingales acquire their music through the world around them, singing amidst the sounds of humanity in all its contradictions of noise and beauty, hard machinery and soft melody. Rather than try to capture a sound not made for us to understand, Rothenberg seeks these musical creatures out, clarinet in tow, and makes a new sound with them. He takes us to the urban landscape of Berlin—longtime home to nightingale colonies where the birds sing ever louder in order to be heard—and invites us to listen in on their remarkable collaboration as birds and instruments riff off of each other’s sounds. Through dialogue, travel records, sonograms, tours of Berlin’s city parks, and musings on the place animal music occupies in our collective imagination, Rothenberg takes us on a quest for a new sonic alchemy, a music impossible for any one species to make alone. In the tradition of The Hidden Life of Trees and The Invention of Nature, Rothenberg has written a provocative and accessible book to attune us ever closer to the natural environment around us.




Nightingales in Berlin


Book Description

A celebrated figure in myth, song, and story, the nightingale has captivated the imagination for millennia, its complex song evoking a prism of human emotions,—from melancholy to joy, from the fear of death to the immortality of art. But have you ever listened closely to a nightingale’s song? It’s a strange and unsettling sort of composition—an eclectic assortment of chirps, whirs, trills, clicks, whistles, twitters, and gurgles. At times it is mellifluous, at others downright guttural. It is a rhythmic assault, always eluding capture. What happens if you decide to join in? As philosopher and musician David Rothenberg shows in this searching and personal new book, the nightingale’s song is so peculiar in part because it reflects our own cacophony back at us. As vocal learners, nightingales acquire their music through the world around them, singing amidst the sounds of humanity in all its contradictions of noise and beauty, hard machinery and soft melody. Rather than try to capture a sound not made for us to understand, Rothenberg seeks these musical creatures out, clarinet in tow, and makes a new sound with them. He takes us to the urban landscape of Berlin—longtime home to nightingale colonies where the birds sing ever louder in order to be heard—and invites us to listen in on their remarkable collaboration as birds and instruments riff off of each other’s sounds. Through dialogue, travel records, sonograms, tours of Berlin’s city parks, and musings on the place animal music occupies in our collective imagination, Rothenberg takes us on a quest for a new sonic alchemy, a music impossible for any one species to make alone. In the tradition of The Hidden Life of Trees and The Invention of Nature, Rothenberg has written a provocative and accessible book to attune us ever closer to the natural environment around us.




The Nightingale's Sonata


Book Description

*Winner of the Sophie Brody Medal* A moving and uplifting history set to music that reveals the rich life of one of the first internationally renowned female violinists. Spanning generations, from the shores of the Black Sea to the glittering concert halls of New York, The Nightingale's Sonata is a richly woven tapestry centered around violin virtuoso Lea Luboshutz. Like many poor Jews, music offered an escape from the predjudices that dominated society in the last years of the Russian Empire. But Lea’s dramatic rise as an artist was further accentuated by her scandalous relationship with the revolutionary Onissim Goldovsky. As the world around them descends in to chaos, between revolution and war, we follow Lea and her family from Russia to Europe and eventually, America. We cross paths with Pablo Casals, Isadora Duncan, Emile Zola and even Leo Tolstoy. The little girl from Odessa will eventually end up as one of the founding faculty of the prestigious Curtis Institute of Music, but along the way she will lose her true love, her father, and watch a son die young. The Iron Curtain would rise, but through it all, she plays on. Woven throughout this luminous odyssey is the story is Cesar Franck’s “Sonata for Violin and Piano.” As Lea was one of the first-ever internationally recognized female violinists, it is fitting that this pioneer was one of the strongest advocates for this young boundary-pushing composer and his masterwork.




Before the Deluge


Book Description

A fascinating portrait of the turbulent political, social, and cultural life of the city of Berlin in the 1920s.




Writing on Water


Book Description

Water and its multifaceted relationship to humans, as portrayed by a wide range of writers and photographers.




Possibilities of Lyric


Book Description

Opening to passion as an unsettling, transformative force; extending desire to the text, expanding the self, and dissolving its boundaries; imagining pleasures outside the norm and intensifying them; overcoming loss and reaching beyond death; being loyal to oneself and defying productivity, resolution, and cohesion while embracing paradox, non-linearity, incompletion. These are some of the possibilities of lyric that this book explores by reading Petrarch’s vernacular poetry in dialogue with that of other poets, including Guido Cavalcanti, Dante, and Shakespeare. In the Epilogue, the poet Antonella Anedda Angioy engages with Ossip Mandel’štam and Paul Celan’s dialogue with Petrarch and extends it into the present.




The Philosophy of Improvisation


Book Description

Improvisation is usually either lionized as an ecstatic experience of being in the moment or disparaged as the thoughtless recycling of clichés. Eschewing both of these orthodoxies, The Philosophy of Improvisation ranges across the arts—from music to theater, dance to comedy—and considers the improvised dimension of philosophy itself in order to elaborate an innovative concept of improvisation. Gary Peters turns to many of the major thinkers within continental philosophy—including Heidegger, Nietzsche, Adorno, Kant, Benjamin, and Deleuze—offering readings of their reflections on improvisation and exploring improvisational elements within their thinking. Peters’s wry, humorous style offers an antidote to the frequently overheated celebration of freedom and community that characterizes most writing on the subject. Expanding the field of what counts as improvisation, The Philosophy of Improvisation will be welcomed by anyone striving to comprehend the creative process.




Why Birds Sing


Book Description

The astonishing variety and richness of bird song is both an aesthetic and a scientific mystery. Biologists have never been able to understand why bird song displays are often so inventive and why so many species devote so many hours to singing. The standard explanations, which generally have to do with territoriality and sexual display, don't begin to account for the astonishing variety and energy that the commonest birds exhibit. Is it possible that birds sing because they like to? This seemingly naïve explanation is starting to look more and more like the truth.In the tradition of classic works by Bernd Heinrich, Edward Abbey, and Terry Tempest Williams, Why Birds Sing is a lyric exploration of bird song that blends the latest scientific research with a deep understanding of musical beauty and form. Based on conversations with neuroscientists, ecologists, and composers, it is the first book to investigate why birds sing and how, and what effect their music has on other animals—particularly humans. Whether playing the clarinet with the white-crested laughing thrush in Pittsburgh, or jamming in the Australian winter breeding grounds of the Albert's lyrebird, Rothenberg journeys to the heart and soul of bird song. Why Birds Sing offers an intimate look at the most lovely of natural phenomena—with surprising insights about the origin of music.




The Voice as Something More


Book Description

In the contemporary world, voices are caught up in fundamentally different realms of discourse, practice, and culture: between sounding and nonsounding, material and nonmaterial, literal and metaphorical. In The Voice as Something More, Martha Feldman and Judith T. Zeitlin tackle these paradoxes with a bold and rigorous collection of essays that look at voice as both object of desire and material object. Using Mladen Dolar’s influential A Voice and Nothing More as a reference point, The Voice as Something More reorients Dolar’s psychoanalytic analysis around the material dimensions of voices—their physicality and timbre, the fleshiness of their mechanisms, the veils that hide them, and the devices that enhance and distort them. Throughout, the essays put the body back in voice. Ending with a new essay by Dolar that offers reflections on these vocal aesthetics and paradoxes, this authoritative, multidisciplinary collection, ranging from Europe and the Americas to East Asia, from classics and music to film and literature, will serve as an essential entry point for scholars and students who are thinking toward materiality.




Sounds Wild and Broken


Book Description

Finalist for the 2023 Pulitzer Prize in General Nonfiction and the 2023 PEN/E.O. Wilson Literary Science Writing Award Winner of the Acoustical Society of America's 2023 Science Communication Award “[A] glorious guide to the miracle of life’s sound.” —The New York Times Book Review A lyrical exploration of the diverse sounds of our planet, the creative processes that produced these marvels, and the perils that sonic diversity now faces We live on a planet alive with song, music, and speech. David Haskell explores how these wonders came to be. In rain forests shimmering with insect sound and swamps pulsing with frog calls we learn about evolution’s creative powers. From birds in the Rocky Mountains and on the streets of Paris, we discover how animals learn their songs and adapt to new environments. Below the waves, we hear our kinship to beings as different as snapping shrimp, toadfish, and whales. In the startlingly divergent sonic vibes of the animals of different continents, we experience the legacies of plate tectonics, the deep history of animal groups and their movements around the world, and the quirks of aesthetic evolution. Starting with the origins of animal song and traversing the whole arc of Earth history, Haskell illuminates and celebrates the emergence of the varied sounds of our world. In mammoth ivory flutes from Paleolithic caves, violins in modern concert halls, and electronic music in earbuds, we learn that human music and language belong within this story of ecology and evolution. Yet we are also destroyers, now silencing or smothering many of the sounds of the living Earth. Haskell takes us to threatened forests, noise-filled oceans, and loud city streets, and shows that sonic crises are not mere losses of sensory ornament. Sound is a generative force, and so the erasure of sonic diversity makes the world less creative, just, and beautiful. The appreciation of the beauty and brokenness of sound is therefore an important guide in today’s convulsions and crises of change and inequity. Sounds Wild and Broken is an invitation to listen, wonder, belong, and act.